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View Poll Results: in my shoes, what would you do?
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get a rolleiflex
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14 |
26.42% |
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get a 500c/m and a 80 planar
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16 |
30.19% |
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sell some stuff and get a 35/2 biogon
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9 |
16.98% |
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get an OM 28/2 and pocket the difference
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1 |
1.89% |
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get anohter gw690!
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0% |
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save cash
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13 |
24.53% |
04-11-2012
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#26
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Nick Merritt
KoNickon is offline
Join Date: Aug 2005
Location: Hartford, CT USA
Age: 54
Posts: 2,133
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Rolleiflex. Smaller in dimension than the Fuji, for sure. It does seem that the prices on the 3.5E and 3.5F (as well as the 2.8s) are climbing, but I should think $600-$700 is feasible. Oh, and get a Rolleinar 1 (brings you from 1 meter down to roughly .5 meters) for extra versatility.
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04-11-2012
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#27
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the indecisive eternity
ottluuk is online now
Join Date: Sep 2010
Location: Tartu, Estonia
Age: 27
Posts: 373
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I thought along similar lines a while ago: get a 6x9 camera so I could use an affordable flatbed scanner and still get nice files. But then I caught the Leica fever and dropped the money on a worn-but-working M4.
While I still get bouts of medium format GAS, I'm pretty happy things went that way, for several reasons:
a) I don't really have that much time for photo-only excursions. But I have a loose schedule and lots of field work in interesting places so a camera that I can carry all the time will get to take lots more pictures. And extra lenses are easy to carry as well.
b) Film cost per shot is 3-4x less with 35mm.
c) The cheaper flatbed scanners get you an adequate file from MF but the full quality of the negative is still inaccessible until you have it drum scanned. The flatbeds don't get better with larger film, the sheer area (and thus smaller enlargement factor for similarly sized output) simply conceals the same crappy resolution that you see with 35mm scans from the same machine. Combined with the extra cost, it's a waste, IMO.
If you get money back for the broken GW, you should have enough money for a second hand dedicated 35mm scanner or way more than enough to fix/replace your enlarger. Either would also work with your existing 35mm negatives. And you already have some nice cameras.
__________________
Ott Luuk
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GRD III | 40D | M4
Tumblr.
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04-11-2012
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#28
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Registered User
Spanik is offline
Join Date: Feb 2012
Posts: 382
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A bit of self confidence maybe?
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04-11-2012
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#29
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 985
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Quote:
Originally Posted by shadowfox
Where is this middle of nowhere if I may ask?
Being able to work from home is a blessing if you ask me.
As others have alluded to, I think at this point you need to build a portfolio, and this does not depend on the equipment so much compared to developing a vision through mini-projects.
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I live "in" Fort Worth but the city itself is a good 45 minutes away.
I'm not trying to buy stuff because I think it will make my pictures better. I am not a photographer, I do this because I enjoy it. I don't mind spending some money on cameras because if I ever tire of a camera I can just sell it.
I bought the gw690iii for a reason. 3:2 and a big negative, plus I read all sorts of stuff on the interwebs about it being toy-like and tough despite being surprisingly light weight. I realize now that those people were smoking crack.
Something to consider is that the M2 was somewhat of a revelatory instrument for me. Here was a camera I could actually focus! I was just hoping to have that in a larger format.
I will consider carefully for the next week or so whether or not I can live with cropping down 6x6 shots from a Rollei. I don't want to sell anything which I think I would realistically have to do to fit a 'blad into my play money budget. I see KEH has some 3.5s in stock which I can fit in fairly easily.
35mm is fine, but what I see in 120 shots with a good lens on a nice traditional b&w film stock, I know that I can't get that in 35. It's true I don't have clients to deliver the goods too, and it's true that I don't print and I really should, but I'm 23; I want to look at these pictures on my computer.
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04-11-2012
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#30
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Registered User
FrankS is offline
Join Date: Aug 2004
Location: Great White North
Age: 56
Posts: 17,156
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If all you want to do is look at your pics on a computer, why not get a digital camera?
If you want to stick to film, then all you need is a flatbed scanner with film scanning capabilities like my Canon 8400f. Scanners of this type are a bit more than $100 and easily capable of producing computer monitor worthy scans/files.
It certainly doesn't sound like you need a medium format camera for your application, to me.
__________________
“Believe nothing, no matter where you read it or who has said it, not even if I have said it, unless it agrees with your own reason and your own common sense.” – quote
I myself am made entirely of faults, stitched together with good intentions. -quote
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04-11-2012
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#31
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Registered User
thegman is online now
Join Date: Sep 2009
Location: London
Age: 33
Posts: 2,951
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Out of that lot, for me it's an easy Rolleiflex or Hasselblad. If you're shooting on a tripod, Hasselblad all the way. It's a great system camera with loads of options, and fairly affordable, unless you want very modern lenses.
For handheld, Rolleiflex, a lot lighter and smaller than a 'blad. I used to carry about mine in a man-bag, no dedicated bag required. If you can get on with a TLR, they are great, if not, they're a bit of a pain. I don't have my Rollei any more, but the lens was probably my favourite ever.
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04-11-2012
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#32
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Registered User
Matus is offline
Join Date: Jan 2008
Location: Frankfurt, DE
Posts: 1,810
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Well - you may as well try the Bronica RF645 with the 66/4 lens - much cheaper than mamiya 7 and should be very nice to use. Or even a Fujica GS645 with 75/3.5 lens (just make sure it is in a good working order).
