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Voigtlander Bessa Leica Mount Cameras Made in Japan by Cosina in partnership with Voigtlander, the many modern Voigtlander Leica Screw Mount and Leica M mount bodies offer inexpensive and often unique options into entering the world of Leica rangefinder photography.

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Old 02-01-2015   #761
Skiff
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The Voigtländer Macro Apo-Lanthar 2,5/125 SL was probably the best lens ever offered under the Voigtländer (produced by Cosina) brand.
An outstanding lens, in optical and mechnical terms.

But re-introducing it would not make so much sense economically, because it then would directly compete to the Zeiss Makro-Planar 2/100 and Zeiss Apo-Sonnar 2/135 (which are also both absolutely outstanding, and also both produced by Cosina).

But there is a market gap: 180 / 200mm focal length.
A Voigtländer APO-Lanthar 2,8/200 SL II, but on the same quality level as the former 2,5/125 Apo-Lanthar would be great!!
This lens could fill a market gap.
It would have no direct competitor from the Zeiss line.

Such a lens I would buy immediately!!!
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Old 02-02-2015   #762
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I already replied but wanted to add another item to my list of dreams:

A Large Format rangefinder shooting 4x5 with interchangeable lenses (no bellows).

I love my GW690 but I want the 4x5!
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Old 02-02-2015   #763
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Is it possible for a digital body like Ricoh GR (size and simple control) but with M mount? Focus peaking or dual pixle sensor like what Fuji did in X100s(t) EVF split image focus assist?
I can settle for APSC in this case. I know the argument of just go buy a fuji X system. I think if taking out the focusing and other AF part that's in the EVF might make it cheaper or be able to make the camera smaller... obviously I am no expert but the idea works good in my head :-D
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Old 02-02-2015   #764
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follow my thought above... maybe VC's own system and lenses to match such body but you don't need the rangefinder mechanism maybe be able to make even more compact lenses?
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Old 02-11-2015   #765
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I loved my RD-1 which unforntuately I had then sold for an M8 ... M8 was not better, it only was Leica. ... and acutally, Leica M's getting more and more expensive, it would be the right time for Voigtlaender/Cosina - or for Zeiss! - to produce a rangefinder cam like RD1. Preferably in FF ... but also APS-C would do, but in this case with own lenses. I am sure they would sell quite well!
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Old 02-11-2015   #766
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I'd like to see some constency in design and production (not quality but longevity).

-We have different focus ring shapes, scalloped, ribbed, aperture tabs, no aperture tabs. I understand that some lenses respect a tradition, but it makes it harder than it should be to make a set of lenses with a similar feel. The Leica and especially ZM lines win hands down here, and there's no reason Voigtlander can't be the same.

-It frustrates me no end that products just fall out of production and are never replaced. Take the 2.5/50 for instance. It would complement the 2.5/35 (which I have and love) very nicely, but it is out of production with no follow up. Why? This seemingly random production doesn't give me the faith I want when building a set of lenses. How about a 90? Nothing anymore.

I like to have a set of lenses that have the same ergonomics. I can't afford to get them all at once. Put those two together, and although the price of the Voigtlander lenses is excellent, they just seem to make it hard to achieve my goal. Zeiss don't, they all feel the same, share a few filter sizes, and generally feel like they were designed to use as a set (we'll see if the 18 is replaced). Leica to a lesser extent are there too (at least within generations)

Thats just my 2c. I think they need some constancy.

So for what products I'd like to see;
The 3.5/90 back, the 2.5/50 back, the 2.5/28 back, and some design consistency in their new products.
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Old 03-05-2015   #767
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Quote:
Originally Posted by Skiff View Post
The Voigtländer Macro Apo-Lanthar 2,5/125 SL was probably the best lens ever offered under the Voigtländer (produced by Cosina) brand.
An outstanding lens, in optical and mechnical terms.

But re-introducing it would not make so much sense economically, because it then would directly compete to the Zeiss Makro-Planar 2/100 and Zeiss Apo-Sonnar 2/135 (which are also both absolutely outstanding, and also both produced by Cosina).

But there is a market gap: 180 / 200mm focal length.
A Voigtländer APO-Lanthar 2,8/200 SL II, but on the same quality level as the former 2,5/125 Apo-Lanthar would be great!!
This lens could fill a market gap.
It would have no direct competitor from the Zeiss line.

