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Old 04-02-2012   #26
macjim
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Here's one from a wonder around Edinburgh. Edited in Lightroom 4.1RC (JPG) as we're still awaiting the RAW support coming.

http://www.flickr.com/photos/thesrps...op/6889365264/
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Old 04-04-2012   #27
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First attempts developing raw's with Silk pix
Fujinon 18mm

Fujinon 35mm
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Old 04-04-2012   #28
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From my Flickr - using the Kipon adapter and the 50 pre-ASPH lux.

Cheers,
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Old 04-04-2012   #29
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Quote:
Originally Posted by chris00nj View Post
ISO 200, in Velvia simulation mode. I think the jpeg is great, but its not nearly at the level of saturation of Velvia. However, it is useable when photographing people, unlike the film.

Quote:
Originally Posted by Steveh View Post
This was about my 5th or 6th "real" (= not taken in my kitchen to test lenses/high ISO performance) shot with the camera when I took it for a test spin at the weekend - fortunately this fog lifted very quickly or the pics in my first impressions thread would all have looked like this! There's an obvious irony in using a state of the art digital setup to capture an image that could have been taken in 1948 but I'm determined to remain oblivious to it....


Thank you for posting these
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Old 04-04-2012   #30
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Since I'm mostly interested in high ISO performance in crappy lighting when using digital, attached is a boring shot taken inside a diner @ ISO 6400 in macro mode using the 18/2 (f/2 & 1/60th sec.), straight conversion to TIFF from the raw file, with no noise reduction, sharpening, etc., only a bit of curves adjustment before converting to JPG in Photoshop. The 2nd file is obviously just a crop of the 1st.
Attached Images
File Type: jpg _DSF0003a.jpg (25.4 KB, 62 views)
File Type: jpg _DSF0003b.jpg (26.0 KB, 58 views)
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Five a Second. Chicago's Bell & Howell Co. (cameras) announced that it would put on sale this fall the world's most expensive still camera. Its "Foton" will take five 35-mm. pictures a second, sell for $700. Bell & Howell, which has found that "families of both low and high incomes now spend over $550" for movie equipment, hopes to sell 20,000 Fotons a year.

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Last edited by furcafe : 04-05-2012 at 05:40. Reason: Extra info.
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Old 04-05-2012   #31
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Both with the 18.



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Old 04-05-2012   #32
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With a Kipon adapter & a 75 Summilux (I like things dark -- always have):

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Old 04-05-2012   #33
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Above, 35/1.4 at 3200 in fairly bright light. Below, 35/1.4 in the crap light of the Alaskan Bar. Auto white balance @ 3200.



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Old 04-05-2012   #34
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A few hours after the tornados, the light was kind of odd around here. JPG imported to LR4, no alterations except for a little noise reduction and export.


Magenta Problem, XPro-1 by celluloidpropaganda, on Flickr
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Old 04-05-2012   #35
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Both shot with 35/1.4 at ISO 3200 in Fine Medium size (+ RAW). Then the Jpegs were transferred to iPhone using Eye-Fi direct mode, then photo streamed to iPad, then uploaded to Picasa.
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Old 04-06-2012   #36
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Here are a few which I shot today. I have to say that shooting with the X-Pro is really a pleasure. The camera is light enough that carrying around my neck all day is no problem, and the camera seems to take a perfectly exposed shot, no matter what the conditions.






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Old 04-06-2012   #37
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Long time I didn´t have such a pleasure shooting a camera; not since my father´s Voigtländer Vito B to be honest (original, small edition); that camera died in ´77 from shutter failure, after more than 20 years of faithful service!

Here are a few all with 35mm, OOC JPG without any post-processing. The other two lenses are on back order here, should finally be delivered next week.










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Old 04-06-2012   #38
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Quote:
Originally Posted by icaro2007 View Post
First attempts developing raw's with Silk pix
Fujinon 18mm
Outstanding pictures and processing! How do they compare to OOC JPGs, if you shot them together?
I wish Aperture could deliver a bit faster, time to start using SilkyPix I guess...
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Old 04-06-2012   #39
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Quote:
Originally Posted by dcsang View Post


From my Flickr - using the Kipon adapter and the 50 pre-ASPH lux.

