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Old 35/2 Summicron vs. 40/2 Summicron-C
Old 06-06-2009   #1
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Old 35/2 Summicron vs. 40/2 Summicron-C

I've been mulling over the possibility of actually owning a Leica lens for my M2, and had been trolling eBay for 35mm Summarons and Summicrons...but then I cam across a Summicron-C. Is this lens comparable to the other 'Crons?
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Old 06-06-2009   #2
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Ditto. Best buy in Leica M glass, IMHO.
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Old 06-06-2009   #3
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The only problems it has are an odd "series 5.5" filter thread, a rubber hood which probably is falling apart and shredded by now, and it brings up the 50mm frame lines in M bodies. The optics are superb! Fantastic glass!

The 35mm frameline in M cameras is a bit undersize in the M2, M4, and M5, a good match for the 40. Later M bodies frame lines are even MORE undersize. The 35mm frame is the default position of the frame selector, what you get when no lens is on the camera. Look inside the lens flange on your M and move the frame selector lever. You should notice a piece of metal moving up and down as you change from one frame to another. What you want to do is shorten the bayonet lug on the lens that pushes against that gizmo. A few strokes with a file does it. It doesn't have to be perfectly square or neat, just shorter. The first file stroke is cutting through hard chrome. After that it's soft brass. Keep trying the lens until you've removed enough of the lug. It won't affect using it on the CL camera in any way.

If you still have the tattered remains of the hood trim the rubber off of the ring. Don't dig the rubber out of the groove though. Now you need a Series VI lens hood. Older camera shops often have a "junk box" full of such goodies but new ones are still available. The hood should be a gentle push fit over the ring. You'll probably have to either file about a miillimeter off of the thread on the hood or shim it with a layer or two of thin cardboard between the hood and the ring so it won't bind against the diaphragm ring on the lens. Now epoxy the the series VI hood over the original hood flange. You now have a metal CL lens hood!
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Last edited by Al Kaplan : 06-06-2009 at 05:54.
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Old 06-06-2009   #4
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Cool. If I end up with one, I will probably file down the lug. I have done this with adapters before, but not a lens...yikes...

If anyone has one they want to trade me for a Canon 35/1.8, let me know. I like the 1.8 a lot, but I have too many Canon lenses and could use a little variety. Not sure if they are of comparable value actually...
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Old 06-06-2009   #5
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John, I had one posted here a week ago with a perfect hood but got no interest so I put it on the bay. I was asking $339 on RFF, but it sold for $495...to give you an idea of what they are going for. This one was I would say EX++.


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Old 06-06-2009   #6
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Oh man...that's more expensive than I thought...nice sale for you though!
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Old 06-06-2009   #7
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Minimum focus is also .8m's as opposed to the .7m's of the 35mm Summicrons. The 10mm might not matter to you, but just so you know.
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Old 06-06-2009   #8
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digitalintrigue: obviously I missed that chance to get this petty lens :-)
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Old 06-06-2009   #9
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Your 35/1.8 Canon is a fantastic optic also, but 40mm diameter filters are hard to come by. The "look" of the Canon lens, sharpness, contrast, bokeh, is very similar to the 8 element 35/2 Summicron of the same era.

Circa 1960 shooting color meant shooting chromes and that meant getting the correct color balance in the camera. You'd need a minimum of half a dozen warming and cooling filters. Leitz lenses took 39mm, Canon lenses used 40mm, while LTM Nikkors were 40.5mm just to make sure you wouldn't buy the other company's lenses I suppose.

If you want to use 39mm Leica filters on your 40mm threaded Canon lens put a layer or two of masking tape over the threads in the lens. The threads of the 39mm filter will cut their way into the tape just fine. A little bit of candle wax on the filter thread helps. Once you've done that there should be enough wax on the tape so you won't have to do it with every filter.
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Last edited by Al Kaplan : 06-06-2009 at 06:11.
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Old 06-06-2009   #10
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Quote:
Originally Posted by mabelsound View Post
Oh man...that's more expensive than I thought...nice sale for you though!
I was shocked to be honest...had no idea it would get 50% more than what I was asking on RFF. They can be found for less if you hunt. Good luck!

