| Optics Theory - This forum is aimed towards the TECHNICAL side of photographic OPTICS THEORY. There will be some overlap by camera/manufacturer, but this forum is for the heavy duty tech discussions. This is NOT the place to discuss a specific lens or lens line, do that in the appropriate forum. This is the forum to discuss optics or lenses in general, to learn about the tech behind the lenses and images. IF you have a question about a specific lens, post it in the forum about that type of camera, NOT HERE. |
08-29-2010
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#26
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Registered User
alexnotalex is offline
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Here's my beloved damaged HC f2, exquisite when it behaves. Marked Tokyo.

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burning reflected light onto chemical film. It's real
M3 + Rigid Summicron, Nikon D40 and an iphone for that digital look. my Flickr
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08-29-2010
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#27
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Dad Photographer
raid is offline
Join Date: Nov 2005
Location: Florida
Posts: 21,929
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Quote:
Originally Posted by ferider
Followup on Jon's question and correction to my previous post: the Millenium Nikkor is a re-issue of the 1964 Olympic 50/1.4, both significantly larger than the classic 50/1.4, including a larger rear element. 7 elements, but detailed formula unknown for both, also to Rotoloni. So we don't know if it's a Sonnar or not.
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Does it have a soul or is it cold? 
There will hide the answer.
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08-29-2010
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#28
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Registered User
alexnotalex is offline
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Posts: 432
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Quote:
Originally Posted by ampguy
I agree that they are popular and deliver unique images, but optically they are technically obsolete:
from the nikon site, re: 105/2.5:
Compared to the previous model with Sonnar type lens construction, it offers significant improvements in close-range aberration fluctuation, as well as peripheral light, spherical aberration and coma. In particular, it delivers a beautiful balance of focused and defocused (blurred) images, as well as higer resolution with natural gradation. The Xenotar-type lens design with the ideal aberration correction made it the perfect lens for portraits.
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Can someone post some Xenotar pics? Any Xenotars available in LTM?
best,
Alex
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burning reflected light onto chemical film. It's real
M3 + Rigid Summicron, Nikon D40 and an iphone for that digital look. my Flickr
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08-29-2010
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#29
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Registered User
ferider is offline
Join Date: May 2005
Posts: 10,336
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Quote:
Originally Posted by alexnotalex
Can someone post some Xenotar pics? Any Xenotars available in LTM?
best,
Alex
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Check out the Canon 50/1.4 LTM, for instance on the flickr M-mount forum (see my sig).
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Hi Raid |
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08-29-2010
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#30
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Registered User
ampguy is offline
Join Date: May 2006
Posts: 6,961
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Hi Raid
could be, but probably mostly nostalgia, like Kodachrome, where even though we know the colors and grain patterns don't reproduce as accurately as newer films, some people will always like them because they remind them of a certain time or memory ...
Quote:
Originally Posted by raid
Ted,
Being "technically obsolete" could be one of the reasons why they are so popular. They are "better lenses" based on other factors. There is a reason why extra sharpness is often referred to as "cold sharp" or "surgically sharp". While being optimized technically, some lenses lose their ..... soul?
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08-29-2010
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#31
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Registered User
AgentX is offline
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Posts: 390
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08-29-2010
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#32
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Registered User
Brian Sweeney is offline
Join Date: Jan 2004
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The Olympic Nikkor and Millenium Nikkor are not Sonnar formula lenses. Neblette, "Photographic Lenses" lists the Olympic Nikkor as having the same block diagram as the Canon 50/1.2, but this must be an error. I have seen (somewhere posted) an X-Ray of the Olympic Nikkor showing it was not a Sonnar, but it was different from the Canon 50/1.2. I have taken the latter apart, and made one from two parts lenses- thanks to Roland for providing one of them.
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08-29-2010
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#33
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Registered User
kinoglass is offline
Join Date: Jan 2007
Posts: 73
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Interesting reading. It mentions how Nikon patents were the product of German-Japanese cooperation and how Germans designers contributed to them. Politics may have more to do than optics in the quality of Japanese Sonnar types. <A HREF="http://old.photodo.com/art/When3.shtml">When Japan took over</A>
Last edited by kinoglass : 08-29-2010 at 08:48.
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08-29-2010
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#34
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Dad Photographer
raid is offline
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Location: Florida
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Quote:
Originally Posted by ampguy
could be, but probably mostly nostalgia, like Kodachrome, where even though we know the colors and grain patterns don't reproduce as accurately as newer films, some people will always like them because they remind them of a certain time or memory ...
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Ted,
I am not a Sonnar fanatic by any means. I sold several lenses, including a Tokyo Nikkor 5cm 2.0 to buy a Leica lens. The Sonnar lenses are a nice alternative.
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08-29-2010
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#35
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Registered User
fbf is offline
Join Date: Mar 2007
Posts: 1,261
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Any comparisons between the nikkor 50/2 H.C and zeiss 50/2 opton sonnar T* ?
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Hi Raid |
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08-29-2010
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#36
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Registered User
