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Digital Leica M8 / M8.2 / M9 / M-E /Mono / M10 aka "M" Discussions about the Leica M8 /M 8.2 / M9 / M9-P/ M-E / M Monochrom / M10 aka "M": Leica digital M mount rangefinder cameras. Naming the new digital M the "Leica M" is VERY unfortunate as it will only confuse newbies with other Leica M cameras of the the past. Happily there is room for confusion with only the past 59 years of Leica M production ... since Leica introduced the Leica M system in 1953. All Hail for the Leica Marketing Department learning Leica M history!

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Old 05-23-2012   #26
Matus
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Sometimes there is just no replacement for a fast lens, but if those occasions are rare, than I would just propose you to look at the Summarit 35/2.5. I find the rendering of the lens lovely.
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Old 05-24-2012   #27
Ben Z
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Quote:
Originally Posted by Frank Version Two View Post
After being disappointed several times with older 1970s-era Leica lenses - in spite of their good reputation, many of them are just plain worn out or abused - I realized that there are no bargains even if you spend $2000-plus on a lens. You either pay top dollar for a mint, rarely used example (and you do the using it up) or dig even deeper and get a clean modern lens, either new or in good condition.

I'd love to get a clean, reasonable $1000 35 Summaron or $1500 Summicron v.2-3 since I like their look and build quality. But I probably won't because I'm sick of the hassle of finding them hazed, scratched, gummy and then wondering if the can be adjusted enough to be good? Many no longer can. For anything over a grand, to me at least it's a lot of money and it ought be nice and a little prideful, not trashed.

That's why VC and 40 Rokkors and the like are good buys, for $500-$600 you can get a good copy and the risk/loss is a lot lower if you aren't satisfied.
Agree about the VC lenses (can't say about Rokkors since I've never shot one). I've got a 28/1.9 and 75/2.5 which were both bought from KEH in "Bargain" for <$200 apiece, and save for a little brassing on the black finish, are solid as one could want. These are focals I rarely use, so buying the Leica alternative would be a misuse of cash in my case. I also have the 12 and 15, focals one can't even get in Leica glass (acknowledging the ancient Hologon which is a collectors item), and a 35/3.5. All are amazingly good performers, and demonstrate that factors aside from performance or build-quality are at work in pushing up the prices of older Leitz glass that used to be double the cost of a VC and now are quadruple.

I empathize with your bad luck in finding decent copies of older Leitz lenses, but it surprises me (other than 50's lenses which do tend to fog and also have rather soft front coatings that are frequently scratched to heck). Leica stopped being widely-used by professionals back in the Nikon F(1) era, so most late-60s, 70's and 80's lenses were bought by amateurs and IME tend to have been lightly used and well cared-for. I bought most of mine off KEH, and none of them have had any mechanical or optical flaws. At EX or above I can't see any physical marks either, in fact my 135/4 I got in "Bargain" looks mintish to me. And there was always that 14-day no-hassle inspection period and a 30 day (now I believe it's to 6 months) warranty. The one and only "bad" Leica lens own is a 4th version 28 Elmarit with a small (1/8") hairline scratch in front element coating. I paid a whopping $650 for that lens, and have yet to see an iota of an effect from the scratch.
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Old 05-24-2012   #28
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You're right, paying a little more to buy from KEH makes good sense. I am a little more skeptical of buying from "friends" on forums these days.
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Old 05-24-2012   #29
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I own both, the Summilux is the v1, which is a stellar lens, wide open and stopped down it's basically 2 different lenses. I understand it's capabilities and it never dissappoints.
The Summicron v4, I can take it or leave it, the build quality is not in the same league as my Summilux, it has a higher contrast and yes the bokeh is different.
I prefer the Summicron v1 over the v4
As you have an M8, do an A - B comparison, as there is often lens - lens variability... and also check the Summilux focuses at infinity.
At the end of the day it's your choice.
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Old 05-24-2012   #30
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I've had both at the same time. I sold the Summicron because they're indistinguisable at f/5.6 but the Summilx wins hands down at f/1.4.

Fragile? Yeah, right. In 1995 I dropped mine 6 feet onto cobbles in Prague. I'm still using it.Geoffrey Crawley thought he'd lost his over the side of his boat, but found it 6 months later in the bilges. Twenty years later, he was still using it too (after an overhaul, admittedly). We shared a high regard for that lens...

Agonizing over ultimate image quality comes down to two things. On the one hand, there are test charts, cats and coffee cups. On the other, there's whether you want/need the extra stop, and whether you can take pictures where people will look at them and admire them, rather than saying, "Oh, that would have been better with a ________. "

Cheers,

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Old 05-24-2012   #31
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I've had both at the same time. I sold the Summicron because they're indistinguisable at f/5.6 but the Summiulx wins hands down at f/1.4.

Fragile? Yeah, right. In 1995 I dropped mine 6 feet onto cobbles in Prague. I'm still using it. Geoffrey Crawley thought he'd lost his over the side of his boat, but found it 6 months later in the bilges. Twenty years later, he was still using it too (after an overhaul, admittedly). We shared a high regard for that lens...

Agonizing over ultimate image quality comes down to two things. On the one hand, there are test charts, cats and coffee cups. On the other, there's whether you want/need the extra stop, and whether you can take pictures where people will look at them and admire them, rather than saying, "Oh, that would have been better with a ________. "

Cheers,

R.
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Old 05-24-2012   #32
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Sorry for the double post (and the Summilx/Summiulx) but I'm have trouble with my browser...

Cheers,

R.
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Old 05-24-2012   #33
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both are great lenses. it depends on what you want. both are small lenses and seem to render fairly similarly when stopped down. both render well on digital, as well as film. images from the v4 are classic, while those from the lux (when wide open) are a mix of classic, wild, and unpredictable. here's a good sample of the latter lens: http://www.flickriver.com/lenses/lei...milux35mmf1.4/

maddoc is the master with this lens. ah, one additional thing: the cron focuses at .7 meters, while the lux is a 1 meter.
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Old 05-25-2012   #34
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Quote:
Originally Posted by Roger Hicks View Post

Fragile? Yeah, right. In 1995 I dropped mine 6 feet onto cobbles in Prague. I'm still using it. Geoffrey Crawley thought he'd lost his over the side of his boat, but found it 6 months later in the bilges. Twenty years later, he was still using it too (after an overhaul, admittedly). We shared a high regard for that lens...
Same here, the 35 Summilux is solid. Dropped a good 15 feet on to a solid floor shortly after getting it, bent hood that with some pliers showed some teeth marks and not so round anymore, but the lens itself was used without service faithfully for 15+ more years. Doubt the glued front part of the Summicron IV would have faired as well.
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Old 05-25-2012   #35
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I traded a 35/1.5 Canon for the Summilux once. It was a bad trade. I shoot mostly near wide open, and the Canon wasn't great, so I thought I'd be trading up. It was a huge step down.
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Old 05-25-2012   #36
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Originally Posted by dreamsandart View Post
... Doubt the glued front part of the Summicron IV would have faired as well.
You'd just have to screw it again. Same for the Tele-Elmarit "thin" 90/2.8. None is more fragile than other Leica lenses otherwise.
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