Such a lens I would buy immediately!!!
+1.
Excellent idea!
That would really be a wonderful lens filling a market gap.
Such a lens I would buy, too.

Cheers, Jan
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Old 03-18-2015   #768
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I'd love to have the nice people at CV meet the nice people at Sigma for a long weekend to make little Bessa babies with Foveon sensors. And begin production again of all the great lenses that CV stopped producing.
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Old 03-18-2015   #769
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The Color-Skopar 50/2.5 - ltm or M, with the same size, just a reissue. Lately the Voigtländers have been getting fat and clumsy ... trim the waistline!
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Old 03-18-2015   #770
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Quote:
Originally Posted by Jerevan View Post
The Color-Skopar 50/2.5 - ltm or M, with the same size, just a reissue. Lately the Voigtländers have been getting fat and clumsy ... trim the waistline!
Yes! Same for the 28/3.5! That and the above-mentioned 50/2.5 would be my absolute light-and-tiny dream combo!

And please issue everything in black and chrome, while you're at it... (now positively dreaming)...
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Old 03-19-2015   #771
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Quote:
Originally Posted by Chrisrw View Post
And begin production again of all the great lenses that CV stopped producing.
Which ones exactly?
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Old 03-19-2015   #772
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EDIT: post removed by myself (wrong topic). Sorry.
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Old 03-19-2015   #773
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Quote:
Originally Posted by Chrisrw View Post
I'd love to have the nice people at CV meet the nice people at Sigma for a long weekend to make little Bessa babies with Foveon sensors. And begin production again of all the great lenses that CV stopped producing.
Having this digital RF with their modern lenses is much more desirable for me comparing to digital Leica.
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Old 03-19-2015   #774
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I carry a IIIc everyday with its little 50mm Elmar. I have often wished for a lens the size of the little Elmar but faster. The Summitar and Summicron are not much smaller than my Nikkor 50mm f2.0. Small and fast, that's not too much to ask is it? Joe
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Old 03-19-2015   #775
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Billy...
Quote:
Originally Posted by Chrisrw View Post
And begin production again of all the great lenses that CV stopped producing.
Which ones exactly?

I have limited experience, but the often requested Skopar 50/2.5 is one. The heliar 50/2 and 50/3.5 collapsable I believe were limited runs, all of which I've heard great things about. Oh, and the screw mount 75/2.5.
I am lucky enough to have just received a LN 50/2.5 yesterday. But they're hard to find.
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If wishes were horses...
Old 05-16-2015   #776
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If wishes were horses...

All right Voigtlander. Let's talk turkey. There are two products I'd love to see pop up.

First, I'd love CV (or someone!) to produce a reasonably compact hot shoe mount spot meter. I purchased another member's monochrom and I am relearning exposure. A spot meter that I wouldn't have to release my camera to use would be very useful and very helpful.

Second, I'd love to see CV take their superb 35mm f1.2 designs, and adapt them into a super fast 28mm lens. They did it with the 21mm focal length. If they could achieve similar image quality, I'd snatch one up and never let it go.

Ok, Santa. That's the end of my letter. Enjoy the cookies and milk.


Edit: I'd also love to see CV adopt codeable lens mounts on their lenses. Digital leicas are becoming more prevalent with every model.
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Old 05-16-2015   #777
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VM 90mm f2.5 or thereabouts. Nice, compact and <$1000AUD - a modern companion for my 'fat' Tele-Elmarit
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Old 07-12-2015   #778
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I like the nico's idea (posted on 11-13-2008 #277) of an affordable panoramic camera using 135 film such as xpan, but have mechanical shutter.
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Old 07-15-2015   #779
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Ummm...35 1.7 M mount Ultron. You know, the one promised from Sept of last year.
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Tri-skopar
Old 09-21-2015   #780
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Tri-skopar

I wish: Tr-Skopar 25-35-50mm f/4

With the ability to shoot at high ISOs, an f/4 lens in not a problem. Also note the gradual acceptance of bigger lens as "normal", including some of Cosina's latest offerings (35mm f/1.7)

I think a tri-skopar priced at about $1000 would be awesome!
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Old 09-21-2015   #781
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Reissue the CV 28/3.5. Simple enough, no?
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Old 09-21-2015   #782
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I would like to see a range of tiny lenses maybe f3.5 that are single coated medium in contrast with good handling like the current Summarits, in a heavy brass mount and tabbed ala 50/2.5 Color Skopar.
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Digital Bessa Arch
Old 04-28-2016   #783
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Digital Bessa Arch

Well the Digital Bessa is an old dream, and Cosina is probably working on something like that. But Sony with the A7 and even all the Nex line had advanced so much that it is difficult to think what could be done with Cosina Technology that could surpass any of those models...

