| SLRs - the unRF For those of you who must talk about SLRs, if only to confirm they are not RF. |
05-25-2012
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#2476
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Registered User
kmallick is offline
Join Date: Jul 2010
Posts: 524
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Quote:
Originally Posted by shadowfox
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sorry, could not help the GAS attack.  thanks for the link.
what a beauty! I am proud to have this same set up.

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05-25-2012
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#2477
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 987
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prices appear to be holding steady over on KEH.
I guess we should thank Canon that the new 5d mk III isn't some 40 megapixel monster.
anyone got any 50/2 macro shots they want to share?
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05-25-2012
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#2478
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jolly good dog Robert
rhl-oregon is offline
Join Date: Jul 2011
Posts: 901
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Anyone seeking an OM1 check out this: body, 28/3.5, BIG zoom, flash, bag: $140 Craigslist Eugene: http://eugene.craigslist.org/pho/3018788796.html.
I am OMed out (OM4, OM2s, even my original first-owner 1983 OM-G), but someone should find OM happiness with this.
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05-25-2012
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#2479
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jolly good dog Robert
rhl-oregon is offline
Join Date: Jul 2011
Posts: 901
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OM4 + SFX 200 film:
Community garden at federal courthouse (designed/planted by prisoners + college students)

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05-25-2012
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#2480
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Registered User
Roscoe is offline
Join Date: Feb 2011
Location: my home
Posts: 118
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Thanks for the temptation shots... there's one for sale locally that i'm resisting... And a nice way to acqire one. Thats how I picked up my 24/2 
Quote:
Originally Posted by AFenvy
I'd love to try the 18mm but it is priced far outside of my reach. Hell, so is the 16mm! The only reason I own this lens is because it was included free of charge with an old beat up OM-2 I purchased off craigslist. Actually, all my OM gear came from lucky craigslist finds. Otherwise I could never afford my impressive kit!
I recently traveled to Seattle to visit my mother, and took only the Fisheye with me. I loved every second with it.
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05-26-2012
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#2481
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Registered User
MRohlfing is offline
Join Date: Feb 2007
Location: Wien, Austria
Age: 59
Posts: 322
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Quote:
Originally Posted by Keith
The OM-3 has now commandeered use of the Luigi grip case over the OM-1 which has been living in it for some time but got evicted by the latest edition to the family! 
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You should take extreme care!
Your OM-1 will shoot you in the back one day! 
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05-27-2012
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#2482
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Registered User
wblynch is offline
Join Date: Jan 2009
Location: Southern California
Posts: 465
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OM Gas Attack.
I never get the free camera given to me or the amazing thrift store find but today I am very excited.
I got a brand new, in the box, black OM-2n. This camera looks like it has never seen sunlight, let alone a roll of film.
Saw it at the local camera swap meet and offered $150 against the $165 asking price.
Sure I likely overpaid, but man, this thing is brand new! Foam seals are perfect too.
I guess I'll be selling my mint Champagne OM-4t to offset the purchase.
WOO HOO !!
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05-27-2012
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#2483
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Waiting on Maitani
Trius is offline
Join Date: Mar 2005
Location: Rochester, NY & Toronto area
Posts: 7,841
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If it is NIB, you did not overpay.
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05-28-2012
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#2484
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Unregistered consumer
Liquid-Sky is offline
Join Date: Jul 2010
Location: France
Age: 45
Posts: 209
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OM1 pre-md Zuiko 40f2, Ektar 100
Buren monumenta 2012

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05-28-2012
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#2485
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Refuses to suffer fools
Ken Ford is offline
Join Date: Feb 2006
Location: Suburban Chicago, IL USA
Age: 50
Posts: 2,187
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Quote:
Originally Posted by wblynch
OM Gas Attack.
I never get the free camera given to me or the amazing thrift store find but today I am very excited.
I got a brand new, in the box, black OM-2n. This camera looks like it has never seen sunlight, let alone a roll of film.
Saw it at the local camera swap meet and offered $150 against the $165 asking price.
Sure I likely overpaid, but man, this thing is brand new! Foam seals are perfect too.
I guess I'll be selling my mint Champagne OM-4t to offset the purchase.
WOO HOO !!
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You got ripped off. I'll give you $165 for the 2n.

