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Old 07-24-2007   #26
drazin
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i dont like how the sky is blown out in these:

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Old 07-24-2007   #27
dmr
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Quote:
Originally Posted by drazin
i dont like how the sky is blown out in these:
I hate to say this, but this is probably as good as you will get in a mini-lab scan.

I can see some detail in the clouds (on this monitor, at least) but the top of your gazebo is way blown out and the shadows under the bushes are buried in the mud. My hunch is that your negative shows at least some detail in both of them, but the one-size-fits-all auto-levels in their scanner clipped on both ends.
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Old 07-24-2007   #28
cary
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Most 1 hour photo stores use C41 rapid access process which is washless to save water and time. A professional lab will use the standard C41 process which includes two wash steps. In theory the standard C41 process will produce negs that will last longer.

Cary Chin

Last edited by cary : 07-24-2007 at 14:12.
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Old 07-24-2007   #29
nikon_sam
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Maybe try a Polarizing Filter...might help the sky come in and deepen some of the plants and water...
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Old 07-24-2007   #30
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I've had prints from labs that looked like that-my own scan was much, much better. That said, when I get their scans, they look great too.

I doubt the negative is bad-can you get it scanned again, or have you tried to do any leveladjustments?
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Old 07-25-2007   #31
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What do you want dev'd? B&W or colour? Colour is a no brainer. B&W is a different matter. You'd have to do some research. Why not approach different shops (Walmart, a high end pro shop, a local camera shop, etc). Hand them a roll of B&W and have them dev it for you. Prices will vary. Results will vary. Pick the one you feel most comfy about in the end.
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Old 07-25-2007   #32
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I often use mini labs but do try to find one that you have confidence in. The main problem I have found is when using black and white dye based films that use the colour process (like Ilford XP-2 and the Kodak equivalent.) Many mini labs screw up the colour channels for these films resulting in sometimes horrrific colour casts in the printing. If you ask nicely and the lab is genuine in its customer service they will often reprint for you at no cost. A few will offer a service to print these films properly first time around maybe for a few bucks extra. One I found used to offer a service of printing such films on black and white paper which gave a true black and white result to the prints. But they charged extra and you often had to wait longer as they had to wait to the end of a print run to load the machine and do mine as a custom job.The other lesser problem is that because the lab machine sets the print exposure automatically with no human oversight I often found prints to be underexposed especially in the shadows. This was not a problem if I later scannned a print as I could correct in Photoshop.
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Old 07-26-2007   #33
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Drainz-- great shots.. I think they are perfect.

As for developing at a 1hr place.. If you are doing color, I don't really see harm in getting them developed there. If you are doing xp2 or bw400cn. I'd say you're better of dev. yourself. Two rolls of 36exp xp2 cost me 23 bucks. I had to send them back so that they would fix the crappy scans they made. Waste of time and money.

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same problem over here.
Old 07-26-2007   #34
pizzahut88
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same problem over here.

Quote:
Originally Posted by Peter A (NYC)
I do it all the time cuz I have to. Main problem is scratched negs.
Scratch negs are annoying.
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