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View Poll Results: Do you mostly use slides or negative film ?
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Slides
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37.93% |
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Negatives
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62.07% |
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Slides or negatives ? |
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01-30-2009
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#1
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Registered User
martin.mintal is offline
Join Date: Jan 2009
Location: Bratislava, Slovak Republic
Age: 29
Posts: 51
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Slides or negatives ?
Hi guys,
I am new here. I just wanted to say Hi!
Perhaps, you'll think I am crazy but I selled my perfect Canon 5D with my brilliant Canon 24-70L lens (first pictures: http://www.flickr.com/photos/martinmintal) 1 month ago....well, I am not crazy. I can appreciate the images you can make with an SLR, they can be very good technically but I simply cannot get the same shots you can get with you small veteran RF....I mean, I like the b&w film atmosphere - ok, I could use some sw filters etc., but it's not the same. Till now I - and many pros confirmed this to me - could not gain the same feeling film is able to give....digital grain is a mess too...
And also, my 5D with the attached lens looked like a giant plasma rifle...you can't gain any decent street shots with a setup like that.
The camera was not bad, but I did not use it much, because you simply cannot take an SLR everywhere with you - I therefore missed the most interesing shots...
I therefore ordered 2 Kievs from Oleg ( http://www.okvintagecamera.com/about.html)....Oleg ist a very nice guy btw, I specifically wanted the "Kiev 4" (that means with exposure meter, without plastic parts, year of production smaller than 1965) and he offered me 2 pieces, that are not listed on his web page....these cameras are still not ready, just some parts in his magic box, but he will dismantle the cameras, clean them, oil them etc. - in short, they will be better than when new 40 years ago.
I already had one Kiev 4, but unfortunately, it was not working correctly (when using slower shutter speeds).
IN SHORT: I wanted to now if you use negative or slide film....
If I understand this correctly, with negatives you have the advantage that you have a huge exp. latitude, that means, you don't have to get the perfect exposure and your shots still can be very good.
On the other hand, when shooting with negatives, much can go wrong in the lab - postprocessing. Here, slides are the king, because they will be "developed" as they were recorded, am I right ?
What type of film do you, guys, prefer when shooting with rangefinders ?
I also would like to know, if I can use a cheaper scanner (for about 200-300 EUR) first - till I buy something more sensible (like the Epson V750).
Thank You Very Much
Martin Mintal
Slovak Republic
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01-30-2009
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#2
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Registered User
martin.mintal is offline
Join Date: Jan 2009
Location: Bratislava, Slovak Republic
Age: 29
Posts: 51
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...and, the Kievs are only are preliminary solution, I will probably buy the "new" Zeiss RF....I only wanted to know, if I'll be able to work with film, first....
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01-30-2009
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#3
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Registered User
Andrew Sowerby is offline
Join Date: Aug 2005
Location: HFX, NS
Posts: 1,060
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What kind of shooting will you be doing (e.g. day time, low light)? Do you like saturated colour or do you want more realistic results?
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01-30-2009
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#4
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Registered User
Faintandfuzzy is offline
Join Date: Sep 2007
Posts: 188
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You can't get decent street shooting with that setup? Really? I think the amount of street and journalistic shots I've seen with DSLRs makes that statement suspect. I spent quite a while in Hong Kong shooting with and old Canon 10D, with battery grip, and a Tamron 24-135. Had no problem at all. The way one moves in a crowd is far more important than the camera in ones hand.
Case in point, this photographer uses a 5D.
www.shihofukada.com
Last edited by Faintandfuzzy : 01-30-2009 at 07:09.
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01-30-2009
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#5
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Registered User
martin.mintal is offline
Join Date: Jan 2009
Location: Bratislava, Slovak Republic
Age: 29
Posts: 51
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reply
Well, I think both but mostly day time.
I will be shooting B&W mostly (using B&W film or using colour film and than apply a b&w filter in the computer)
Quote:
Originally Posted by Andrew Sowerby
What kind of shooting will you be doing (e.g. day time, low light)? Do you like saturated colour or do you want more realistic results?