__________________
"If you can control yourself and just loathe us quietly from a distance then by all means stay." - Joe
M6 - Leicavit M - RapidWinder - Motor M
28 Ultron - 35 Summicron ASPH - 40 Summicron - 75 Summarit-M - 75 Color-Heliar - 90 Elmar-C
NEX-7, N1V1, oodles of filthy Nikon SLRs and DSLRs, some OM gear, an XA, Retinas, a 4x5 and a lonely 500C/M
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05-28-2012
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#2486
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Registered User
ferider is offline
Join Date: May 2005
Posts: 10,300
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Finally got some Velvia 50 back that I shot in an OM2 a month back or so:
Best,
Roland.
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05-28-2012
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#2487
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MoDeRaToR-To Love & Light
helenhill is offline
Join Date: May 2008
Posts: 3,874
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Wow Roland , those Colours are so Impressionistic & a tad Surreal...
Lovely Indeed
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05-28-2012
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#2488
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Waiting on Maitani
Trius is offline
Join Date: Mar 2005
Location: Rochester, NY & Toronto area
Posts: 7,841
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Those are the best Velvia colours I have seen in a long, long time. I'm generally not a fan of Velvia, but thse are great.
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05-28-2012
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#2489
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Registered User
wblynch is offline
Join Date: Jan 2009
Location: Southern California
Posts: 465
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Quote:
Originally Posted by Ken Ford
You got ripped off. I'll give you $165 for the 2n.

