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Another Reason To Dis Digital |
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06-03-2008
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#1
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Shops local
photogdave is offline
Join Date: Sep 2005
Location: Film-filled Vancouver
Posts: 2,367
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Another Reason To Dis Digital
Sigh...There I was, scouting out a location where I was going to shoot a wedding completely with film on RF cameras (saving the details for another thread). I was firing off some test shots with my beloved Panasonic LC-1 when it totally died. The screen fizzled out and it was just dead as a doornail.
Sent it in for a repair estimate. $700 to replace the main board. I love the camera but no way! 
Anyway it just makes me mad that to replace one part is half the original retail value of the camera and more than I actually paid for it! Meanwhile I have 30+ year-old Leicas and a 50+ year-old Rolleiflex that require nothing but minimum maintenance to keep running smoothly.
I've been shooting about 90% film all along anyway but this experience just reenforces my continued allegiance to mechanical film cameras. Of course I've just now booked a trip of a lifetime that will take be to the Galapagos islands and I'll want something compact with a good telephoto lens. Hello Olympus E-420! 
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Digital - I just don't care for it.
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06-03-2008
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#2
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Registered User
mich8261 is offline
Join Date: Sep 2006
Location: Rhode Island, US
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digicams are really just very expensive disposable cameras.
This is obviously an exageration, but it has certainly been true leading up to the 5-6MB cameras. I am about to sell my first dSLR (the original dRebel) and I wonder if I'll be able to get $200 for it even with all the extras.
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06-03-2008
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#3
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Registered User
wray is offline
Join Date: Apr 2007
Location: Riverside, California
Posts: 655
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One of my OM2S's had the shutter lock up on a shoot last week. The repair will be more than I paid for the camera! So it can happen to film cameras as well.
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06-03-2008
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#4
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Registered User
Axel100 is offline
Join Date: Apr 2007
Location: Germany, north
Posts: 137
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Oh yes... died digicams in our family the last years:
Kodak DC4800, 2 Canon Ixus, Fuji E550, Fuji S20Pro, Sony DSC-W15, Konica Minolta Dimage Z3...
Regards, Axel
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M6, CL, X10
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06-03-2008
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#5
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Shops local
photogdave is offline
Join Date: Sep 2005
Location: Film-filled Vancouver
Posts: 2,367
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Quote:
Originally Posted by wray
One of my OM2S's had the shutter lock up on a shoot last week. The repair will be more than I paid for the camera! So it can happen to film cameras as well.
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I know, but how old are those cameras and how much use did you get out of them? I only had mine for less than two years! 
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Digital - I just don't care for it.
Leica M4, M6, CL
Voigtlander lenses
Pentax Optio 43 WR
Olympus Stylus Epic
Rolleiflex TLR
Nikon F100, D70
My Gallery
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06-03-2008
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#6
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Dim Bulb
spyder2000 is offline
Join Date: Jun 2007
Posts: 212
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Having been in the business, it was hard to explain that repairs were often based on the suggested retail price of a camera, not the street prices. So often, an extensive repair wound up costing 75% of street price and it came with a six month warranty.
More than once I sold a new camera to replace the broken one. Digitals are for the most part no better. Sad.
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-- Mark
Standard, M2, M3, IIS2, IIIa, Signet 35, IIIC, Ia ...
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06-03-2008
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#7
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Rebel Without a ...Pause
lemalk is offline
Join Date: Apr 2007
Location: San Diego, CA
Age: 37
Posts: 183
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Are you sure it's not the CCD?
I have an LC1 that I love dearly, and there have been numerous postings on the Leica forum about the Digilux 2 and the LC1 dying due to some dodgy Sony sensors.
The LC1 is a gem, unlike most other digicams. I'd do some more research before dumping the LC1 outright - maybe Panasonic can cover most of the expense under warranty like Leica is doing?
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"To me, jazz is the closest thing to insanity that there is in music." - David Lynch
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06-03-2008
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#8
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Ferroequinologist
Al Patterson is offline
Join Date: Aug 2005
Location: Columbus GA USA
Age: 57
Posts: 2,548
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Quote:
Originally Posted by mich8261
digicams are really just very expensive disposable cameras.