BTW, KEH has original hoods.
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Old 06-06-2009   #11
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Another money saver should you decide that you want the 90mm Elmar-C. The CL was a joint venture between Leitz and Minolta. Minolta made the 40mm Rokkor and it's the same design as the Summicron. Minolta didn't make their own 90mm Elmar-C. It's a German made Leitz lens with Minolta's name on it, but the lens sells for a lot less than the Leitz marked lens.

The lenses for the later made Minolta CLE are multi-coated and the 90 is made by Minolta.

The seventies were a time of transition in coating technology. Asahi (Pentax) made a big deal out of their "Seven Layer Multi-coated Takumar lenses" but Leitz and others were also multi-coating by then, so a claim of multi-coating might not mean much compared to the previous years' lenses.
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Old 06-06-2009   #12
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I'd go for M-Rokkor - usually less expensive, easy to find filter/hood size - 40.5mm and the word is CLE (see pic below) version has multicoating vs CL Version Rokkor/Summicron C - supposed to be single coated. Yet , I have used both - CL and CLE versions and cant tell difference in images, just in handling a little.
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Old 06-06-2009   #13
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I actually have a black 40.5 vented hood that should work...

And Al, I generally shoot B&W with my film cameras! And even when I do shoot color, I scan and correct in software generally...all those accessories give me a headache...the only filters I really care about are yellow and red for B&W shooting...
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Old 06-06-2009   #14
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M-Rokkor 40/2 - Its a sharp lens and has nice bokeh too:
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Old 06-06-2009   #15
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I agree w/ Krosya about the Rokkor-M 40/2 CLE. It's a fantastic optic -- Gabor (Maddoc) started a thread on the lens not long ago, and there are pix posted there:
http://www.rangefinderforum.com/foru...ad.php?t=72704

The prices on the Rokkor-M are usually a little less than prices for the Summicron-C, usually around $300 for lens in nice condition. True, it doesn't say "Leica" but the design is the same as the Summicron-C with improved coating, and the look is supposedly indistinguishable from a 35 Summicron from the same period. Highly recommended.
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Old 06-07-2009   #16
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Now this is kind of funny. I bought my Minolta CLE 40 f2.0 because, at the time, the Canon 35 f1.8 was out of my price range.

A few years ago (like 4 or 5), your lens was the more expensive and desirable of the two, running anywhere from $100~$200 more than a Minolta/Summicron 40. I think that if you search through the RFF threads on non-Leica 35mm lenses, you'll come to the conclusion that the one you already have is the one to get.

The multi-coated CLE Minolta 40 f2.0 is amazingly flare-proof. That point, for sure, is better than either the Summicron 40 or your Canon. If flare is a big issue with you, then get the Minolta (not the Summicron-C). However, be warned, the M2's 35mm framelines are just slightly too tight for a 40mm lens, you'll have to think "inside the box" on every shot. I know 'cause I have an M2. I also have an M6, the 40 is fine with that.

If I was looking for some real Leica glass to go on my M2 -and I already had a superb 35mm lens - then I'd be looking for a nice dual-range Summicron - with or without the "glasses".
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Old 06-08-2009   #17
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Quote:
Originally Posted by ddutchison View Post
However, be warned, the M2 framelines are just slightly too tight for a 40mm lens, you'll have to think "inside the box" on every shot. I know 'cause I have an M2. I also have an M6, the 40 is fine with that...
Hi, I am sorry but I am not sure to understand clearly which framelines you are talking about... (both M2 or M6) Are these the ones of the 50 or 35mm?
Thanks

PS: I recently got a Rokkor 40 but I am still awaiting for my MP to get back from CLA... I have never mounted it so far... I was planning to trimm the rokkor in order to get it call for the 35mm framelines... but what you are saying is suddenly confusing me...
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Old 06-08-2009   #18
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Quote:
Originally Posted by ddutchison View Post
Now this is kind of funny. I bought my Minolta CLE 40 f2.0 because, at the time, the Canon 35 f1.8 was out of my price range.