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01-30-2009
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#6
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Registered User
martin.mintal is offline
Join Date: Jan 2009
Location: Bratislava, Slovak Republic
Age: 29
Posts: 51
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It is possible, of course - but in general, a smaller camera is much more enjoyable to use. You can have it in your pocket everywhere you go - with a 5D this is not possible... ok, you could use a 5D with a small prime lens, but still...
I don't say, it is not possible to do street shots with an SLR, but a rf is much more convenient...
Quote:
Originally Posted by Faintandfuzzy
You can't get decent street shooting with that setup? Really? I think the amount of street and journalistic shots I've seen with DSLRs makes that statement suspect. I spent quite a while in Hong Kong shooting with and old Canon 10D, with battery grip, and a Tamron 24-135. Had no problem at all. The way one moves in a crowd is far more important than the camera in ones hand.
Case in point, this photographer uses a 5D.
www.shihofukada.com
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01-30-2009
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#7
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Registered User
Andrew Sowerby is offline
Join Date: Aug 2005
Location: HFX, NS
Posts: 1,060
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If you're going to be shooting B&W then I don't think you want slide film. Try Kodak Tri-X or Fuji Neopan 400. Neopan has more contrast, in my experience. For occasional colour film, mostly used in daylight, I'd use Fuji Reala 100 or Fuji Pro 160. Good colour and not much grain.
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01-30-2009
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#8
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Registered User
Al Kaplan is offline
Join Date: Dec 2003
Location: Miami, FL
Age: 70
Posts: 4,572
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faintandfuzzy, those hardly look like "street shots". Most of them look carefully arranged and posed to the point of trying to match an A.D.'s layout sketch.
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01-30-2009
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#9
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Registered User
benkelley is offline
Join Date: Nov 2007
Location: Boston, MA
Posts: 69
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Quote:
Originally Posted by Al Kaplan
faintandfuzzy, those hardly look like "street shots". Most of them look carefully arranged and posed to the point of trying to match an A.D.'s layout sketch.
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I was about to say that exactly!
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01-30-2009
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#10
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Registered User
CK Dexter Haven is offline
Join Date: Feb 2005
Location: Los Angeles
Posts: 993
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You're not crazy, but your rationalizations are not truths.
1) For one thing, you should have been shooting with a small prime lens on your 5D, not a large zoom, if 'stealth' and/or a quiet, unobtrusive RF-like experience was what you wanted.
2) Many people do very well with B&W film simulations from a digital camera. They are far from "a mess" if you find a 'formula' for working with the files. I would have suggested that you try Alien Skin Exposure and/or Nik Silver Efex. From your flickr images, i believe a bit of PS finesse could transform them into the kinds of images you seek.
3) I don't agree that you can't get street shots with an SLR. These days, any SLR is more common-looking and usual than any rangefinder. Despite the slight difference in size (millimeters!), rangefinders elicit more 'looks' because they're quite foreign looking to non-photographers.
4) It's an exaggeration to say that you can't take an SLR everywhere with you. Perhaps you just needed a smaller SLR? Even so, the differences are not that great, if you're using a small prime lens, like the 35/2. I routinely see teenage girls carrying their SLRs "everywhere," yet the rangefinder crowd constantly moans about "huge" SLRs compared to their dainty little RFs. Yes, there is a difference. But, i also know photographers who carry Hasselblads "everywhere." There may be some sacrifice in comfort needed for the sake of the image. If you really want a 'carry everywhere' camera, it's still not a rangefinder. Get something you can put in your pocket. Something that wouldn't be too big to put on a dinner table at a nice restaurant. THAT's where the size issue comes into play. Get a Contax T3, maybe.
And, isn't a Kiev 4 nearly the same weight as a 5D?
5) I agree, however, that film is 'different.' It's also my preference. But, i also have a 5DMkII that is actually more practical and it does things the rangefinder and film SLR doesn't do. I'm just suggesting you probably shouldn't have made the decision to go 'whole hog' and sell the 5D just to acquire the Kievs, if that was at all possible.