This is obviously an exageration, but it has certainly been true leading up to the 5-6MB cameras. I am about to sell my first dSLR (the original dRebel) and I wonder if I'll be able to get $200 for it even with all the extras.
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I agree. When I used to shoot color print film, it cost me about 50 cents (US) per shot when one added up the cost of film, development and printing to 4 by 6. So, if I buy a $500 digital P&S and get 1,000 shots from it, and it dies at that point, I figure I'm even. So far I'm up to maybe 2,000 shots on my Sony DSC-V3, so any more I get is gravy.
At $700 to repair, it might be better to just buy a new one from Amazon or somewhere, and sell the second lens to someone with another 4/3 system camera.
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Al Patterson
Canon QL17 GIII
Leica CL 40mm Summicron-C 50mm Hexanon
Yashica Electro 35 GSN
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06-03-2008
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#9
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Registered User
Brian Sweeney is offline
Join Date: Jan 2004
Posts: 15,103
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If the hard drive in my DSLR dies, I have a spare. It's 16 years old. They don't make them like they used to.
These days, film is cheap. $1 a roll of 24 exposure film, $3 to print to 4x6. $4 to print to 5x7.
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06-03-2008
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#10
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Registered User
willie_901 is offline
Join Date: Dec 2005
Posts: 2,028
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Actually some working pros do consider DSLRs to be disposable cameras. I shot a gig with a guy who is a full-time sports photographer. From late August through June he shoots sports at least 5 days a week in Texas.
We were shooting an event together, and during a break he says, "If you need a back up you can use one of these". The he opened a suitcase with 4 D2X bodies and a several beat up lenses wrapped in towels. He travels with a suitcase of D2X bodies and old lenses stashed in his car's trunk as back ups for his D3/D300. The D2X's have so many clicks they are worth little on the used camera market. Also he's too busy to sell them. So he just keeps them "just in case". I would have offered him next to nothing for one, but the D2X is just too big and heavy for me.
Willie
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06-03-2008
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#11
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Registered User
Paul700 is offline
Join Date: Sep 2006
Location: sussex uk
Age: 46
Posts: 10
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its rather easy to dis digital, I use film and digital, both have advantages and disadvantages, mostly I feel like a sucker for falling for the hype, and upgrading the DSLR, and the pocket compact. Still, it keeps the photo industry ticking over.
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06-03-2008
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#12
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Registered User
yanidel is offline
Join Date: Jan 2008
Location: Paris
Age: 40
Posts: 1,178
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Most goods built nowadays are not built to last, this is modern consumerism.
Fridges, cars, clothes, everything is not what they used to be for many brands. As an example, people now own their cellphones for an average of two years than change. Same is happening to cameras ... so I am not sure sticking to film will have an effect on this trend. The cost of developing film is on an exponential compared to the cost of owning an digital camera. In a few years, even if the old Leica will remain more reliable, it just won't make any sense to shoot film, except for the high income photographs.
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06-03-2008
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#13
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Registered User
Steve Bellayr is offline
Join Date: Dec 2006
Location: Virginia
Posts: 1,607
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For sporting events digital cameras provide the photographer with the opportunity to shoot a 1000 photos where 100 would have sufficed. That was how it was explained to me. Don't need a lab. Just email them and go to the next event. Quality is and optics is not and never was a consideration in sports photography. If enough pictures are taken some are going to be usable. Four Nikon D2xs are the cost of doing business. Fact of life.
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06-03-2008
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#14
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Shops local
photogdave is offline
Join Date: Sep 2005
Location: Film-filled Vancouver
Posts: 2,367
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Quote:
Originally Posted by lemalk
Are you sure it's not the CCD?
I have an LC1 that I love dearly, and there have been numerous postings on the Leica forum about the Digilux 2 and the LC1 dying due to some dodgy Sony sensors.
