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<This> is with the first Full-Spectrum camera sold by Kodak, DCS200ir. R60 filter, Micro-Nikkor 55/2.8. I called them up, had them make it. Over 30 years ago. Before that, worked IR Digital imagers all through the 1980s.
Still have a full-spectrum Olympus EP2, and wrote my own DNG processor to get color-IR from a Leica M8 using an Orange filter to block Blue. Like IR Ektachrome.
<This> is with a Leica M8 using an Orange filter. The Blue channel gets IR only, then equalize with Red and Green. This code started from one written in the 1980s.
Now I want an SD1.
Slay!
These are IR/Visible combined using a dual spectrum camera without filters
What camera please, Neal?
The photo is a link to Flickr, which shows a Fuji X100s.
Neil- "Dual Spectrum"- we used that term "in the day" to combine two separate bands into one image, as opposed to a "full-Spectrum" meaning getting the full spectral response of the detector. I've used Magenta filters and other color separation filters to selectively cut out part of the spectrum before, Magenta cuts out green only- makes for some interesting colors.
From about 20 years ago, Full-Spectrum Modified Nikon Coolpix 950 with a Magenta Filter. Magenta cuts out Green, making the vegetation IR only.
Here's another Merrill shot - this one with the Sigma 8-16mm pointed straight up - it flared quite well, eh?View attachment 4819066
Always been wary of removing the dust cover on my SD14, partly because it seemed like the only thing holding it in was the lens. Are they particularly delicate or can they be cleaned if I get fingerprints all over it (sod's law I'll drop it).
Very nice, Gary. Do I recognize the processing style ... ?I decided to purchase another DP1x, then had it converted to full spectrum at Kolarivision. It's still early Spring, but the DP1x is producing some nice Foveon reds. No filter, CWB on gray, minimal processing.
Thanks Ted. Good to see you here. Not much to say about processing. For these it was Sigma Photo Pro, adjust for any blown highlights, then save to AdobeRGB, 16bit Tiff. In Photoshop, I use the Hue/Saturation menu, mainly for the Reds, then minor adjustments for Yellow, Cyan and Blue. Also use NIK on just about everything. Yes, this is the same processing that I've used for years on my FS-Sigma digitals.Very nice, Gary. Do I recognize the processing style ... ?