Cosina / Voightlander have never produced such a huge quantities as Sony or other brands, so their difference is that: A smaller market.

That could be a disadvantage for many, but it could be turned into an advantage: Sony have to satisfy a massive target, so their designs are focused to that mass market, and they cannot focus on specific professional needs, but on popular needs only.

For instance considering this, and the great ability of Cosina Voightlander in fine mechanics craftsmanship (which is being dissapearing in the plastic era of other brands) they could focus on products for specific markets that would surpass the available designs, and position the brand on top of the best.

I had come with one idea, which I am sure it is not the greatest idea, but it will give a view of how to produce a product that could compite with the main camera monsters and win them in certain field!

Here the proposal for a Digital Bessa PC (Perspective Correction) for Architectural Photography:

This is a professional camera for architecture. It will surpass all the existing camera models because of its unique characteristic: A Shifting sensor, to manipulate perspective, taking the best from the unique Wide Angle Professional Collection of Voightlander Lens in VM mount: The equipment will be completed with the 10mm the 12mm the 15mm and a 21mm lens.



It should be a sturdy metalic Bessa body with a digital viewfinder (no back LCD screen) and simple functions. No apps that make special effects nor photo style modes, nor stitching panoramas and so) Manual and programed modes. It would use an APS (24x16mm) sensor and VM mount. The characteristic that will make the diference would be the precision Shifting sensor in vertical axis and or horizontal axis. The mechanism should be mechanical as in a view camera. Since the sensor covers only a part of the full frame, there will be plenty of space for perspective correction.
A 24 MP sensor would be enough since all the resolution will be used in the final image after perspective correction.

This will be a camera that will not need to be produced in the quantities of Sony NEX and that could never be produced by Sony, but it could be produced by Voightlander to position the brand at the top of the available technology for professionals focused in Architectural Photography which is a smaller market.

Ernesto
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Old 05-06-2016   #784
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Quote:
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Digital Bessa Arch
And it should have levels for horizontal and vertical composition, which could be observed in the exterior of the camera as well as through the viewfinder.



Accordingly the circular field of a full frame lens, as the new Voightlander 10mm Hyper Wide in VM mount, in case of using an APS-C format sensor, the shifting could be of 10.23 mm in vertical axis and 8.34 mm in the horizontal axis. There would be possible to adjust both values at the same time, performing a full perspective correction.



This will be a dream for architectural photographers.
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Old 05-06-2016   #785
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Quote:
Originally Posted by pvdhaar View Post
How about a 25-35-50 Tri-Skopar? But only if it's compact. Doesn't even need to be f2-f2.8, if it's f4 is fine. Just make it the ideal travel solution. Complete with a matching multi focal length finder to get it to work on a Bessa-T... Wouldn't that be nice?
Second the motion.
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Old 05-06-2016   #786
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Another vote for resurrecting the Epson R-D1. The 24mp APS sensor would be fine, a full frame sensor would be above and beyond. It would probably require a fatter body and I don't think that would be a good idea.
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Full frame Digital with Small Sensor
Old 05-09-2016   #787
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Full frame Digital with Small Sensor

Perhaps Cosina Voightlander can make a Digital Bessa for full frame photography using a small sensor.



In the previous image we can see that only a fraction of the sensor is being used at a given time, so why would you need a full frame sensor.
Perhaps a small sensor mounted in a sliding mechanism, analogue to a shutter, which could move along the full frame, could capture a full frame image, at a fraction of the cost.
It would be a good combination of digital and mechanical tech!

Here a good sample: http://www.popsci.com/diy/article/20...apixel-scancam
http://www.sensorsinc.com/products/linescan-cameras
Another example made with an Epson Scanner: http://petapixel.com/2014/12/29/medi...epson-scanner/

https://www.youtube.com/watch?v=bTsT42bCS6o

This could be a great idea to increase resolution by adjusting the speed of the scanning sensor!

Ernesto
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Old 05-09-2016   #788
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A digital Zeiss IKON would be perfection. With a lens selection menu. Oh, and how about a Summicron-sized f2 35 and 50 Zeiss or Voigtlander lenses, in black and chrome, to go with it.
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Old 05-13-2016   #789
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Yet another request for a digital RF with the finder from the Zeiss Ikon.