It seems like you prefer rectangular to square - in that case going for a Rolleiflex may not be optimal for you. Otherwise TLR has, in my opinion, the biggest 'fun' factor. I did have Rolleifelx T and have Mamiya 6 now. The Rollei was more fun - no question.
Flatbed scanner (when working properly) should give you OK 2400 spi scans and once scaled down (after scanning) to some 1200 - 1600 api it should give you sharp results. In other words even with 35mm film you should be able to get 'sharp' files with about 3 Mpix - more than you ask for - and give you decent 5x7" prints should you decide to print digitally.
While the 35mm cameras do not have the 'wow' factor when it comes to negs, their size, fast lenses , speed of operation, portability and economy (per frame) may be more important than the bigger ned the medium format can deliver.
But if you are really unsure - then either wait or get some cheaper (but reasonably working with decent lens - Hexar AF comes to my mind) 35mm camera and give it a try.
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04-11-2012
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#33
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 985
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Quote:
Originally Posted by FrankS
If all you want to do is look at your pics on a computer, why not get a digital camera?
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I do have one. I have a 40D, which I use more frequently now than I would really like.
That being said, it's results are fine so I see no reason to buy another one when I still prefer film. A lot. And I wouldn't characterize it that strongly, I do still appreciate a good print (I've got a couple I did when I had access to the BU darkroom, I would not so quickly give up this capability).
Quote:
Originally Posted by FrankS
If you want to stick to film, then all you need is a flatbed scanner with film scanning capabilities like my Canon 8400f. Scanners of this type are a bit more than $100 and easily capable of producing computer monitor worthy scans/files.
It certainly doesn't sound like you need a medium format camera for your application, to me.
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Why are all of you being such good influences? I thought forums were supposed to be enablers.
I know I don't need a medium format camera, but the last time I did MF I didn't really give it the time or effort it deserved, and I'm still in the try everything until I figure out what fits me the very best phase.
Plus I will feel bad if I never shoot any 120 acros before Fuji takes that awy too =/
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04-11-2012
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#34
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 985
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First I should take a moment to thank everyone who has responded so far. Really, everyone, thank you so much.
I'll try and state this clearly, this is now more a question of do I buy a Rollei and use a flatbed or do I just bite the bullet on a dedicated 35mm film scanner.
Quote:
Originally Posted by thegman
Out of that lot, for me it's an easy Rolleiflex or Hasselblad. If you're shooting on a tripod, Hasselblad all the way. It's a great system camera with loads of options, and fairly affordable, unless you want very modern lenses.
For handheld, Rolleiflex, a lot lighter and smaller than a 'blad. I used to carry about mine in a man-bag, no dedicated bag required. If you can get on with a TLR, they are great, if not, they're a bit of a pain. I don't have my Rollei any more, but the lens was probably my favourite ever.
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Thanks, the size/weight/price consideration has pushed me towards the Rollei if I do buy another MF camera.
Quote:
Originally Posted by Matus
It seems like you prefer rectangular to square - in that case going for a Rolleiflex may not be optimal for you. Otherwise TLR has, in my opinion, the biggest 'fun' factor. I did have Rolleifelx T and have Mamiya 6 now. The Rollei was more fun - no question.
While the 35mm cameras do not have the 'wow' factor when it comes to negs, their size, fast lenses , speed of operation, portability and economy (per frame) may be more important than the bigger ned the medium format can deliver.
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Square is...
I don't know it's just much less dramatic to me than a wider format. Hard to describe. Maybe I have seen Lawrence of Arabia too many times.
I'm not going to sell any 35mm stuff, the Rollei would be used but it probably wouldn't displace my Leica as my main camera. I don't mind cropping a bit. I like the Zeiss and Schneider lenses a lot, I was willing to forgo that for the larger negative and RF system of the Fuji. I would be fine with 645 if I could spring the Contax but I think it would take many, many rolls of film chopping off the edges of pictures before I made up the price difference.
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04-11-2012
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#35
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Registered User
FrankS is offline
Join Date: Aug 2004
Location: Great White North
Age: 56
Posts: 17,156
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First class performers, all of them.
__________________
“Believe nothing, no matter where you read it or who has said it, not even if I have said it, unless it agrees with your own reason and your own common sense.” – quote
I myself am made entirely of faults, stitched together with good intentions. -quote
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04-11-2012
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#36
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Registered User
xhrl is offline
Join Date: Dec 2007
Age: 18
Posts: 13
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I agree with thomasw. stick with the m2 and zm 50/2 and pick some theme to shoot and then shoot it and shoot it some more....of your listed options, just think about adding a 35/2. But picking the idea is more important....
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04-11-2012
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#37
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Registered User
celluloidprop is offline
Join Date: Aug 2005
Posts: 883
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People: Save some more cash and pick up a GF670, Mamiya 6 or Mamiya 7, IMO.
Buildings: Hasselblad
You could scratch the 6x6 MF itch for a good deal less with a Bronica SQ-A kit, pocket the difference and save for a MF rangefinder.
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04-11-2012
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#38
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 985
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Film scanner won out.
Will probably get an OM 28/2 anyway, what can I say lensitis is a serious sickness.
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04-11-2012
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#39
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Registered User
seakayaker1 is offline
Join Date: Mar 2010
Location: Seattle, WA
Posts: 1,182
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Voted for the Rollieflex, then read through the thread.
Just a plug for the MF film experience, I am enjoying the Rollie 75/3.5 and the Mamiya 7II.
Good luck with your decision!
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