Intriguing duality: the milky evenness of tone of the town where nothing is black like the edge of the water and under the trees. Soft sunlight and lovely clouds. The compression of the buildings makes a nice composition.
Thanks, Lynn. When I was in Venice a couple of years ago I visited this spot, exactly forty years after the photo was taken, and it has hardly changed at all.
Thanks for the comments. I was pleased with Kentmere 400 and a fine grain developer - ATM49 (which I think has been renamed Atomal) - that nevertheless delivers full film speed.