Zuiko-logist
Well-known
Apologies, I meant the spectral response differences between the Zeiss and Pentax.The only difference is the mount - I no longer have any Canon EF mount bodies, but the lens is available in Nikon F and Pentax K mounts. The lens is one of those Zeiss lenses that, when you get it right, has real pop and punchy sublime colour. The out of focus is smooth and not distracting - just gets out of the way leaving focus on the subject.
sojournerphoto
Mentor
Sorry, I can’t comment on the Pentax, but I always think the Zeiss response is pretty consistent across the z series slr and rf ranges. It tends to rich but clean - very slightly warm but with high contrast. I was always struck by how well my daughters skin was drawn by the 2/35.Apologies, I meant the spectral response differences between the Zeiss and Pentax.
I found this spectral response graph for the 2.8/25 in zf (slr) and IR versions. The ZF has a very small drop off at the blue end and a small lift in the reds that’s consistent with my experience.
It’s interesting, in colour so much happens between the projected image and print that spectral response can get lost, but in mono it becomes a key element defining how the picture looks.
Freakscene
Obscure member
The only difference between the ZF and ZF-IR lenses is the coating, which is optimised in the IR versions to maximise IR transmission and avoid hotspots in IR photos. These graphs really show how much difference coatings make.Sorry, I can’t comment on the Pentax, but I always think the Zeiss response is pretty consistent across the z series slr and rf ranges. It tends to rich but clean - very slightly warm but with high contrast. I was always struck by how well my daughters skin was drawn by the 2/35.
I found this spectral response graph for the 2.8/25 in zf (slr) and IR versions. The ZF has a very small drop off at the blue end and a small lift in the reds that’s consistent with my experience.
It’s interesting, in colour so much happens between the projected image and print that spectral response can get lost, but in mono it becomes a key element defining how the picture looks.
Last edited:
Zuiko-logist
Well-known
Thank youSorry, I can’t comment on the Pentax, but I always think the Zeiss response is pretty consistent across the z series slr and rf ranges. It tends to rich but clean - very slightly warm but with high contrast. I was always struck by how well my daughters skin was drawn by the 2/35.
I found this spectral response graph for the 2.8/25 in zf (slr) and IR versions. The ZF has a very small drop off at the blue end and a small lift in the reds that’s consistent with my experience.
It’s interesting, in colour so much happens between the projected image and print that spectral response can get lost, but in mono it becomes a key element defining how the picture looks.
vitaly66
slightly tilted
sojournerphoto
Mentor
Back when I was at Uni studying maths I did a course in electromagnetic theory. I’ve never forgotten the wonder when we derived the result showing a coating can reduce reflection to zero - I saw the answer coming a few lines out and was surprised than none of my peers seemed to grasp the significance of the final result. Coating are pretty impressiveThe only difference between the ZF and ZF-IR lenses is the coating, which is optimised in the IR versions to maximise IR transmission and avoid hotspots in IR photos. These graphs really show how much difference coatings make.
Freakscene
Obscure member
In practice the results are incredibly impressive too.Back when I was at Uni studying maths I did a course in electromagnetic theory. I’ve never forgotten the wonder when we derived the result showing a coating can reduce reflection to zero - I saw the answer coming a few lines out and was surprised than none of my peers seemed to grasp the significance of the final result. Coating are pretty impressive
agentlossing
Well-known
sojournerphoto
Mentor
Thanks to you all, a Monochrome just arrived with a 16-50 and a, thrown in, 55-300. I will definitely have to read the manual… otherwise I’ll get grumpy with its complexity. Still, astrotracing
vitaly66
slightly tilted
Freakscene
Obscure member
Freakscene
Obscure member
agentlossing
Well-known
sojournerphoto
Mentor
sojournerphoto
Mentor
boojum
Ignoble Miscreant
Oh, great, now you tell me.
Freakscene
Obscure member
The full ISO range up to 1,600,000 is entirely usable. Not exactly noise free or even ‘clean’ but usable. And given the lenses you might need it.View attachment 4848268Quick test shot from the shed last night - iso 100,000 f5.6 1/25 @50mm
The noise doesn’t downsample well on transfer from camera to phone, but this is very useable.
vitaly66
slightly tilted
agentlossing
Well-known
In my case, it was not using the camera which made me itch.
Godfrey
somewhat colored
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