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That's a generous offer Ken, let me think about it
....
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Naw, I think I'll keep it! 
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05-28-2012
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#2490
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Registered User
wblynch is offline
Join Date: Jan 2009
Location: Southern California
Posts: 465
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Quote:
Originally Posted by ferider
Finally got some Velvia 50 back that I shot in an OM2 a month back or so:
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Very nice Roland
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05-28-2012
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#2491
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 987
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Roland, what lens? also interested in the EI you shot at and any filter usage.
I ask because it looks so cool compared to what I expect from velvia 50 shots; really lovely.
actually, I like velvia 50 a ton. but I like it in low contrast lighting where it's great greens and high resolving power shine. it can get a bit garish if you let it.
funny enough Ive only ever shot it one time in 35mm. I should buy some.
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05-28-2012
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#2492
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Registered User
paulfish4570 is offline
Join Date: Jan 2010
Location: On the Locust Fork of the Warrior River, Alabama
Age: 61
Posts: 16,098
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keith, barrel distortion for the 50/1.8? i suppose i shall have to photograph a barrel to see this phenomenon myself ... 
__________________
Paul
i seek to photograph the things not seen.
" ... faith is the assurance of things hoped for, the conviction of things not seen." Hebrews 11-1
"One eye sees. The other eye feels." - Paul Klee
"... For the things that are seen are transient, but the things that are unseen are eternal." - apostle Paul, 2 Corinthians, 4:18
"Film will only become art when it's materials are as inexpensive as pencil and paper." - Jean Cocteau
http://blackcreekjournal.blogspot.com/
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05-28-2012
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#2493
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Registered User
Keith is offline
Join Date: May 2006
Location: Australia
Posts: 15,464
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Quote:
Originally Posted by paulfish4570
keith, barrel distortion for the 50/1.8? i suppose i shall have to photograph a barrel to see this phenomenon myself ... 
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Try photographing something with parallel vertical lines towards the edge of the frame at a meter distance wide open!
My 35mm 1.2 Nokton is nearly as bad amazingly.
Easily corrected in post luckily but I'm amazed how many high quality lenses do it! 
__________________
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zenfolio
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05-29-2012
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#2494
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Registered User
maitani is offline
Join Date: Jan 2011
Posts: 405
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some great shots roland, Velvia is fantastic, I switched back to slidefilm for film-colour work recently, besides a couple of colour-negative in point-and-shoots, slidefilm gives me the colours I'm after. Otherwise I shoot mainly BW film, were they shot with your new 40 ?
keith, look for and original Series 2- Olympus screen (I guess 2-4 is the one you are after), getting the beatty will keep you're brain too busy, not having the real thing 
got a 2-13 in my om-3 and couldn't be happier, the finder is brighter than my eyeview.
for the distortion of the 50 1.8 it's there, but not as bad as I would have been bothered by it, If you're looking for complete distorition perfection look for an 50/2 macro or the smaller 50/3.5 brother, both are stellar and sharp.
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05-29-2012
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#2495
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Registered User
Keith is offline
Join Date: May 2006
Location: Australia
Posts: 15,464
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Quote:
Originally Posted by maitani
some great shots roland, Velvia is fantastic, I switched back to slidefilm for film-colour work recently, besides a couple of colour-negative in point-and-shoots, slidefilm gives me the colours I'm after. Otherwise I shoot mainly BW film, were they shot with your new 40 ?
keith, look for and original Series 2- Olympus screen (I guess 2-4 is the one you are after), getting the beatty will keep you're brain too busy, not having the real thing 
got a 2-13 in my om-3 and couldn't be happier, the finder is brighter than my eyeview.
for the distortion of the 50 1.8 it's there, but not as bad as I would have been bothered by it, If you're looking for complete distorition perfection look for an 50/2 macro or the smaller 50/3.5 brother, both are stellar and sharp.
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The 2-4 screen is definitely the one I want but finding one could be tricky ... certainly nothing on eBay currently!
And I would prefer to keep my OM-3 pure Olympus! 
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zenfolio
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05-29-2012
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#2496
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Waiting on Maitani
Trius is offline
Join Date: Mar 2005
Location: Rochester, NY & Toronto area
Posts: 7,841
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Keith, shoot Mr. Hermanson a note and he can also keep an eye out for you.
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05-29-2012
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#2497
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Registered User
Keith is offline
Join Date: May 2006
Location: Australia
Posts: 15,464
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Quote:
Originally Posted by Trius
Keith, shoot Mr. Hermanson a note and he can also keep an eye out for you.
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Great idea Earl ... I'll do that.
Thanks. 
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zenfolio
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05-29-2012
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#2498
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Registered User
alistair.o is offline
Join Date: Jul 2010
Posts: 1,018
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Inside the mill looking out
Rowsley. Derbyshire.
(I have also just posted this in the Windows thread - I remembered that it was taken using my OM2n + 50mm f1.8 + TriX)
__________________
Best Wishes - Alistair
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05-29-2012
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#2499
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Registered User
ferider is offline
Join Date: May 2005
Posts: 10,300
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Quote:
Originally Posted by redisburning
Roland, what lens? also interested in the EI you shot at and any filter usage.
I ask because it looks so cool compared to what I expect from velvia 50 shots; really lovely.
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Thanks all. RIB, this is the classic Velvia 50, shot @50 ASA with a Zuiko 28/2 and a Vivitar 90/2.5 Series 1 ("Bokina"). A Pol filter on the 28. Here are two more from the same roll:
Roland.
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05-29-2012
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#2500
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Registered User
redisburning is offline
Join Date: Feb 2011
Posts: 987
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Quote:
Originally Posted by Keith
Try photographing something with parallel vertical lines towards the edge of the frame at a meter distance wide open!
My 35mm 1.2 Nokton is nearly as bad amazingly.
Easily corrected in post luckily but I'm amazed how many high quality lenses do it! 
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distortion is something that lens designers have to live with.
look at the Zeiss 21mm f2.8 distagon which has a huge following, it's exceptionally sharp but to get there the guys at Zeiss had to allow complex mustache distortion.
what would we have to give up to make that small amount of distortion go away? well, probably it would have to not be quite as sharp or perhaps larger.
Quote:
Originally Posted by ferider
Thanks all. RIB, this is the classic Velvia 50, shot @50 ASA with a Zuiko 28/2 and a Vivitar 90/2.5 Series 1 ("Bokina"). A Pol filter on the 28.Roland.
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I see. thanks for the info.
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