I recommend skipping the rear display entirely, using Wifi with smart-phone apps for image review, live-view, and camera settings beyond shutter speed and ISO.

Them that want a screen have more options; them that don't, get a leaner RF package.
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Old 05-13-2016   #790
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I like the way you think, Jason.
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Old 05-13-2016   #791
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Maybe a collapsible 50mm f2 that focuses to down to .7m.

AFAIK there are no collapsible 50mm lenses that gets closer than 1m.

When focusing this close, it's also important that design doesn't focus shift, which unfortunately a lot of CV lenses do..

Maybe some kind of modern triplet design, like for my 4x5 I have a 210mm Rodenstock Geronon, those are great for portraits!
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Old 05-14-2016   #792
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No CV product. Everyone I purchased has been a problem.
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A Digital Contax
Old 07-03-2016   #793
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A Digital Contax

I have two wishes for Mr. B. Kobayashi:



First, a new contax digital full frame.

Second, to be able to collaborate as Industrial Designer for Cosina Voightlander.



Bellow, a sample of both wishes:

Here a brochure of the new Full Frame Digital Contax IVd Camera:
http://4dempire.com/lacalledesign/Co...d Brochure.pdf

Here the design concepts involved:
http://4dempire.com/lacalledesign/Co...ign Memory.pdf

And some images:





http://4dempire.com/lacalledesign/camera1_B.jpg



The Body with ZM mount

http://4dempire.com/lacalledesign/camera2_B.jpg
http://4dempire.com/lacalledesign/camera2_BS.jpg
http://4dempire.com/lacalledesign/camera2_BST.jpg
http://4dempire.com/lacalledesign/camera2_C.jpg



http://4dempire.com/lacalledesign/camera3_B.jpg
http://4dempire.com/lacalledesign/camera3_C.jpg
http://4dempire.com/lacalledesign/camera4_B.jpg



http://4dempire.com/lacalledesign/camera4_C.jpg
http://4dempire.com/lacalledesign/camera4_CS.jpg
http://4dempire.com/lacalledesign/camera5_B.jpg
http://4dempire.com/lacalledesign/camera5_C.jpg
http://4dempire.com/lacalledesign/camera6_B.jpg
http://4dempire.com/lacalledesign/camera6_BH.jpg
http://4dempire.com/lacalledesign/camera6_BS.jpg





http://4dempire.com/lacalledesign/camera6_CS.jpg
http://4dempire.com/lacalledesign/camera7_B.jpg
http://4dempire.com/lacalledesign/camera7_BS.jpg
http://4dempire.com/lacalledesign/camera7_C.jpg
http://4dempire.com/lacalledesign/camera7_CS.jpg
http://4dempire.com/lacalledesign/camera8_B.jpg



No rear Screen.

http://4dempire.com/lacalledesign/camera9_BH.jpg

http://4dempire.com/lacalledesign/camera9_BS.jpg
http://4dempire.com/lacalledesign/camera9_CH.jpg



http://4dempire.com/lacalledesign/camera10_BS.jpg
http://4dempire.com/lacalledesign/camera10_CH.jpg
http://4dempire.com/lacalledesign/camera10_CS.jpg
http://4dempire.com/lacalledesign/camera11_B.jpg



Note that the Film or Sensor plane has been displaced towards the front of the camera, together with the ZM mount, to make space for electronics behind the sensor and inside the viewfinder, without the need of thickening the full body.

http://4dempire.com/lacalledesign/camera12_B.jpg



At the left, the Viewfinder Mode Selector, OR (Optical Rangefinder) DV (Digital Viewfinder) C (Combined Viewfinder)
At the right the Frame Lines selector (to be used in the OR mode only.



Main Digital Menu Command: Back Dial with inner 5 ways Button, and at the right: two extra customizable buttons.

http://4dempire.com/lacalledesign/camera13_C.jpg



Contax IVd with Special Edition Amedeo adapter, to a colapsible Clasic Sonnar f= 5 cm 1:2

http://4dempire.com/lacalledesign/camera15_C.jpg
http://4dempire.com/lacalledesign/camera16_S.jpg



Digital Self Timer, with light and lever signals.

http://4dempire.com/lacalledesign/camera18_B.jpg



Customizable Front Dial and 5 ways Button
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Bessa Perspective Correction
Old 3 Weeks Ago   #794
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Bessa Perspective Correction

I have another two wishes for Mr. B. Kobayashi:


First, a new Bessa PC (perspective correction) digital shifting APSc format and VM mount.