I wish you luck, though. Maybe, despite the 'facts,' you'll simply find the RF experience more rewarding. Personally, i have digital because i'm too often frustrated by certain technical aspects of film shooting. Most often, it's the variables i can't control. With digital, i have a reasonable certainty that i have The Shot. With film, i'm too beholden to film labs, and the blame for 'screwups' is never firmly affixed.
Did you mention lenses in a later post? Consider the Jupiter-3. If you get a good sample, it's very nice. Mine reminded me of my Pre-ASPH 50mm Summilux. I also had a Jupiter-12 for a short while. I saw some very nice images from one, from another photographer, but i never got used to the handling of it....
Quote:
Originally Posted by martin.mintal
Hi guys,
I am new here. I just wanted to say Hi!
Perhaps, you'll think I am crazy but I selled my perfect Canon 5D with my brilliant Canon 24-70L lens (first pictures: http://www.flickr.com/photos/martinmintal) 1 month ago....well, I am not crazy. I can appreciate the images you can make with an SLR, they can be very good technically but I simply cannot get the same shots you can get with you small veteran RF....I mean, I like the b&w film atmosphere - ok, I could use some sw filters etc., but it's not the same. Till now I - and many pros confirmed this to me - could not gain the same feeling film is able to give....digital grain is a mess too...
And also, my 5D with the attached lens looked like a giant plasma rifle...you can't gain any decent street shots with a setup like that.
The camera was not bad, but I did not use it much, because you simply cannot take an SLR everywhere with you - I therefore missed the most interesing shots...
I therefore ordered 2 Kievs from Oleg ( http://www.okvintagecamera.com/about.html)....Oleg ist a very nice guy btw, I specifically wanted the "Kiev 4" (that means with exposure meter, without plastic parts, year of production smaller than 1965) and he offered me 2 pieces, that are not listed on his web page....these cameras are still not ready, just some parts in his magic box, but he will dismantle the cameras, clean them, oil them etc. - in short, they will be better than when new 40 years ago.
I already had one Kiev 4, but unfortunately, it was not working correctly (when using slower shutter speeds).
IN SHORT: I wanted to now if you use negative or slide film....
If I understand this correctly, with negatives you have the advantage that you have a huge exp. latitude, that means, you don't have to get the perfect exposure and your shots still can be very good.
On the other hand, when shooting with negatives, much can go wrong in the lab - postprocessing. Here, slides are the king, because they will be "developed" as they were recorded, am I right ?
What type of film do you, guys, prefer when shooting with rangefinders ?
I also would like to know, if I can use a cheaper scanner (for about 200-300 EUR) first - till I buy something more sensible (like the Epson V750).
Thank You Very Much
Martin Mintal
Slovak Republic
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I disagree |
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01-30-2009
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#11
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Registered User
CK Dexter Haven is offline
Join Date: Feb 2005
Location: Los Angeles
Posts: 993
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I disagree
Quote:
Originally Posted by Al Kaplan
faintandfuzzy, those hardly look like "street shots". Most of them look carefully arranged and posed to the point of trying to match an A.D.'s layout sketch.
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They don't look much different than the work of David Alan Harvey or Steve McCurry. And, McCurry shoots Nikon dSLRs now, and used to use F100s - same size/profile as a 5D.
Unless you're saying "street shooting," by some sort of definition, means the subject is always unaware he's being photographed.
The camera doesn't matter. I just came back from San Jose, Costa Rica, and did my 'street shooting' with a Bronica RF645, Canon 5DMkII, and Zeiss Ikon.
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01-30-2009
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#12
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Registered User
John Lawrence is offline
Join Date: Oct 2008
Posts: 7,893
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I mainly shoot black and white negative film, usually Ilford HP5. Lately the price of HP5 has increased and so when I finish my current batch, I may try some Fomapan or Fuji film.
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01-30-2009
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#13
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Registered User
ferider is offline
Join Date: May 2005
Posts: 10,311
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I used to use slides but switched to negatives years ago due to added dynamic range. You can just simply do more with them when one of your targets is scanning.
