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The row immediately above is also special in that the cake is covered with a true pancake with an extra pancake cone resting on top. It’s as delicious as it looks.
Yes there's a lot going on in the image, Bushwick, and I've got a feeling that it might be too much. As you say, Luigi, it's got multiple layers but it wasn't intended like this, just a shot through a window at an indoor mirror that showed the owner changing a ribbon for a hat my wife had just bought with her winnings at blackjack from the night before! It's complicated by the shadows from the sunlight and the writing on the outside glass.
I know what you mean about the dream, Luigi. It's very true - by starting with the people in the image and working backwards one can work it out. I hadn't thought of that. The trouble for me, of course, is that I can't see it as everyone else does cos I was there at the time. I'm glad you both liked it though.
I liked all the angles, a bit like a cubist painting where they stick on something in the middle from real life, like a newspaper cutting.
I'm glad the angle worked, I wasn't sure about it when I took the shot.
(Although different in some ways, it reminds me of your Fontainebleau photo of December 2010 when you said that you were lucky with the tourists!)
Yes, it was so jaunty that I couldn't get the horizontals right! Seriously though, I'm fond of it all the same. What I didn't realise when I took it was that the light from the top of the table-lamp adds to the light on the principal ballerina, and this combines with the distortion from the perspective to emphasise her importance. Pure fluke.