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Street Shooting - RF or SLR
Old 07-20-2009   #1
kshapero
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Street Shooting - RF or SLR

Yesterday I stood at a street corner in NYC for about 2 hours. The mass of characters that walked by was incredible. I shot 3 rolls with my ZI and 2 rolls with my Nikon FM3A. Lots of street noise, so shutter sound was immaterial, even I could not here it on either rig. Anyway I noticed no difference in how people reacted to the RF versus the SLR. It did not seem to matter that the ZI is supposedly more "stealthy". People either gave me a slight stare or none at all regardless of the camera I was using. Man, that city is alive!
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Old 07-20-2009   #2
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The truth is its up to the photographer to decide which works better for him/her. For me RF was far better due to the positive focusing and the stellar lenses. Regards -
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Old 07-20-2009   #3
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They're the same. They take pictures.
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Old 07-20-2009   #4
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My black Leica M6 almost look like a point and shoot... I usually fake a focus on a building over my subject, but in reality i'm guess-focus my distance... Then I finish my focus fastly on my victims and then I go away.

With a SLR, it's almost impossible to do... I tried to do it with my Bronica 645 SLR, but I really had to hide... the camera is really big...
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Looking human
Old 07-20-2009   #5
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Looking human

When you put something in front of your face, you look a bit alien... The SLR will act as a shield for the people looking at you, but the RF will reveal more of your face. I don't think the point is necessarily the size of the camera (the ZI and the FM3a are similar in size), but the placement of the viewfinder: If the ZI had the viewfinder in the middle on top of the body, less of your face would show and you would be perceived as more "threatening". Maybe a bit of the same psychological mechanism that makes a warrior with painted face look less human and more frightening...
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Old 07-20-2009   #6
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Quote:
Originally Posted by Rune View Post
When you put something in front of your face, you look a bit alien... The SLR will act as a shield for the people looking at you, but the RF will reveal more of your face. I don't think the point is necessarily the size of the camera (the ZI and the FM3a are similar in size), but the placement of the viewfinder: If the ZI had the viewfinder in the middle on top of the body, less of your face would show and you would be perceived as more "threatening". Maybe a bit of the same psychological mechanism that makes a warrior with painted face look less human and more frightening...
Irrelevant if you're a left eye shooter.

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Old 07-20-2009   #7
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Continuing theme of "robot face", I guess that TLR's in this respect are even more frightening - imagine, eyes are shifted from horizontal axis to vertical and whole face is somewhere below chin. Louis Carrol had to use idea.

As long as I give a short sight and/or smile, they don't care at all. Personally I'd be bothered if someone after taking my picture would stare at LCD instead of looking at me.
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Old 07-21-2009   #8
Dave Wilkinson
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Quote:
Originally Posted by kshapero View Post
Yesterday I stood at a street corner in NYC for about 2 hours. The mass of characters that walked by was incredible. I shot 3 rolls with my ZI and 2 rolls with my Nikon FM3A. Lots of street noise, so shutter sound was immaterial, even I could not here it on either rig. Anyway I noticed no difference in how people reacted to the RF versus the SLR. It did not seem to matter that the ZI is supposedly more "stealthy". People either gave me a slight stare or none at all regardless of the camera I was using. Man, that city is alive!
Please excuse my curiousity - but as you stood on that corner for around two hours, and shot five rolls, that's 180+ shots?....I just wondered what you do with that amount of pictures of total strangers - walking around?. I like to do a little 'street' shooting myself, and am always on the look out for interesting characters, or people doing interesting things, but often go home after an afternoons walk - having only shot about a dozen frames. Personaly, if I felt compelled to shoot hundreds of frames a day, ( most of which would be binned! ) for cost reasons - a digicam would have to be the tool of preferance!.
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Old 07-21-2009   #9
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Quote:
Originally Posted by Dave Wilkinson View Post
Please excuse my curiousity - but as you stood on that corner for around two hours, and shot five rolls, that's 180+ shots?....I just wondered what you do with that amount of pictures of total strangers - walking around?. I like to do a little 'street' shooting myself, and am always on the look out for interesting characters, or people doing interesting things, but often go home after an afternoons walk - having only shot about a dozen frames. Personaly, if I felt compelled to shoot hundreds of frames a day, ( most of which would be binned! ) for cost reasons - a digicam would have to be the tool of preferance!.
Dave.
Well each to their own. I was so intrigued by the happenings, I just shot away even forgetting the time. You might say I was in a zone. Film or digital, either is fine. On that day it was film.
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Old 07-21-2009   #10
Ming The Merciless
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I have come to feel that an slr makes for more of a barrier between me and the subject and that a rangefinder, being small makes for less of a barrier, is quicker and less noticeable in many cases.
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Old 07-21-2009   #11
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Quote:
Originally Posted by kshapero View Post
Well each to their own. I was so intrigued by the happenings, I just shot away even forgetting the time. You might say I was in a zone. Film or digital, either is fine. On that day it was film.
Good enough!....and no explanation really needed, as I was not being derisive or sarcastic in my post or parallel thread, just interesting to hear the different viewpoints on these topics!
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Old 07-21-2009   #12
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Quote:
Originally Posted by Ming The Merciless View Post
I have come to feel that an slr makes for more of a barrier between me and the subject and that a rangefinder, being small makes for less of a barrier, is quicker and less noticeable in many cases.
Agreed - and the noise factor does come into it, in another thread I mentioned my current affections for a Konica FT1 motor, that I aquired cheaply - lovely camera IMO, and superb lenses, but not suitable for up-close candids, without waking the neighbourhood
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Old 07-21-2009   #13
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You NYC types have all the fun. I could spend a couple of hours at one of my local downtown corners and all that might walk by would be a few dogs, a couple of schoolkids, and maybe a curious cop.

