Old 1 Week Ago   #681
Erik van Straten
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Splitgrade print on ADOX MCC 110.

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Old 1 Week Ago   #682
embee06311
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Quote:
Originally Posted by Erik van Straten View Post
Split grade print on ADOX MCC 110.

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I love this image. A working man in his prime... cleaning windows!
https://www.youtube.com/watch?v=QrRSL7YCwjw
Eric, did you recently reprint this? It is much lighter than when you posted it before.
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Old 1 Week Ago   #683
Erik van Straten
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Quote:
Originally Posted by embee06311 View Post
Eric, did you recently reprint this? It is much lighter than when you posted it before.
Thank you!

Yes, these are all new prints on Adox MCC 110. What you saw earlier, was a scan from the negative. Of course there is a difference in tonality between negatives and prints.

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Old 1 Week Ago   #684
Erik van Straten
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Split grade print on Adox MCC 110.

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Old 1 Week Ago   #685
Erik van Straten
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Split grade print on ADOX MCC 110.

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Old 1 Week Ago   #686
Erik van Straten
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Split grade print on ADOX MCC 110.

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Old 1 Week Ago   #687
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Split grade print on ADOX MCC 110.

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Old 5 Days Ago   #688
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Leica M2 with 21mm super angulon f3.4. Trix HC110 Dilution B.

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Old 5 Days Ago   #689
Erik van Straten
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Split grade print on ADOX MCC 110.

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Old 4 Days Ago   #690
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Split grade print on ADOX MCC 110.

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Old 4 Days Ago   #691
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Split grade print on ADOX MCC 110.

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Old 3 Days Ago   #692
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Split grade print on ADOX MCC 110.

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Old 3 Days Ago   #693
BLKRCAT
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trying some split grade. I think i've gotta play with some other developers and films though. Not quite the look I like. Still kind of boring even with split grade.

Olympus XA, Tri-X, Seagull Oriental VC

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Old 3 Days Ago   #694
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Quote:
Originally Posted by BLKRCAT View Post
I think i've gotta play with some other developers and films though.
This result isn't too bad!

As I only use Tmax400-2 (exposure @ 200 ISO) and Perceptol I always have negatives with a very fine grain and well exposed shadows.

The first exposure is relatively long with filter 00 so the lightest parts of the image will have tone.
The second exposure, with filter 5, is only aimed at the deep shadows and is much shorter.

It takes quite some time to find the correct exposures. You need a digital timer (with a memory). But the principle is very simple.

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Old 3 Days Ago   #695
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I have an analog timer. It's not as accurate as a digital timer but it's better than nothing.

I want to try my next roll of HP5 at 200. The results I've seen are very silvery and the shadow detail is higher.

I have 100 ft of it that I plan on eventually doing a weekly youtube episode showcasing a short roll with images printed.

Also this paper was very different than the ilford stuff. Not sure if I'm sold on it though. I would really love to get my hands on some glossy warmtone fibre paper though.
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Old 3 Days Ago   #696
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Old 3 Days Ago   #697
Erik van Straten
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Quote:
Originally Posted by BLKRCAT View Post
I have an analog timer. It's not as accurate as a digital timer but it's better than nothing.

I want to try my next roll of HP5 at 200. The results I've seen are very silvery and the shadow detail is higher.

I have 100 ft of it that I plan on eventually doing a weekly youtube episode showcasing a short roll with images printed.

Also this paper was very different than the ilford stuff. Not sure if I'm sold on it though. I would really love to get my hands on some glossy warmtone fibre paper though.
Get ADOX MCC 110. I've printed B+W for over fifty years, but I've never had such beautiful stuff. It is perfect for split grade printing, because the gradations are extremely distinct. It is also easy to dry on a drying machine (impossible with Ilford).

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Old 3 Days Ago   #698
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I'll check out!
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Old 3 Days Ago   #699
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Split grade print on ADOX MCC 110.

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Old 2 Days Ago   #700
Erik van Straten
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Split grade print on ADOX MCC 110.

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Old 2 Days Ago   #701
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Split grade print on ADOX MCC 110.

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Old 1 Day Ago   #702
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Split grade print on ADOX MCC 110.

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Old 1 Day Ago   #703
Erik van Straten
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Single grade print on ADOX MCC 110.

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