Old 01-07-2019   #481
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Bingley, your development times and agitation schedule worked absolutely perfectly. Did three rolls in single tank and they were spot on.
Thank you so very much for spending the time to help me.
Cheers, and a Happy New Year to you and your family.
James
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Old 01-07-2019   #482
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Maserati 250 engine bay - shot on Tmax400 pushed to 1600 and semi-stand developed in Rodinal 1:50 for one hour. Zeiss Distagon 50mm / Hasselblad 500CM

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Old 01-13-2019   #483
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Old 01-14-2019   #484
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summaron 35 2.8
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Old 01-14-2019   #485
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Poland August 2018
Kodak T-Max 400 in HC-110
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Speed dating gone wrong

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Old 01-14-2019   #486
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Old 01-14-2019   #487
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Quote:
Originally Posted by jmpgino View Post
Bingley, your development times and agitation schedule worked absolutely perfectly. Did three rolls in single tank and they were spot on.
Thank you so very much for spending the time to help me.
Cheers, and a Happy New Year to you and your family.
James
James,

Thanks for that! And great to hear that the development approach I use for TMax 400 worked for you too!

I'm going to try Perceptol one of these days b/c I love the results that Erik van Straten gets. But I've been pretty happy with the regimen I worked out with HC 110 dil. h.
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Old 01-14-2019   #488
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T-Max 400 in HC-110


Love this One Pan, makes me Smile .
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Old 01-15-2019   #489
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I see T-max400 as an obvious improvement of TriX, but TriX seems to be a far more popular film. Why?
Abstraction.

But I like both.
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Old 01-20-2019   #490
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Leica M2, Canon 50mm f1.5 LTM, TMax 400:

La Loire by bingley0522, on Flickr
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Old 01-20-2019   #491
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One of the last InterCity 125s arriving on the Devon side of the Tamar at Plymouth via Brunel's Royal Albert Bridge.

Hasselblad 500CM, Zeiss Sonnar 250mm f5.6, TMAX 400 semi-stand development in Rodinal 1:100

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Old 01-23-2019   #492
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Contax G1/45mm | T-Max 400 | Xtol(r)
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Old 01-23-2019   #493
Erik van Straten
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Leica M3, Summicron 50mm f/2 rigid, Tmax400, Adox MCC 110.

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Old 01-23-2019   #494
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One of the last InterCity 125s arriving on the Devon side of the Tamar at Plymouth via Brunel's Royal Albert Bridge.

Excellent, Charles! I've tried - unsuccessfully - to find better vantage points for a shot of the Brunel Bridge.



Where were you located, for that shot? It looks as though it was in the car parking area.
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Old 01-23-2019   #495
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Hi tbhv55 - it was indeed the car park - to the front left in the picnic area.

The Sonnar 250mm on the 6x6cm works out about 125mm, and it needed a tiny crop, so a standard 135mm would do the job admirably if using a normal 35mm.

I was hoping to get it just going through the arch, but of course I forgot to remove the dark slide (I'd only had 5 minutes watching it come into Saltash etc), fortunately at 15mph you have time for a fumble!
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Apart from that have a Rolleiflex 3.5F, the odd Minolta XD7, Hasselblad 500cm, a Topcon Super D and an Intrepid 5x4 large format (not the half of it but I am clearing them out, honest).

I do all my own black and white developing at home.
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Old 01-23-2019   #496
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it was indeed the car park - to the front left in the picnic area.

The Sonnar 250mm on the 6x6cm works out about 125mm, and it needed a tiny crop, so a standard 135mm would do the job admirably if using a normal 35mm.

Thanks - I think I'll go there, and try that location, at some point. I'd probably use a Bronica 6x6, so the focal lengths will match yours. I don't have a 250mm, so a 150mm will have to do.


BTW, I'm fairly sure that your dark slide 'problem' is well-known to every user of this style of camera!
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Old 01-23-2019   #497
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Leica M3, Summicron 50mm f/2 rigid, Tmax400, Adox MCC 110.