ampguy is offline
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Posts: 6,961
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Hi Raid
I like the Sonnar look occasionally, it's basically a lensbaby or Holga like fun distraction once in awhile.
If we were back in the '30s, and that's about all there were, it might be a different story...
Quote:
Originally Posted by raid
Ted,
I am not a Sonnar fanatic by any means. I sold several lenses, including a Tokyo Nikkor 5cm 2.0 to buy a Leica lens. The Sonnar lenses are a nice alternative.
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08-29-2010
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#37
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Registered User
alexnotalex is offline
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Posts: 432
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Quote:
Originally Posted by ferider
Check out the Canon 50/1.4 LTM, for instance on the flickr M-mount forum (see my sig).
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Your pics of the sutro baths are sublime. 80mm Komura? Superb! Wow!
__________________
burning reflected light onto chemical film. It's real
M3 + Rigid Summicron, Nikon D40 and an iphone for that digital look. my Flickr
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08-29-2010
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#38
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Dad Photographer
raid is offline
Join Date: Nov 2005
Location: Florida
Posts: 21,929
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Quote:
Originally Posted by ampguy
I like the Sonnar look occasionally, it's basically a lensbaby or Holga like fun distraction once in awhile.
If we were back in the '30s, and that's about all there were, it might be a different story...
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The Nikkor 105/2.5 is razor sharp and it is a Sonnar. It is not even close to a soft lens.
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08-29-2010
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#39
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Registered User
Brian Sweeney is offline
Join Date: Jan 2004
Posts: 15,103
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Quote:
Originally Posted by fbf
Any comparisons between the nikkor 50/2 H.C and zeiss 50/2 opton sonnar T* ?
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I do not have any scanned in with the Zeiss Opton 50/2. I have two of them, one shimmed for a Nikon RF and the other is on the Contax IIIa. "Personal opinion"- very close, the edge goes to the Zeiss. I have 5 of the Nikkor 5cm F2's beween S-Mount and LTM.
I will have to do a "Sonnar formula 50" shootout. I have a number of them. I have an M-Mount adapter with an indexed-cam, thanks to Roland.
I also have a 5cm F1.5 Post-War CZJ Sonnar which is "tweeked" from the pre-war design. And the Carl Zeiss Opton 50/1.5, and later Carl Zeiss 50/1.5. Canon 50/1.5, and of course several J-3's.
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Hi Raid |
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08-29-2010
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#40
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Registered User
ampguy is offline
Join Date: May 2006
Posts: 6,961
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Hi Raid
The F mount ones, post '60s (5xxxxx +) are not Sonnars and have many corrections over the previous ones.
Quote:
Originally Posted by raid
The Nikkor 105/2.5 is razor sharp and it is a Sonnar. It is not even close to a soft lens.
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08-29-2010
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#41
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Dad Photographer
raid is offline
Join Date: Nov 2005
Location: Florida
Posts: 21,929
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Quote:
Originally Posted by ampguy
The F mount ones, post '60s (5xxxxx +) are not Sonnars and have many corrections over the previous ones.
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My 105 Nikkor lenses are all Sonnar, and they are amazing.
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08-29-2010
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#42
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Registered User
JRG is offline
Join Date: Mar 2007
Posts: 324
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Here's what Bjørn Rørslett has to say about the Sonnar (pre-1972) version of the F-mount 105/2.5: "The Sonnar is easily identified by its smallish rear element compared to more recent versions. It was an extremely sharp lens for its time and the optical quality still surpasses that of many modern lenses. It underwent cosmetic changes of the exterior only and stayed in production until 1971. It is a great performer at f/5.6 and provides for good performance even wide open, but flare could be a problem here."
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Raid |
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08-29-2010
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#43
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Registered User
ampguy is offline
Join Date: May 2006
Posts: 6,961
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Raid
They are probably all amazing.
But the later ones are optically even better than the Sonnar ones:
Quote:
Originally Posted by raid
My 105 Nikkor lenses are all Sonnar, and they are amazing.
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08-29-2010
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#44
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Registered User
alexnotalex is offline
Join Date: Jun 2010
Posts: 432
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Quote:
Originally Posted by raid
My 105 Nikkor lenses are all Sonnar, and they are amazing.
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105??!! you'll need to buy more Canon Ps to mount them

__________________
burning reflected light onto chemical film. It's real
M3 + Rigid Summicron, Nikon D40 and an iphone for that digital look. my Flickr
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08-29-2010
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#45
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Dad Photographer
raid is offline
Join Date: Nov 2005
Location: Florida
Posts: 21,929
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08-29-2010
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#46
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Registered User
Brian Sweeney is offline
Join Date: Jan 2004
Posts: 15,103
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Sonnar's are known for having high field curvature. It does not do well for flat objects, but this can be an advantage for taking portraits.
I am a Sonnar fanatic. I have ten Zeiss Sonnar 50 F1.5's alone, all a little bit different. I have even more Nikkor 5cm F1.4's, mostly to go with Nikon RF's.
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08-29-2010
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#47
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Registered User
ampguy is offline
Join Date: May 2006
Posts: 6,961
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Raid - great photos, I doubt those could have been any better with the newer 105/2.5
Brian - I do more than portraits with my 105/2.5, so I like flatness of field. A great lens for portraits is a 75-85 1.4 to 1.8
Here's another with the 105/2.5 p*c post Sonnar version on a d40x:

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