A few years ago (like 4 or 5), your lens was the more expensive and desirable of the two, running anywhere from $100~$200 more than a Minolta/Summicron 40. I think that if you search through the RFF threads on non-Leica 35mm lenses, you'll come to the conclusion that the one you already have is the one to get.
You know what, I have kind of come around to this way of thinking. I'm going to hang onto the Canon.
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Old 06-08-2009   #19
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Quote:
Originally Posted by Ghiom View Post
Hi, I am sorry but I am not sure to understand clearly which framelines you are talking about... (both M2 or M6) Are these the ones of the 50 or 35mm?
Thanks

PS: I recently got a Rokkor 40 but I am still awaiting for my MP to get back from CLA... I have never mounted it so far... I was planning to trimm the rokkor in order to get it call for the 35mm framelines... but what you are saying is suddenly confusing me...
Sorry, I wasn't clear. I was referring to the 35mm frame-lines
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Old 06-08-2009   #20
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Quote:
Originally Posted by Bingley View Post
I agree w/ Krosya about the Rokkor-M 40/2 CLE. It's a fantastic optic -- Gabor (Maddoc) started a thread on the lens not long ago, and there are pix posted there:
http://www.rangefinderforum.com/foru...ad.php?t=72704

The prices on the Rokkor-M are usually a little less than prices for the Summicron-C, usually around $300 for lens in nice condition. True, it doesn't say "Leica" but the design is the same as the Summicron-C with improved coating, and the look is supposedly indistinguishable from a 35 Summicron from the same period. Highly recommended.
And prices on Both - Summicron C and Rokkors are on the rise:
http://www.keh.com/OnLineStore/Produ...&GBC=&GCC=&KW=

or:
http://cgi.ebay.com/Minolta-Rokkor-4...3A1%7C294%3A50

So get one while you can! Before they get to the level of other Leica prices!
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Old 06-08-2009   #21
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Quote:
Originally Posted by Krosya View Post
And prices on Both - Summicron C and Rokkors are on the rise:
http://www.keh.com/OnLineStore/Produ...&GBC=&GCC=&KW=

or:
http://cgi.ebay.com/Minolta-Rokkor-4...3A1%7C294%3A50

So get one while you can! Before they get to the level of other Leica prices!
Yikes! Or, buy them here at RFF, where prices are often a little less insane..
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Old 06-09-2009   #22
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Here is a cure for the odd 5.5 series filter mounting on the Summicron C:

I contacted DAG and discussed the problem with Don. We came up with a cheap and safe solution. Have him cut 39mm threads in the outward facing flange on a Leica p/n 11251 filter adapter.
That is the standard filter adapter for this lens. Then your standard 39mm filters and lens hoods will screw in very securely. Mine works fine and I now use the 40mm Summicron C as the standard lens on my M8. If you are interested, call Don at DAG and discuss it with him.
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Old 06-11-2009   #23
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And prices on Both - Summicron C and Rokkors are on the rise:
Im surprised they havent risen before now actually. With the release of the M8 I thought the compact 40's would be snapped up as the perfect standard lens for them with is crop factor but its seems to have take a while for prices to reflect that.
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Old 06-11-2009   #24
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A good alternative is the Nokton 40 SC...limit yourself to f2 if you're worried about "bad" bokeh and save f1.4 for emergencies

Resolution, flare resistance, and bokeh are all VERY close to the 'cron C and Rokkor. Prices are similar, and hood and filters are easier to find. It's a touch longer in actual focal length, though.

Long story short: I was looking for an affordable 35/2 or faster as a compact one-lens kit for my ZI. Focus down to 0.7m is a must for me. Almost got the CLE Rokkor, but after a lot of research and comparisons the Nokton SC won out.
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Old 06-12-2009   #25
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I own a Summicron 35/2 with goggles (mounted on Leica M7 for colur slides), a Summaron 35/2.8 with goggles (mounted on Leica M3 to use the BW films) and Summicron C 40/2, that i use on a Leica CL, as every day camera.
The Summicron C 40 is a very fine lens, comparably with Summicron and Summaron first series. The true problem, with the Summicron C 40/2 is a filter thread mount, that is a 5.5 Series type; correspond to 39x0.75 mm screw mount. This particular thread mount is the same of the Nikon filter in 39 mm size, therefore you can simply solve the filter problem.
But if the original rubber lens hood is lacking or is broken, this is a very hardly solvable trouble.
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