The LC1 is a gem, unlike most other digicams. I'd do some more research before dumping the LC1 outright - maybe Panasonic can cover most of the expense under warranty like Leica is doing?
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I did look into that. My camera did not fall into the range of serial numbers with those sensors, so there will be no warranty coverage.
Thanks for the tip though!
__________________
Digital - I just don't care for it.
Leica M4, M6, CL
Voigtlander lenses
Pentax Optio 43 WR
Olympus Stylus Epic
Rolleiflex TLR
Nikon F100, D70
My Gallery
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06-03-2008
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#15
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Shops local
photogdave is offline
Join Date: Sep 2005
Location: Film-filled Vancouver
Posts: 2,367
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Quote:
Originally Posted by Al Patterson
I agree. When I used to shoot color print film, it cost me about 50 cents (US) per shot when one added up the cost of film, development and printing to 4 by 6. So, if I buy a $500 digital P&S and get 1,000 shots from it, and it dies at that point, I figure I'm even. So far I'm up to maybe 2,000 shots on my Sony DSC-V3, so any more I get is gravy.
At $700 to repair, it might be better to just buy a new one from Amazon or somewhere, and sell the second lens to someone with another 4/3 system camera.
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Unfortunately it's the LC1, not L1, so it is a fixed zoom lens camera.
__________________
Digital - I just don't care for it.
Leica M4, M6, CL
Voigtlander lenses
Pentax Optio 43 WR
Olympus Stylus Epic
Rolleiflex TLR
Nikon F100, D70
My Gallery
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Users |
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06-03-2008
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#16
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Robert Feinman
robertdfeinman is offline
Join Date: Apr 2005
Location: Long Island NY
Posts: 127
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Users
Different users have different criteria, so most discussions are comparing apples to oranges.
A pro considers a camera the way a carpenter considers a hammer - it's a tool. It's cost gets factored into the overhead.
An amateur considers a camera as an investment and expects it to last until there is a reason to change.
Electronics makers (of cameras, TV's and the like) consider their products like spaghetti, they just keep cranking it out by the yard and hope that it gets consumed and you come back for more.
Most electronic items these days are assembled by machine and contain very small components and are, therefore, almost impossible to "fix". At best some sub-assembly will be replaced. There is no solution to this, you can't cram so many features into a small box without compromising repairability.
Either accept the limitations on product lifetime, or stick with mechanical devices and hope for the best. Even then spare parts become an issue.
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06-03-2008
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#17
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Striving
ChrisN is offline
Join Date: Apr 2005
Location: Canberra
Posts: 4,295
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Quote:
Originally Posted by photogdave
... Anyway it just makes me mad that to replace one part is half the original retail value of the camera and more than I actually paid for it! ...
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How does the cost of an overhaul from DAG or Sherry compare with the original retail value of an M3 or M6? Probably pretty similar, although the working life is usually 30 years.
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Chris
"The mission of photography is to explain man to man and each to himself. And that is the most complicated thing on earth."
Edward Steichen
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06-03-2008
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#18
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Registered User
sfb_dot_com is offline
Join Date: Oct 2005
Location: Cornwall, UK
Posts: 199
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My now outdated Nikon D100 still soldiers on five years after purchase. There's some wear to the finish on the buttons, but everything else is as new. It's been subject to -40C temperatures in the Arctic, been dropped many, many times, and wet many more. It has never put a foot wrong. and the original 1GB IBM Microdrive still works too. These days it usually has 'Ugly Betty' the 60mm Macro bolted to the front, which despite her cosmetic frailties, still takes a cracking sharp picture. It doesn't quite have the wonderful tactile feel of a Leica, but it's a Nikon and built like a tank.
Andy
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06-03-2008
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#19
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Shops local
photogdave is offline
Join Date: Sep 2005
Location: Film-filled Vancouver
Posts: 2,367
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Quote:
Originally Posted by ChrisN
How does the cost of an overhaul from DAG or Sherry compare with the original retail value of an M3 or M6? Probably pretty similar, although the working life is usually 30 years.
