Originally Posted by markjwyatt
To me the key issue is keeping a supply of film alive. Your points are correct. I suspect B&W has the best chance of staying around, but if we ever do lose color film, B&W will become very expensive. Losing color is a sign of a terminal state for film. Kodak bringing back Ektachrome is a positive sign.
Nothing is terminal at this point. Companies which are producing BW, Ferrania, Ilford and brands like pan street, they donīt have color films. They just do BW.