Astia is not mute

drjoke · 09-22-2008

No post processing. All are taken with ZM Sonnar 50mm on Zeiss Ikon. I am in love with the film now. Pity that it's not available in my country and I have to mail order it. I just love the wider dynamic range comparing to other slide film. This film is also very high resolution. I can blow it up very very large comparing to other film.

My other favorite film is Provia 400X, but it's very expensive and hard to find.

http://www.flickr.com/photos/drjoke/2870826632/

http://www.flickr.com/photos/drjoke/2867618794/

http://www.flickr.com/photos/drjoke/2867618800/

dmr · 09-22-2008

I'm learning to like Astia the more I use it. It doesn't sucker-punch you with color the way Velvia does.

I now understand why Astia is not really a Kodachrome replacement, but I'm learning to like it for its own merits.

sockeyed · 09-22-2008

Very nice subtle colours. I particularly like the last image.

I've got a roll of Astia in my freezer that I've been meaning to shoot for some time now. Time to get it out (if the weather cooperates).

Bob Michaels · 09-22-2008

Astia allows the viewer to concentrate on the subject matter in the photo rather than be overwhelmed by the color.

I simply want a color film where the colors are not noticed but simply are there. That is why I use Astia (or Sensia) for 100% of my color work.

Bob Michaels · 09-22-2008

Do you notice or think about the colors? I hope not. I hope you only see the subject of the photos. This is what Astia gets you.

drjoke · 09-22-2008

Bob Michaels, what lens do you use? I notice that Zeiss ZM does add a bit of saturation. I am guessing yours is not Zeiss ZM.

Bob Michaels · 09-22-2008

Quote:

Originally Posted by drjoke

Bob Michaels, what lens do you use? I notice that Zeiss ZM does add a bit of saturation. I am guessing yours is not Zeiss ZM.

Both of those were shot with a Mamiya 7. Both using the 80mm lens as I remember.

Color saturation is no more than a click and movement of the mouse within limits. This is just the way I see color.

FWIW: you can count the prongs holding the stones in the little girls belly button dangle or see the threads in the wacked out old guys patch that reads "USMC, mess with the best, die like the rest" in a big print.

These were from a series I did in 2005 of the different people who come to the Daytona Beach Boardwalk from January through July. The prints have been exhibited a few times. You can see the entire series at my website http://bobmichaels.org/boardwalk-intro.htm

amateriat · 09-22-2008

And, quite a series that is, Bob. Revisited it several times. Would love to see those in prints.

- Barrett

Bob Michaels · 09-22-2008

Quote:

Originally Posted by amateriat

And, quite a series that is, Bob.Revisited it several times. Would love to see those in prints.
- Barrett

Barrett: it was quite interesting shooting six hours a day, almost once a week, for six months in an area that is 25 meters wide by about 500 meters long. But there was a new group of people there every day. And the nature of those groups changed as well.

There were times I wondered why I decided to do this in 6x7 chrome as I stood close to the white beach sand at noon with no clouds in the sky (think f16 @ 1/500th with Astia)

But I as so glad I did that series when I did as there is little left of what once was the "World's Most Famous Beach".

You should have done Coney Island before Astroland closed. Or, did you?

amateriat · 09-22-2008

Bob: I did (a little), and a friend and colleague did a lot more, probably better than I could. (Quite unrelated to my current exhibit, though.)

The delicacy of color in that series really caught my eye, yet, indeed, didn't get in the way of the work itself. Lots of good things happening in your series to my eyes. What else to say?

- Barrett

Ronald_H · 09-24-2008

Bob, thanks for sharing. Those really are outstanding shots. And with chromes too!

Teus · 09-25-2008

outstanding photos in this thread good tonality, rich dynamics, no color cast. tech obsession aside, nice portraiture as well.

I'm getting better at color films (and my glass is better), and I gave Astia 100F a try again last week in the Mont Blanc area. looking forward to processing. anybody knows about Kodach chromes that would give a bit warmer colors? I like Portra VC much better than Fuji negs.

robbert · 09-25-2008

When I shoot colour with my analogue cameras I use astia

maelswarm · 09-26-2008

There's something charming and familiar about Astia. How does it compare with E100G? I shoot most E100VS and RXP for slide film.

drjoke · 10-07-2008

More Astia shots here. These were taken in Santorini, Greece during our Honeymoon.

No post processing whatsoever.

The first two use ZM Sonnar 50mm and the last one uses ZM Biogon 35mm.

I made it a challenge by only bringing one kind of film during this trip.

http://www.flickr.com/photos/drjoke/2924070156/

http://www.flickr.com/photos/drjoke/2924070154/

http://www.flickr.com/photos/drjoke/2924070150/

amateriat · 10-07-2008

Quite stunning, in all ways...

- Barrett

philipb · 10-23-2008

First post, first roll of Astia. I really like the result so I'll be using it again.

Pete at the end of 10k:

Nikon F80 with 85/1.8
--
Philip

filmfan · 10-23-2008

It's my favorite also.
However, I have never heard of Astia 100F, only 100.

Faintandfuzzy · 10-24-2008

Quote:

Originally Posted by filmfan

It's my favorite also.
However, I have never heard of Astia 100F, only 100.

If you buy a roll of Astia....they all say Astia 100F.....unless they are more than a few years old.

filmfan · 10-24-2008

Quote:

Originally Posted by Faintandfuzzy

If you buy a roll of Astia....they all say Astia 100F.....unless they are more than a few years old.

Gotcha. I bought a box of rolls 3 years ago and believed to this day that only 100 existed.
What are the differences then between 100 and 100F ?