Cheers,
dave
Good shot. I've photographed him on Yonge St. in the past.
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Old 04-06-2012   #40
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Crappy light at 6400 f2 with 35 1.4



ISO 5000 at f1.4 - curves and slight sharpening in LR4



ISO 6400 @ f2

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Old 04-06-2012   #41
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Last one shot in almost no light at all, 1/8 handheld, f/1.4, ISO 6400.
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Old 04-06-2012   #42
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Quote:
Originally Posted by coelacanth View Post




Both shot with 35/1.4 at ISO 3200 in Fine Medium size (+ RAW). Then the Jpegs were transferred to iPhone using Eye-Fi direct mode, then photo streamed to iPad, then uploaded to Picasa.
That cat must be exhausted after that journey.
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Old 04-06-2012   #43
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Quote:
Originally Posted by Shade View Post
Here are a few pictures of my wife, one during midday, the other at the dark of night with barely any light...

Both are post processed.

Xpro1 with 35/1.4.

Loving it.

More images at my blog.



Very nice photos , beautiful wife! Congrats on both.
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Old 04-06-2012   #44
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Leica 35mm Summilux pre-ASPH
ISO 6400
f2
1/30
B&W in Silver Efex

Cheers,
Dave
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Old 04-06-2012   #45
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Few photos, one with the 18, one the 35, one the 60. 100% crops as well. Great camera, but I had some focus issues with the camera - it would, at times, just not lock on to what I wanted to focus on. Last shot shows the dynamic range - from the deep shadow of the footwells to the bright highlights in the clouds. All jpegs, all straight out of the camera, no adjustments AT ALL. (which is worthy of note - perfect exposure, white balance and colour, as far as I'm concerned...)













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Old 04-06-2012   #46
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X-P1, Velvia mode, ISO 200, cropped in LR3 with minimal sharpening applied

Sample 1:




Sample 1 detail crop:




Sample 2:




Sample 2 detail crop:



I must say that I am quite pleased with the dynamic range - especially for using the higher contrast Velvia simulation. Both shots taken in the late afternoon sunlight, yet the deep shadow areas still hold detail.
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Old 04-06-2012   #47
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Here's a random shot that I worked over in Photoshop using Topaz. ISO 640 at 1/10 sec. (handheld).

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Old 04-06-2012   #48
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My grandfather's 88th birthday dinner, then one of my friend's daughter mugging for the camera. All in-camera JPGs, I upposed the contrast and clarity of the last. In-camera B&W still doesn't hold a candle to good Silver Efex Pro work, but it's not terrible.

AF missed more than a few but the 35/1.4 remains absolutely amazing - and it's nice to be able to flip a switch to macro for shots like the last.


Not bad for 88 by celluloidpropaganda, on Flickr


Magic Fire by celluloidpropaganda, on Flickr
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Old 04-07-2012   #49
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Quote:
Originally Posted by celluloidprop View Post
My grandfather's 88th birthday dinner, then one of my friend's daughter mugging for the camera. All in-camera JPGs, I upposed the contrast and clarity of the last. In-camera B&W still doesn't hold a candle to good Silver Efex Pro work, but it's not terrible.

AF missed more than a few but the 35/1.4 remains absolutely amazing - and it's nice to be able to flip a switch to macro for shots like the last.
I especially like your friend's daughter hamming it up. Adorable!
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Old 04-07-2012   #50
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Selections from my 1st show shoot (Charles Bradley & His Extraordinaires + Budos Band @ the 9:30 club) using the X-Pro1 & 18/2, all shot @ f/2 w/some modest noise reduction via Noise Ninja:



ISO 1600



ISO 1600



ISO 3200
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Five a Second. Chicago's Bell & Howell Co. (cameras) announced that it would put on sale this fall the world's most expensive still camera. Its "Foton" will take five 35-mm. pictures a second, sell for $700. Bell & Howell, which has found that "families of both low and high incomes now spend over $550" for movie equipment, hopes to sell 20,000 Fotons a year.

--Facts And Figures, Time magazine, Monday, October 4, 1948
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