summilux 35mm pre-asph.
Old 12-31-2016   #1
kengai
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summilux 35mm pre-asph.

what is the Summilux 35mm pre-asph? how it acts on the M-P 240?
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Old 12-31-2016   #2
Fraser
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35mm f1.4 pre the aspherical version works fine on all Ms famous for 'Leica glow' when shot wide open, only annoying thing is its tricky to code as it has a different kind of lens mount.
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Old 01-02-2017   #3
Chromacomaphoto
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Have a look here for how it performs on various cameras:

http://www.rangefinderforum.com/foru...ad.php?t=49501
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Old 4 Days Ago   #4
aldobonnard
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I can compare with the 35mm v4 CRON and Zeiss 35mm f2 (which is equal in performance to the Leica 35 asph f2, albeit with better distortion).
The 35/1.4 Lux pre-asph (German made version) has no problem with using on a M digital. The profile exists in Leica M bodies => coding is not an issue at all.
At f/1.4 the pre-asph lux image is finely defined but with some glow in the finest structures.
At f/2, it's much better and already sharp, not as sharp as the summicron v4. However it will still equal the previous 35mm summicron versions.
At f/2.8 it's not as clinical sharp as the summicron v4 or the Zeiss, but not much to split them. Despite being less sharp (on a M digital), I prefer the summilux image because it won't bring moiré as much as the other lenses : lots of time saved in post processing.
At f/2.8, not much for the pre-asph summilux user to complain. Will remain less sharp than the cron v4 and Zeiss but not enough to justify one over the other.
From f/4, the summilux has a better resolution than the Cron v4, but not as good as the Zeiss and I suspect not as good as the Cron/Lux Asph.
A great advantage of the pre-asph lux over the modern asph is their zero-distortion.
Drawback: 35 lux (as well as 50 lux) lenses will exhibit a focus shift on M9/M240/M depending on the aperture and the distance. Each lens may behave differently depending on how the designer or serviceman has set up the sweet spot of the lens. This wasn't a problem with film-M's but definitely is with a digital M. I can confirm this from my renewed experience on a M9 serviced less two months ago service at Wetzlar.
Only solution not to be bothered, use summilux FLE lenses or digital-orientated summarit lenses.
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Old 4 Days Ago   #5
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I actually just did some test shots on my MP240 yesterday. I have to say it they turn out better than I expected, smooth across the frame and can be sharp enough once you step down to 2.8. Below are some of the test shots, I left them un-edit (out of camera bw jpg) so you can see if you like how it renders. Mine is the v2 canada version.

At 1.4
by damonsong, on Flickr

At 1.4
by damonsong, on Flickr

at 2.8
by damonsong, on Flickr
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Old 4 Days Ago   #6
fenixv8
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from my research. I want one as well.

https://www.rangefinderforum.com/for...d.php?t=159909
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Old 4 Days Ago   #7
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A couple of years ago, I did a direct comparison between the 35mm Summilux pre-ASPH (latest German made batch) and the 35mm Summicron vs4 and at f/2.0 the Summilux already had a better resolution and sharpness was better than the 35mm Summicron.

Quote:
Originally Posted by aldobonnard View Post
I can compare with the 35mm v4 CRON and Zeiss 35mm f2 (which is equal in performance to the Leica 35 asph f2, albeit with better distortion).
The 35/1.4 Lux pre-asph (German made version) has no problem with using on a M digital. The profile exists in Leica M bodies => coding is not an issue at all.
At f/1.4 the pre-asph lux image is finely defined but with some glow in the finest structures.
At f/2, it's much better and already sharp, not as sharp as the summicron v4. However it will still equal the previous 35mm summicron versions.
At f/2.8 it's not as clinical sharp as the summicron v4 or the Zeiss, but not much to split them. Despite being less sharp (on a M digital), I prefer the summilux image because it won't bring moiré as much as the other lenses : lots of time saved in post processing.
At f/2.8, not much for the pre-asph summilux user to complain. Will remain less sharp than the cron v4 and Zeiss but not enough to justify one over the other.
From f/4, the summilux has a better resolution than the Cron v4, but not as good as the Zeiss and I suspect not as good as the Cron/Lux Asph.
A great advantage of the pre-asph lux over the modern asph is their zero-distortion.
Drawback: 35 lux (as well as 50 lux) lenses will exhibit a focus shift on M9/M240/M depending on the aperture and the distance. Each lens may behave differently depending on how the designer or serviceman has set up the sweet spot of the lens. This wasn't a problem with film-M's but definitely is with a digital M. I can confirm this from my renewed experience on a M9 serviced less two months ago service at Wetzlar.
Only solution not to be bothered, use summilux FLE lenses or digital-orientated summarit lenses.
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Old 4 Days Ago   #8
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On the M9 I've printed a file shot through the summilux at F4 40x50", stunning.
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Old 4 Days Ago   #9
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I did a comparison recently between a early version 2 Canadian Summilux (in fairly poor condition including a couple of meaningful scratches on the rear element) and a version 2 Canadian Summicron and I didn't think there was much to choose between them in evenly lit daylight scenes. In fact, to the extent I had a preference it was definitely for the Summilux at all apertures in such conditions. Where there are point light sources or very bright patches against a dark ground the Summilux is a bit more unruly until you get to f2.8 when it starts to get well behaved again. Overall I had a weak preference for the way the images from the Summilux look. The decision on which to keep was mostly a tradeoff between that extra stop of aperture and the Summicron's closer focusing distance -- really frustrating that the Summilux doesn't focus as closely as the Summicron. In the end, I kept the Summilux, warts and all and love it. Here's a shot from yesterday (stopped well down):

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Old 3 Days Ago   #10
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Great shot!

I feel the same way about the summilux, mine is in fairly great condition.

I had this lens for a couple of years now, I've never really use it until now that I sold the Cron v4. I was very impressed with the performance, and regretted I did not use this lens enough (or at all) while I had the M9.

If you can find one with the 12054 hood and price is not bad then that's the way to go. Since you can only mount a filter (I want to use ND filter) with the hood on.

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I did a comparison recently between a early version 2 Canadian Summilux (in fairly poor condition including a couple of meaningful scratches on the rear element) and a version 2 Canadian ...
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Old 3 Days Ago   #11
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I bought one of the cheap reproductions of the 12504 hood on ebay. It took a while to arrive from Hong Kong but I'm perfectly satisfied with the shade itself and it does unscrew, like the original, to allow use of a Series VII filter. And a shade is quite important for this lens -- it's famously flare prone.
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Old 3 Days Ago   #12
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Thanks!

I actually ordered the same one too, I don't feel like 1-200 for a real one. The replica one still have not arrive yet, but it's good to know they work well because I was worry about the fitting.
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