Second, to be able to collaborate as Industrial Designer for Cosina Voightlander.




Bellow, a sample of both wishes:


Based in the previous post:
http://www.rangefinderforum.com/foru...&postcount=783


http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg



Here a Black Bessa PC with the brand new Hyper Wide Heliar 10mm and a new ergonomic handgrip.
Note the bubble level on the top, which is also visible through the viewfinder, which could be very usefull when shooting hand held images.
The possibility of perspective control at unsurpassed levels.



Here a sample of the kind of perspective which could be captured using the Voightlander Super Wide 15mm.
Residential Tower in Buenos Aires by Rafael Viñoly PC architects.



Just imagine the corrected perspective using the great Hyper Wide 10mm

http://4dempire.com/lacalledesign/Be..._01_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...01_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._02_Grip_B.jpg
http://4dempire.com/lacalledesign/Be..._02_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...02_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg



The mechanical shifting gear, commanded through two wheels with automatic locks.
One for the Y axis and the other for the X axis.

http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._03_Grip_B.jpg



Shifting possibilities in both Y and X axist inside the 35mm image circle.



A cutaway showing the mechanical shifting mechanism.
The axis of the lens is being projected in the digital viewfinder through a vertical and horizontal lines.
The lines will be centered when the shifting mechanism is not activated, and will be not centered when perspective control is being used.
These lines serves as references to align the horizon of the scene.

http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...03_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg



The first miniature camera for architectural photography which could use any classic M Lens, for perspective correction.
In this case an old Sonnar f:2



In this case using the legendary Biogon 21mm by Carl Zeiss through an Amedeo adapter.

http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._04_Grip_B.jpg
http://4dempire.com/lacalledesign/Be..._04_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...04_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._05_Grip_B.jpg
http://4dempire.com/lacalledesign/Be..._05_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg



A Chromed Bessa, with the new ergonomic handgrip, and a dedicated Hyper Heliar 10mm halph chromed and halph black

http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg



The perfect equipment for perspective correction for the first time in a compact system.

http://4dempire.com/lacalledesign/Be..._06_Grip_C.jpg



The new Bessa PC, without the lens, showing the APSc sensor shifted in the vertical axis.
Note the new ergonomic grip, inspired in the classic Linhoff Technika Grip

http://4dempire.com/lacalledesign/Be...06_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg



Here a Bessa PC with the classic Biogon 21mm, which could be used to correct perspective for the first time ever.

http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._07_Grip_B.jpg
http://4dempire.com/lacalledesign/Be..._07_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...07_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._08_Grip_B.jpg
http://4dempire.com/lacalledesign/Be..._08_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...08_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._09_Grip_B.jpg



http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...09_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg



A beautifull view of a Black Bessa PC with the Hyper Wide Heliar 10mm and Ergonomic Handgrip.
The dream equipment for the architectural photographer, as well as for the creative photographer interested in perspective manipulation.
Studio Technika capabilities in a miniature digital camera for the first time in history.

http://4dempire.com/lacalledesign/Be..._10_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg
http://4dempire.com/lacalledesign/Be...10_Grip_CC.jpg
http://4dempire.com/lacalledesign/Be...ack_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ack_Sonnar.jpg
http://4dempire.com/lacalledesign/Be...ome_Biogon.jpg
http://4dempire.com/lacalledesign/Be...ome_Sonnar.jpg
http://4dempire.com/lacalledesign/Be..._14_Grip_B.jpg
http://4dempire.com/lacalledesign/Be..._14_Grip_C.jpg
http://4dempire.com/lacalledesign/Be...C_SinLente.jpg



Here another view of the shifting mechanism.
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Old 3 Weeks Ago   #795
Darthfeeble
Accidental Photographer
 
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Darthfeeble is online now
Join Date: Sep 2008
Location: Logtown, California, USA
Posts: 855
A selection of reasonably fast, pretty darn sharp M mount lenses. Oh wait, they do that. Well how about a reasonably inexpensive wide medium format camera? Oh that too. You spoiled it by excluding the digital Bessa R dammit. Bring back the R-D1. It's the only thing missing from the lineup.
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