Now, if I was after photos of Soccer Moms in minivans, that'd be different.They'd pass by several times each minute.
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Old 07-21-2009   #14
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I think I can be happy with either ... though I must admit street photography is not really my thing.

I've seen some great work done with TLR's in this situation!
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Old 07-21-2009   #15
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Quote:
Originally Posted by JohnnyT View Post
My black Leica M6 almost look like a point and shoot... I usually fake a focus on a building over my subject, but in reality i'm guess-focus my distance... Then I finish my focus fastly on my victims and then I go away.

With a SLR, it's almost impossible to do... I tried to do it with my Bronica 645 SLR, but I really had to hide... the camera is really big...
Why hide what you're doing? Is acting in an underhand manner part of the sport?
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Old 07-21-2009   #16
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Sometimes the biggest thing to get over is your own shyness or fear when street shooting.

The way to get over that is be comfortable on the street taking photos yourself, don't be embarassed, don't be shy. Why should taking a photo in public be any more difficult than say riding your bike or the person skateboarding?

To some regard, SLR or RF, it'll come down to the photographer.

A little trick I played on myself was to purposely load a wider angle lens on the camera (e.g. a 35mm) than a 50mm, this meant you had to forcibly get closer to get a decent picture. Once you got used to that, the 50mm seems a luxury where you can sit back a little and are automatically closer.

I don't always succeed, I do get a bit put off sometimes, just have to play it by ear.

I keep a few cards on me and if anyone asks what I am doing, I explain as briefly as I can that I'm just recording some street life and would like like a copy e-mailed to them or maybe even a print -- not to everyone, just if they approach me in a bit of a bluster.

Also, I tend to sit myself down somewhere, that works because if you're moving and they're moving, that doesn't help matters.

Anyway what I was getting to is I'm a left eye shooter and prefer working with an RF for everything; but using an SLR is no impediment on the street. In quieter locations, a nice quiet shutter can be a boon.

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Old 07-21-2009   #17
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None of this matters. How much of a person's face is showing from behind a camera? Seriously? People are now as used to being photographed with dSLRs as with camera phones. This is all in our heads. From too much time spent in forums on interwebs.
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Old 07-22-2009   #18
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Quote:
Originally Posted by Dave Wilkinson View Post
Agreed - and the noise factor does come into it, in another thread I mentioned my current affections for a Konica FT1 motor, that I aquired cheaply - lovely camera IMO, and superb lenses, but not suitable for up-close candids, without waking the neighbourhood
Dave.
I agree on the noise, but on that particular day the streets were so noisy themselves that it did not really seem to matter.
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Old 07-22-2009   #19
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HCB 2-step method: Up to the eye, snap, back down to his side. Methodical, quick, unobtrusive.
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Old 07-22-2009   #20
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I find using the my SLRs for street very difficult due to the way focusing works. The focusing tab on my lenses makes all the difference. I know here is 5m, here is 3m, etc.
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Old 07-22-2009   #21
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I use either depending on my mood, (although ever since I got my M6 about a month and a half ago, i've used it almost exclusively for everything) but usually if i'm shooting at night, I tend to use my F100 because its AF system seems to work well in low light, while it seems harder to focus my manual cameras at night.
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Old 07-22-2009   #22
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You can put a focusing "tab" on most any lens with a plastic cable tie, only a few cents at your local hardware shop. You can choose from white or "professional" black. The focusing lever on the Minolta Autocord makes it ideal for street type shooting and the younger generation doesn't have a clue that a TLR is even a camera.

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Old 07-26-2009   #23
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My belief: While it's true that the gear used can have a significant effect on the image produced, in many ways, any psychological effects are by and large on the photographer more than the subject...regardless of whether the photographer is aware of this.
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Old 07-26-2009   #24
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run what ya brung

i want to try a TLR or equivalent waist-focus body at some point though
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Old 07-26-2009   #25
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TLR's take some getting used to, what with the right/left reversed image, but produce some great images.

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