airfrogusmc
Mentor
A few more from earlier today
airfrogusmc
Mentor
airfrogusmc
Mentor
Just received an email from Cheryl Dunn with this link. She posted one of my images to her site. Scroll down after it opens.
http://everybodystreet.com/
If you haven't seen the film I highly recommend it.
http://everybodystreet.com/
If you haven't seen the film I highly recommend it.
airfrogusmc
Mentor
Some from yesterday and today
kbg32
neo-romanticist
Wonderful Allen!
airfrogusmc
Mentor
Thanks Keith
airfrogusmc
Mentor
Some from this AM
airfrogusmc
Mentor
Jan Pedersen
Well-known
Excellent body of work, you have a fabulous technique, a good eye and a quick trigger finger.
airfrogusmc
Mentor
thanks Jan....
airfrogusmc
Mentor
OurManInTangier
An Undesirable
I've just had a good peruse through the entire thread again. Allen, have you exhibited your street portraits on their own anywhere? Looks like there's plenty of great examples to get started with e.g. the smiling woman in New Orleans that Helen commented on.
Interesting to see some colour work come in too.
Interesting to see some colour work come in too.
airfrogusmc
Mentor
I've just had a good peruse through the entire thread again. Allen, have you exhibited your street portraits on their own anywhere? Looks like there's plenty of great examples to get started with e.g. the smiling woman in New Orleans that Helen commented on.
Interesting to see some colour work come in too.
Thanks Simon. Yeah I have thought in terms of a portrait body of work I just haven't pulled it all together. Thanks for the nudge.
I used to shoot a lot of color.
OurManInTangier
An Undesirable
It's the 'pulling together' part that can be a bit daunting
I shoot colour for a lot of my work but always seem to discard it in my personal stuff and I'm not entirely sure I should.
I shoot colour for a lot of my work but always seem to discard it in my personal stuff and I'm not entirely sure I should.
airfrogusmc
Mentor
Yes you are right. The editing and putting together a consistent body of work is the really tough part.
Probably 80% of my work for clients is in color and in usually fairly controlled environments so it is refreshing to shoot in the unstructured world on the street in B&W when shooting for me. But what really moved me in that direction a few years back was I noticed I was really seeing in B&W for my personal work. As long as thats the way I seem to be working I will continue to follow that path and that is subject to change at any time LoL.
Probably 80% of my work for clients is in color and in usually fairly controlled environments so it is refreshing to shoot in the unstructured world on the street in B&W when shooting for me. But what really moved me in that direction a few years back was I noticed I was really seeing in B&W for my personal work. As long as thats the way I seem to be working I will continue to follow that path and that is subject to change at any time LoL.
airfrogusmc
Mentor
squirrel$$$bandit
Mentor
wow, good one.
kbg32
neo-romanticist
The portraits would make a great exhibit Allen. Nudge.....
OurManInTangier
An Undesirable
Yes you are right. The editing and putting together a consistent body of work is the really tough part.
Probably 80% of my work for clients is in color and in usually fairly controlled environments so it is refreshing to shoot in the unstructured world on the street in B&W when shooting for me. But what really moved me in that direction a few years back was I noticed I was really seeing in B&W for my personal work. As long as thats the way I seem to be working I will continue to follow that path and that is subject to change at any time LoL.
Ah, a very wise caveat to have.
airfrogusmc
Mentor
wow, good one.
Thanks.....
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