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Exactly! I would rather pay half of my cost to CLA a Leica that lasts 30 years than double my cost to replace a digital that's already obsolete.
However what I'm really trying to say is that I love the camera and want to keep using it but the repair cost is too high! This discussion has veered off into the usual film vs digital and the camera is just a tool etc etc but that's not what I was intending to get into.
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Digital - I just don't care for it.
Leica M4, M6, CL
Voigtlander lenses
Pentax Optio 43 WR
Olympus Stylus Epic
Rolleiflex TLR
Nikon F100, D70
My Gallery
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06-03-2008
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#20
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Ferroequinologist
Al Patterson is offline
Join Date: Aug 2005
Location: Columbus GA USA
Age: 57
Posts: 2,548
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Quote:
Originally Posted by photogdave
Unfortunately it's the LC1, not L1, so it is a fixed zoom lens camera.
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Ah, different story. You might be able to pick one up on eBay though. I
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Al Patterson
Canon QL17 GIII
Leica CL 40mm Summicron-C 50mm Hexanon
Yashica Electro 35 GSN
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06-03-2008
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#21
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Rebel Without a ...Pause
lemalk is offline
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Location: San Diego, CA
Age: 37
Posts: 183
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The LC1 doesn't hold the same resale value as the Digilux 2 - I got mine about a year and a half ago for a little over $500.
I'm sure you can find a replacement on ebay for roughly that or less...
But the Olympus DSLR is pretty tempting...
But it doesn't have a silent shutter and that wonderful lens.
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"To me, jazz is the closest thing to insanity that there is in music." - David Lynch
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06-03-2008
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#22
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Registered User
Brian Sweeney is offline
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I've had three Barnack Leica's CLA'd and new beamsplitter put in for $100 each.
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06-03-2008
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#23
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Registered User
CK Dexter Haven is offline
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Location: Los Angeles
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Factor in the cost of the film and processing you didn't have to pay for when using the LC-1, and the cost of replacing the digital camera is seen with a more realistic perspective.
There's really no good reason to compare film and digital in this manner, relative to economics. A film camera is a consuming device. As much as we love them, they cost us money each time we use them. Twice.
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06-03-2008
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#24
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Registered User
Keith is online now
Join Date: May 2006
Location: Australia
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Things break and wear out ... sometimes prematurely.
Just because my toaster lets me down on wednesday I'm not going to get up on thursday and gather wood, light a fire and wait for the glowing embers to toast my bread ... I'll just buy another toaster and break that one too!
Consumerism ... you gotta love it! 
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06-03-2008
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#25
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Shops local
photogdave is offline
Join Date: Sep 2005
Location: Film-filled Vancouver
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Quote:
Originally Posted by CK Dexter Haven
Factor in the cost of the film and processing you didn't have to pay for when using the LC-1, and the cost of replacing the digital camera is seen with a more realistic perspective.
There's really no good reason to compare film and digital in this manner, relative to economics. A film camera is a consuming device. As much as we love them, they cost us money each time we use them. Twice.
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Like I said, I wasn't intending to turn this into a film vs digital discussion but since you mention it...
If I felt I had shot my money's worth with the LC1 I wouldn't be nearly as upset. But in fact I didn't use it that much because my film cameras are way more versatile, reliable, and the IQ was better. Film is much more economic for MY type of shooting because I have an already-paid-for film scanner.
I liked the LC1 because for certain situations it was a great camera to have on hand - great lens, bounce flash, relatively compact. But truthfully I didn't actually take a lot of photos with it, so I feel like I didn't get my money's worth. This will apply to an digital camera I buy because I will always use my film cameras more.
Bottom line is I truly feel I get more for my money out of a film camera. Not to mention the wastefulness of my nicely crafted LC1 just going into the dumpster!
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Digital - I just don't care for it.
Leica M4, M6, CL
Voigtlander lenses
Pentax Optio 43 WR
Olympus Stylus Epic
Rolleiflex TLR
Nikon F100, D70
My Gallery
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