Erik.

You've been spotted!
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Old 01-31-2019   #498
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Old 02-02-2019   #499
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summaron 35 2.8
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Old 02-05-2019   #500
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Leica M2, Canon 50mm f1.5 LTM, TMax 400 in HC 110 dil. h:

St. Malo by bingley0522, on Flickr

Plage sans tabac... by bingley0522, on Flickr
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Old 02-05-2019   #501
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Beautiful set. Especially the second one. Congrats.
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Old 02-06-2019   #502
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Old 02-06-2019   #503
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Superb range of tones, Steve. You have all the blacks, and the highlights are fantastic, bright and yet fully detailed. The images are both hard and soft at the same time. It’s something that I notice about all your photos. I suspect that this may come from your developing technique, that you mentioned elsewhere, of a delay of three minutes between agitations. Anyway, whatever the technique, great pictures!
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Old 02-06-2019   #504
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I forgot to mention to, that as well as the deep blacks your images have such good shadow detail at the same time, and the midtones are all there, gently merging into each other. To my mind, these two pictures and your other work represent the finest and defining examples of a full and pleasing tonal range. It’s certainly what I aim for myself although for the time being I have to rely on a lab to process and print my films. They use XTOL 1:1 with Kodak’s recommended agitation (whatever that is) and I’m very pleased with the results, especially with T-max 400, but they’re not up to your standards!
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Old 02-06-2019   #505
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Leica M3, Elmar-M 50mm f/2.8, Tmax400, Adox MCC 110.

Erik.

Beautiful portrait Erik.
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Old 02-06-2019   #506
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Beautiful set. Especially the second one. Congrats.
Thank you, Pan!
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Old 02-06-2019   #507
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I forgot to mention to, that as well as the deep blacks your images have such good shadow detail at the same time, and the midtones are all there, gently merging into each other. To my mind, these two pictures and your other work represent the finest and defining examples of a full and pleasing tonal range. Itís certainly what I aim for myself although for the time being I have to rely on a lab to process and print my films. They use XTOL 1:1 with Kodakís recommended agitation (whatever that is) and Iím very pleased with the results, especially with T-max 400, but theyíre not up to your standards!
Anthony, Thank you so much for your comments. I do strive for a long tonal range, although I must also fess up to making small adjustments in post-processing (LR, in my case). But the TMax/HC 110 combo works well, IMO.
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Old 02-06-2019   #508
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Leica M3, Elmar-M 50mm f/2.8, Tmax400, Adox MCC 110.

Erik.

Stunning, Erik, beautiful work. I see your point about absence of grain...
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Old 02-07-2019   #509
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One of my favorite images shot on TMAX400. I sat at this scene for over 2 hours. A shame it didn't work out.

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Old 02-08-2019   #510
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Lathe detail. TMAX400 pushed to 1600 and semi-stand developed in Rodinal 1:50.

Nikon F2AS with Nikkor 35mm f2 lens

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Old 02-08-2019   #511
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Thank you Pan and Bingley!


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Old 02-08-2019   #512
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Leica M3, Elmar-M 50mm f/2.8, Tmax400, Adox MCC 110.

Erik.

Erik, This is a beautiful portrait. Congratulations!
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Old 02-08-2019   #513
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Thank you, Deardorff, I'm happy to hear this!


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Old 02-09-2019   #514
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Old 02-09-2019   #515
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Hasselblad 500 C/M 180 CF tmax 400 Rodinal 1:50
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Old 02-09-2019   #516
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Old 02-09-2019   #517
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Canon F-1(new) 35 f/2 t-max 400 rodinal 1:50


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Old 02-12-2019   #518
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Leica M2, Canon 35mm f2.0 LTM, TMax 400:

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Old 03-30-2019   #519
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Old 03-30-2019   #520
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Leica MP, Elmar M 50mm f/2.8, Tmax400, printed on Adox MCC 110.

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