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Bill Pierce - Leica M photog and author

 

“Our autobiography is written in our contact sheets,  and our opinion of the world in our selects”  

"Never ever confuse sharp with good, or you will end up shaving with an ice cream cone and licking a razor blade."  

 

Bill Pierce is one of the most successful Leica photographers and authors ever. I initially "met" Bill in the wonderful 1973 15th edition Leica Manual (the one with the M5 on the cover). I kept reading and re-reading his four chapters, continually amazed at his knoweldge and ability, thinking "if I only knew a small part of what this guy knows... wow."  I looked foward to his monthly columns in Camera 35 and devoured them like a starving man.  Bill has worked as a photojournalist  for 25 years, keyword: WORK.  Many photogs dream of the professional photographer's  life that Bill has earned and enjoyed.  Probably Bill's most famous pic is Nixon departing the White House for the last time, victory signs still waving. 

 

Bill  has been published in many major magazines, including  Time, Life, Newsweek, U.S. News, The New York Times Sunday Magazine, New York Magazine, Stern, L'Express and Paris Match.  :His published books include  The Leica Manual,  War Torn, Survivors and Victims in the Late 20th Century, Homeless in America,  Human Rights in China,  Children of War.  Add to that numerous exhibitions at major galleries and museums.  Magazine contributions include  Popular Photography,  Camera 35, Leica Manual,  Photo District News, the Encyclopedia of Brittanica, the Digital Journalist, and now RFF.  Major awards include Leica Medal of Excellence, Overseas Press Club's Oliver Rebbot Award for Best Photojournalism from Abroad,  and the World Press Photo's Budapest Award. Perhaps an ever bigger award is Tom Abrahamsson's comment: "If you want to know Rodinal, ask Bill."

 

I met Bill in person through our mutual friend Tom Abrahamsson.  In person his insight and comments are every bit as interesting and engaging as his writing.  He is a great guy who really KNOWS photography.  I am happy to say he has generously agreed to host this forum at RFF  From time to time Bill will bring up topics, but you are also invited to ask questions.  Sit down and enjoy the ride!

 


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Old 02-13-2012   #26
Jamie Pillers
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Quote:
Originally Posted by Colin Corneau View Post
-- finding deeper meaning and commonality from the flow of daily existence...
I've been somewhat curious about this kind of idea for some time now. I love making images of street scenes. However I know full well that I'm most often creating a fiction when I frame a scene, leaving out what I choose, cropping backgrounds and foregrounds that may or may not be a 'truthful' representation of the moment. And I might even use black and white film to add even more drama. Thus I may have created my own "deeper meaning" that has little to do with what was actually happening at that moment.

So I suspect that much of the street photography we see presented on the web is really more about the meanings created in the photographer's mind, rather than the objective reality of the moment. But then maybe this is obvious, and I'm just blathering.
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Old 02-13-2012   #27
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Bill: I like your definition. The best of the breed either gives you the sense that you understand something of the subjects and their time/place that you did not before or poses an interesting juxtaposition.

Personally, I do not particularly like photos of tourists. Although in a place like New York or London every street light will bring together a random collection of individuals who are highly unlikely to be in the same place again.
... like a snapshot?
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Old 02-13-2012   #28
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Your definition works for me. My favorite place is the Seattle Public Library, the Rem Koolhaas design that went up a few years ago. Even in the lousiest weather, there are a ton of people taking pictures of it, with cameras ranging from cell phones to the odd view camera. So I collect pictures of the people shooting the library. I work next door to it--it's like fishing with dynamite.
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Old 02-14-2012   #29
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... like a snapshot?
Hmm. No (although I may not have my irony detector finely tuned enough . . .). My definition of a snapshot is a casually framed photograph primarily intended to memorialize a person or place. With a random collection of strangers on a street corner, no one in that group intends to juxtipose himself with any other. Folks are just going to work, or heading back from lunch or what have you. A good photographer can take that random assemblage of people and present them to a viewer in a way to suggest that there is meaning (irony, social commentary, pathos etc.) in the random collection of individuals. The pedestrians are making the moment, but the photographer is giving it meaning. The very best photographers tell us something about ourselves in how they present this slice of life.
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Old 02-14-2012   #30
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... I always call my own stuff snapshots (without any irony in this instance) ... but then our Henri wanted to title his book that ... it was the publisher who came with that Decisive Moment guff ... I'll stick with Snapshot, it avoids all that pretentious artiste statement twaddle
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Old 02-14-2012   #31
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... I'll stick with Snapshot, it avoids all that pretentious artiste statement twaddle
You'd rather it be associated with Hunting or shooting guns?
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Old 02-14-2012   #32
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i generally am too deliberate to call my photos snapshots. now, once i have deliberated, i frame and shoot quickly.
in any case, i don't shoot much "street" simply because i live so far away from any decent-sized cities. birmingham is only 24 miles away, but it is not much of a walking city except around the university/medical center. even there, the sidewalks are never crowded as in manhattan.

also, because the subject has come up, i personally don't mind at all being associated with firearms and/or hunting ...
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Old 02-14-2012   #33
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You'd rather it be associated with Hunting or shooting guns?
... only if I were participating in a firearms forum, which I am not
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Old 02-14-2012   #34
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i generally am too deliberate to call my photos snapshots. now, once i have deliberated, i frame and shoot quickly.
http://en.wikipedia.org/wiki/Snapshot_aesthetic
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Old 02-14-2012   #35
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thanks, jsr. interesting reading.
i am deliberate because i like control. frenetic activity usually puts me off the creative beam.
i like to think sometimes that i compose as if i'm using a large format cam, but use a 35mm cam/x100 for convenience. i do like to travel light ...
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i seek to photograph the things not seen.

" ... faith is the assurance of things hoped for, the conviction of things not seen." Hebrews 11-1
"One eye sees. The other eye feels." - Paul Klee
"... For the things that are seen are transient, but the things that are unseen are eternal." - apostle Paul, 2 Corinthians, 4:18
"Film will only become art when it's materials are as inexpensive as pencil and paper." - Jean Cocteau

http://blackcreekjournal.blogspot.com/
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Old 02-14-2012   #36
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i like to think sometimes that i compose as if i'm using a large format cam, but use a 35mm cam/x100 for convenience. i do like to travel light ...
Yes, me too...
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