Best,
Roland.
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01-30-2009
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#14
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Registered User
Jason Sprenger is offline
Join Date: Aug 2005
Location: California
Posts: 376
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In answer to your specific question, it depends.
At the moment, I am using Fuji 400X slide film. ISO 400 is usually enough and I generally like the way this film handles color without a lot of grain. The price I pay is in exposure latitude, but since my Zeiss Ikon has a pretty good meter in the camera, I go with it.
In color negative, I like Fuji 800 Press. Nice colors and grain for its speed. Simply amazing for 35mm film.
In black and white negative, I shoot Kodak Plus-X at 125, Fuji Neopan 400 and Tri-X 400. At 400, I prefer the look of Neopan, but if I might push the film (interiors with no flash), I prefer doing that with Tri-X. It's just a subjective preference.
As to a scanner, best to get the best available and these days that means the Nikon Coolscan 5000 or 9000. These scan pretty close to their 4000dpi specifications, whereas even an Epson flatbed delivers maybe 2000dpi. While 2000 dpi is enough for most film, a higher resolution scanner delivers the best possible result. See www.normankoren.com for a scholarly treatment of this subject.
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01-30-2009
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#15
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ʎlʇuǝɹǝɟɟıp sƃuıɥʇ ǝǝS
kdemas is offline
Join Date: Jan 2005
Posts: 3,153
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I shoot negatives quite a bit more than slides, though I actually prefer slides by quite a margin. The issue is the immediacy, I like to get a look at what I've done more quickly than slides normally allow. With the corner drugstore processing C41 I usually opt for that route with my "fun" weekend shooting.
Agfa Ultra 50 was one negative film that I put up with there with slides, it really brought something different tot he table (some might say it brought too much!).
That said, I am shooting some Kodachrome and Agfa Scala this weekend
Kent
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01-30-2009
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#16
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Registered User
Andrew Sowerby is offline
Join Date: Aug 2005
Location: HFX, NS
Posts: 1,060
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Quote:
Originally Posted by kdemas
Agfa Ultra 50 was one negative film that I put up with there with slides, it really brought something different tot he table (some might say it brought too much!).
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I never used Agfa Ultra 50, but I used to shoot Ultra 100 regularly. I miss that stuff!
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01-30-2009
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#17
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Registered User
Faintandfuzzy is offline
Join Date: Sep 2007
Posts: 188
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Quote:
Originally Posted by CK Dexter Haven
They don't look much different than the work of David Alan Harvey or Steve McCurry. And, McCurry shoots Nikon dSLRs now, and used to use F100s - same size/profile as a 5D.
Unless you're saying "street shooting," by some sort of definition, means the subject is always unaware he's being photographed.
The camera doesn't matter. I just came back from San Jose, Costa Rica, and did my 'street shooting' with a Bronica RF645, Canon 5DMkII, and Zeiss Ikon.
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I've done street with a Mamiya RB67 and grip before. Because I'm looking down, tehy don't notice me as much. I agree with your comments on her work. Street doesn't always mean the same thing to everyone.
Martin....do you put an M8 in your pocket? You might get a different reaction from people if you do. 
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01-30-2009
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#18
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Registered User
julio1fer is offline
Join Date: Jul 2005
Location: Uruguay
Posts: 316
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I believe that in Heaven people only shoot slide film. In 4x5. Kodachrome 25. Down here, we need latitude or convenience so we use color neg, digital, B&W, whatever does the job best.
I am just an amateur with about 60 rolls a year. Now I shoot maybe only 2-3% of my output in slide film, but still nothing feels better than tossing your just-developed box of slides on a light box and getting your loupe over them.
BTW I thought that dynamic range in slide film was way higher than in neg film. Maybe Ferider is talking about latitude, above?
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01-30-2009
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#19
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Registered User
Faintandfuzzy is offline
Join Date: Sep 2007
Posts: 188
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Quote:
Originally Posted by julio1fer
I believe that in Heaven people only shoot slide film. In 4x5. Kodachrome 25. Down here, we need latitude or convenience so we use color neg, digital, B&W, whatever does the job best.
