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Old 01-07-2007   #51
venchka
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Wonderful! Can you please move these to the Nikkor 50/1.4 Samples only thread in the Nikon Forum?

joe? administrator? somebody?
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Old 01-07-2007   #52
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sorry about that! I didn't know this thread existed
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Old 01-07-2007   #53
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Matt, those are really good, esp. the third photo of the mossy rocks.
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More samples!
Old 01-07-2007   #54
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Cool More samples!

Quote:
Originally Posted by trittium
sorry about that! I didn't know this thread existed
No worries. There are two threads actually. You may use either one.
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Old 01-07-2007   #55
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done!


joe
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Old 01-07-2007   #56
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Quote:
Originally Posted by jja
Matt, those are really good, esp. the third photo of the mossy rocks.
Thanks jja
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If you want to see some of my photos you can go to http://flickr.com/photos/trittium/

Some Digital Art Here
http://flickr.com/photos/tri77ium/

M2, Hexar RF, Leica IIIC, Leica IIIf RD ST, Leica IIF RD too many lenes
Mamiya 6 folder, Certo Dolly Super Sport RF
Voigtlander Alpin, Calumet 4x5, Robot Star 50, Robot II, Robot Star, oh yeah and a crappy minolta digital camera
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Old 01-07-2007   #57
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Hold on, Matt. Don't you know you can't use any lenses besides the M-Hexanons on that Hexar RF body? They just won't work right! Grinning. It sure is a good thing that some of us can't read!
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Old 01-16-2007   #58
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Another moody wide open b&w shot.


Beach hut at the Moomin World, Naantali, Finland.
Shot with Voigtländer Bessa R2S + Nikkor-S.C 5cm f/1.4 @ f/1.4.
Fomapan T200 Creative film developed in Agfa Rodinal.
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Old 01-16-2007   #59
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Looks very nice! How visible is the light-falloff with color film?

Frank
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Old 01-16-2007   #60
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Quote:
Originally Posted by Sonnar2
Looks very nice! How visible is the light-falloff with color film?
Thanks. I have owned the lens just about a month. So, I haven't shot any color with it, yet. I'm a b&w geek. But I think that the light-fall-off at wide open is more visible with slide film than with b&w.
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Old 01-16-2007   #61
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Here is one in color (hope it is attached)
http://www.rangefinderforum.com/phot...83&ppuser=4257

Last edited by steamer : 01-16-2007 at 03:18.
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Old 01-16-2007   #62
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Quote:
Originally Posted by steamer
Here is one in color (hope it is attached)
http://www.rangefinderforum.com/phot...83&ppuser=4257
Nice photo. Did you shoot that photo wide open at f/1.4? I didn't see any light-fall-off at the corners.

Jari

Last edited by jsuominen : 01-16-2007 at 05:24.
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Old 01-16-2007   #63
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Now that you mention it, I think it was shot at f/4
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Old 01-16-2007   #64
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It's a great portrait lens. Does the shade help much in backlight?
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Old 01-17-2007   #65
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Quote:
Originally Posted by Sonnar2
It's a great portrait lens. Does the shade help much in backlight?
I bought a cheap 43mm lens hood from eBay. It was also mentioned on this page http://www.rangefinderforum.com/foru...t=34264&page=5 .

If the backlight comes directly from behind the subject, shade doesn't help much as you can see in this photo http://www.flickr.com/photos/jsuominen/333073112/ . But that was an extreme example and I don't shoot normally that way, if I can move the subject or my own position...
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Old 01-17-2007   #66
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The lens gets into trouble when you're shooting backlit with the sun out of the frame. Then it can produce circles and internal lens reflections. In gentler backlighting, it produces wonderful results.

Here's a shot from last weekend.
Attached Images
File Type: jpg SP-5cm1-4-jan07EML.jpg (41.6 KB, 241 views)
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Old 01-17-2007   #67
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I like these portrait shots in this thread taken with the Nikkor-S. I guess its "stretched" design (for a Sonnar type) and age at least benefit from a tight hood in most light situations. (as with my RF Canon 1.5/50)

Let's see how the prices of the genuine hoods are, and then decide if the handling advantage is worth it.
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Old 01-17-2007   #68
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I have a Zeiss Sonnar 1.5, on which the Nikkor is based. It's much worse at handling backlight and sun-out-of-the-frame shots -- the coatings aren't as effective, so you get magnificent superimposed images of the aperture blades which, at some f/stops, are shaped like a circular saw.
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Old 01-17-2007   #69
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Back to the photos again. Here is a portrait shot of my brother and his girlfriend.



Shot with Voigtländer Bessa R2S + Nikkor-S.C 5cm f/1.4 @ f/1.4, 1/60s.
Fuji Neopan 100SS film pushed to 200ASA and developed in Fuji SPD.
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S2, Bessa T & R2S, M2 & Minilux, 35RF & 35S & AFM35, XA, Contax IIa & T2
Nikkor-S.C 5cm f/1.4, Mill. 50/1.4, 3.5cm/1.8; Summicron 50/2; CV 25/4, 28/1.9, 35/2.5 PII, 35/1.7, 50/1.5, 50/3.5 S; Rollei Sonnar 40/2.8 HFT; Zeiss-Opton Sonnar 50/1.5 T; Zeiss S-mount Sonnar 50/1.5 T*
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Old 01-21-2007   #70
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Another wide open portrait:


Shot with Voigtländer Bessa R2S + Nikkor-S.C 5cm f/1.4 @ f/1.4.
Fuji Neopan 100SS film pushed to 200ASA and developed in Fuji SPD.
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Old 01-21-2007   #71
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That has an amazing glow to it, very nice.
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Old 01-21-2007   #72
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Thanks. Someone has said that old Leica lenses have a special 'Leica-glow', but maybe old Nikkor lenses have their own glow, too.

Jari
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Old 01-21-2007   #73
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Jari,
That's a beautiful photograph. Thanks for posting.
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Old 01-26-2007   #74
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One more "Nikkor-glow" wide open shot:

Shot with Nikon S2 + Nikkor-S.C 5cm f/1.4 @ f/1.4.
Fuji Neopan 100SS film pushed to 200ASA and developed in Fuji SPD.
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My Gallery is almost empty - but take a look at my flickr photos
S2, Bessa T & R2S, M2 & Minilux, 35RF & 35S & AFM35, XA, Contax IIa & T2
Nikkor-S.C 5cm f/1.4, Mill. 50/1.4, 3.5cm/1.8; Summicron 50/2; CV 25/4, 28/1.9, 35/2.5 PII, 35/1.7, 50/1.5, 50/3.5 S; Rollei Sonnar 40/2.8 HFT; Zeiss-Opton Sonnar 50/1.5 T; Zeiss S-mount Sonnar 50/1.5 T*

Last edited by jsuominen : 01-26-2007 at 22:52.
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Old 01-26-2007   #75
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If you avoid point light sources or bright points of daylight through foliage, this lens is marvelous wide open.

Jeffery Smith in New Orleans may have more old 50mm lenses Frank S. I know, hard to imagine. Anyway, Jeffery recently purchased a Nikkor 50/1.4 lens. His early reaction: "This may be the sharpest old 50mm lens".
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