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Bill Pierce - Leica M photog and author

 

“Our autobiography is written in our contact sheets,  and our opinion of the world in our selects”  

"Never ever confuse sharp with good, or you will end up shaving with an ice cream cone and licking a razor blade."  

 

Bill Pierce is one of the most successful Leica photographers and authors ever. I initially "met" Bill in the wonderful 1973 15th edition Leica Manual (the one with the M5 on the cover). I kept reading and re-reading his four chapters, continually amazed at his knoweldge and ability, thinking "if I only knew a small part of what this guy knows... wow."  I looked foward to his monthly columns in Camera 35 and devoured them like a starving man.  Bill has worked as a photojournalist  for 25 years, keyword: WORK.  Many photogs dream of the professional photographer's  life that Bill has earned and enjoyed.  Probably Bill's most famous pic is Nixon departing the White House for the last time, victory signs still waving. 

 

Bill  has been published in many major magazines, including  Time, Life, Newsweek, U.S. News, The New York Times Sunday Magazine, New York Magazine, Stern, L'Express and Paris Match.  :His published books include  The Leica Manual,  War Torn, Survivors and Victims in the Late 20th Century, Homeless in America,  Human Rights in China,  Children of War.  Add to that numerous exhibitions at major galleries and museums.  Magazine contributions include  Popular Photography,  Camera 35, Leica Manual,  Photo District News, the Encyclopedia of Brittanica, the Digital Journalist, and now RFF.  Major awards include Leica Medal of Excellence, Overseas Press Club's Oliver Rebbot Award for Best Photojournalism from Abroad,  and the World Press Photo's Budapest Award. Perhaps an ever bigger award is Tom Abrahamsson's comment: "If you want to know Rodinal, ask Bill."

 

I met Bill in person through our mutual friend Tom Abrahamsson.  In person his insight and comments are every bit as interesting and engaging as his writing.  He is a great guy who really KNOWS photography.  I am happy to say he has generously agreed to host this forum at RFF  From time to time Bill will bring up topics, but you are also invited to ask questions.  Sit down and enjoy the ride!

 


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Making the best of a M5
Old 01-18-2011   #1
lilmsmaggie
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Making the best of a M5

As luck would have it, I'm the new owner of a Leica M5 w/ 50mm f2 Summicron lens. This is my first real rangefinder and Leica. I'm used to shooting with SLR's and seeing what the "lens" sees.

I'd like to do some street photography but need to understand how to optimize:

(1) fast focusing when my subject may be on the move and

(2) zone focusing when I have a bit more time.

Bottomline - I'm looking for rangefinder shooting techniques.
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Old 01-19-2011   #2
ChrisN
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Two suggestions:

1. Use fast film (400 iso), f/16 and set your focus distance to 2.5m using the focus scale on the lens. Your focus depth should then be from 1.2m to infinity.

2. If focusing through the viewfinder, always return the focus ring to infinity after a shot. Practice focusing with a smooth movement, stopping as soon as the images coincide at the correct point. Don't hunt the focus ring back and forth.

But really, for fast action you need to learn to estimate the focus distance and set it by feel, or use the hyperfocal focusing approach described above.

BTW - nice avatar!
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Old 01-19-2011   #3
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Congrats on the M5, the best RF Leica ever made, IMHO. Really, the key to using any camera is to practice with it.

Focusing an RF with speed requires that you train your eye and hand to work together without thought. Stand on a busy street corner, no film in the camera if you want to follow through and snap the shutter, and focus on people at all distances. Standing still and moving. A few hours of that and you'll get pretty good at it! It's how I taught myself to follow focus sports stuff with an SLR. I stood beside a busy freeway and focused on approaching cars day after day.
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Old 01-19-2011   #4
Richard G
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Congratulations on a great camera. Is the lens a tabbed Summicron? You can get a feel for 1m, 3m and infinity from where the tab is with just a little practice. And don't allow yourself to be slowed down by the meter. Meter once under the covered area or the shady side of the street, and the sunny side of the street, and work with those settings, metering deliberately again only if the light changes.
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Last edited by Richard G : 01-19-2011 at 03:01.
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Old 01-19-2011   #5
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Great tips - Thanks everyone!

BTW - Chris, my avatar is my Chamonix 45n-2.

Dwain
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Old 01-19-2011   #6
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Quote:
Originally Posted by Pickett Wilson View Post
Stand on a busy street corner, no film in the camera if you want to follow through and snap the shutter, and focus on people at all distances. Standing still and moving. A few hours of that and you'll get pretty good at it!
IMO, you might as well use film if you are going to stand there all day... never know what you will get.
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