I am just an amateur with about 60 rolls a year. Now I shoot maybe only 2-3% of my output in slide film, but still nothing feels better than tossing your just-developed box of slides on a light box and getting your loupe over them.
BTW I thought that dynamic range in slide film was way higher than in neg film. Maybe Ferider is talking about latitude, above?
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Exact opposite. DR of slide film is between 5-7 stops. One can achieve 8-10 stops with neg film.
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01-30-2009
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#20
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Registered User
julio1fer is offline
Join Date: Jul 2005
Location: Uruguay
Posts: 316
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Faintandfuzzy, I respectfully ask to be illuminated, because maybe my physics have become outdated.
I've looked at data sheets of two films that I use often: Sensia 100 and Fuji Superia 100 color neg. You can find them in the Fujifilm site.
Densitometry data range:
Sensia - 3.5 to 0.1 (blue), 3.3 to 0.1 (overall)
Superia 100 - 2.7 to 0.5 (for green layer), 3.2 to 0.2 (overall)
So the optical density in the film is larger for slides than negs. If you consider a single color layer, the difference is 3.4 to 2.2 - about 10 times, since densitometry scale is logarithmic!.
I believe this is because blacks are about the same in both films (given that neg film is now using 4th layer); on the other hand, clear is transparent in slides and only orange base in the negs (i.e. darker than in slides) in best case.
Neg film does not need a large DR, since it is meant to be printed, and prints have a very low DR. If you doubt this, compare the luminosity of an illuminated white paper with that of a light source.
However, *usable range* of exposure zones is actually larger in neg film. Neg film is able to compress a larger range of luminosities into film, because of a flatter densitometry curve when compared to slides. It may be able to pull an extra stop or two into the film. But unfortunately, it does not give that range back in the final image!
The largest imaging dynamic range has always been in a slide on a light table, way more than a printed neg or scans shown in a digital screen.
I'd be most glad to be corrected if wrong...this is an interesting topic.
Last edited by julio1fer : 01-30-2009 at 16:11.
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01-31-2009
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#21
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Registered User
MarkoKovacevic is offline
Join Date: Jul 2008
Posts: 468
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Slides and negs for the Nikon F5 SLR, as its got a awesome meter. Negs for the Zorki since I'm the meter there.
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01-31-2009
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#22
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Registered User
ferider is offline
Join Date: May 2005
Posts: 10,311
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Quote:
Originally Posted by julio1fer
However, *usable range* of exposure zones is actually larger in neg film. Neg film is able to compress a larger range of luminosities into film, because of a flatter densitometry curve when compared to slides. It may be able to pull an extra stop or two into the film. But unfortunately, it does not give that range back in the final image!
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Yes it does in my case, since my primary target is scanning and I can "uncompress" the digital image.
This is an old discussion. For example Ben Kreunen http://www.path.unimelb.edu.au/~bern...technical/hdri claims to show 15 f-stops for Fuji Reala color negative film.
On the other hand, Roger N. Clark http://www.clarkvision.com/imagedeta....summary1.html claims that "print film shows about 7 stops of information".
The difference between the two is in how you expose. "Expose for shadows, develop for highlights" works for me ... where the second part is done post scanning.
Best,
Roland.
PS: See also Rik Littlefield at http://www.janrik.net/MiscSubj/2007/...LR_Images.html, and Dante Stella's website.
Last edited by ferider : 01-31-2009 at 12:59.
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02-01-2009
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#23
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packin' light
buzzardkid is offline
Join Date: Jun 2007
Location: Assen, The Netherlands
Age: 42
Posts: 6,879
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Quote:
Originally Posted by CK Dexter Haven
They don't look much different than the work of David Alan Harvey or Steve McCurry. ...
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Don't know Harvey, but when comparing these to McCurry's work I see big shortcomings in composition and lighting. Yes it's bright colors, and yes thats India (I guess), but that about as far as similarities go...IMHO
Had to get that off my chest, back to topic
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