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Old 05-27-2012   #1
nemjo
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wide open

Hi all,

I have a possible silly question about lenses.
I often read about significance of number of diaphragm blades, and thought it understand. More blades, the more circular iris - when stopped down.
And recently again on LL that how nice bokeh the 50/1.2 Nikkor has wide open for it's nine blade.
But how does it matter wide open?

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Old 05-27-2012   #2
mfogiel
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It doesn't.
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Old 05-27-2012   #3
nemjo
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This was my first (few) thought(s) too.

But :

"This lens sings its most beautiful song wide open, where the combination of ultra-shallow depth of field, lovely boke due to its nine blade shutter, ...."

and this is far not the first interpretation on fast lenses I've read.
So I'm still puzzled...

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Old 05-27-2012   #4
FrankS
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When wide open, the aperture blades/shape does not come into play.
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Old 05-27-2012   #5
Elektrojänis
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Quote:
Originally Posted by nemjo View Post
"This lens sings its most beautiful song wide open, where the combination of ultra-shallow depth of field, lovely boke due to its nine blade shutter, ...."
Looks a lot like it's just written by somebody who really doesn't understand. I've seen something like this several times too.

The shape of the aperture is a bit overrated feature when it comes to the quality of the boke/bokeh. It mainly affects the shape of highlights. Many other things affect the overall boke quality (smoothness or whatever) more.
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Old 05-27-2012   #6
mdarnton
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Simply put, it's a MIRACLE that the 9 leaves impart, even when they're not present. I have seen "beautiful" bokeh claimed for some of the most gawd-awful jittery stuff or backgrounds that look like clusters of sharp-edged smoke rings that I wouldn't take anyone's word for anything on the topic. Go with what you see and like, not what you read.
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Old 05-27-2012   #7
btgc
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Quote:
Originally Posted by nemjo View Post
"due to its nine blade shutter, ...."
I wouldn't bother reading any further, frankly. Technical side can kill art not only when it dominates but also when it is absent.

Shutter, sigh.
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Old 05-27-2012   #8
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Well they're talking about the 50mm f/1.2 AIS-Nikkor, so even 'This lens sings its most beautiful song wide open' is suspect.
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Old 05-27-2012   #9
Matus
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I would say that while number of aperture blades does (somewhat) influence the smoothness of OOF image part - it is a distant second to lens design and conditions (means = what are the objects that are OOF, what is the light).

I had an olympus XA - it had 4(!) aperture blades - these only become visible when more stopped down around spot light sources or reflections.
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