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21 or 28 for wide angle? |
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05-05-2012
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#1
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Jared Krause
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Location: Toronto, Canada.
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21 or 28 for wide angle?
(Sorry if this is already posted, I tried to search but couldn't find anything).
So I shoot with a 35 mostly. I'm thinking I'd really like to add a wider angle to my arsenal. I shoot street photography almost exclusively.
I'm debating whether to get a 28 or a 21. Here are my thoughts.
21 would be great for very close candid portraits (think Bruce Gilden) and theatrical shots where there is a full scene. But it is SO wide, I'm not sure if it's too wide. The 28 is wider than the 35, will allow me to get nice shots of scenes with context and I find it a bit easier to compose well with a narrower lens. It may be a bit too similar to the 35 though.
Help me make my decision?
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Flickr Jaredk.ca
Voigtländer Bessa R4A ( 35mm f/1.4)
Olympus OM-D EM5 ( 14mm f/2.5, 25mm f/1.4, 45mm f/1.8)
Olympus OM-1 ( 28mm f/3.5, 50mm f/1.8)
Pentax PC35AF
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05-05-2012
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#2
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Registered User
wafflecakee is offline
Join Date: May 2010
Posts: 246
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If you're going to shoot wide, then go wide. 21 all the way.
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05-05-2012
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#3
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Registered User
benmacphoto is offline
Join Date: Oct 2007
Location: Philadelphia
Age: 25
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Well, I enjoy both focal lengths but went with 21mm.
I felt the 28mm was a little to close to 35mm.
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05-05-2012
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#4
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Registered User
mdarnton is offline
Join Date: Mar 2008
Location: Chicago
Posts: 445
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I have them all, and find 24mm to be the best compromise. It's really personal, though. To me, a 28mm is normal, 21 a bit too wide except for when I want to make a point, and 24 sort of makes both possible.
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05-05-2012
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#5
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Jared Krause
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Location: Toronto, Canada.
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Quote:
Originally Posted by benmacphoto
I felt the 28mm was a little to close to 35mm.
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I think you're probably right.
Quote:
Originally Posted by mdarnton
I have them all, and find 24mm to be the best compromise. It's really personal, though. To me, a 28mm is normal, 21 a bit too wide except for when I want to make a point, and 24 sort of makes both possible.
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That's a good point. I will add this to my consideration.
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Flickr Jaredk.ca
Voigtländer Bessa R4A ( 35mm f/1.4)
Olympus OM-D EM5 ( 14mm f/2.5, 25mm f/1.4, 45mm f/1.8)
Olympus OM-1 ( 28mm f/3.5, 50mm f/1.8)
Pentax PC35AF
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05-05-2012
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#6
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Preserving Old Technology
Rob-F is offline
Join Date: Mar 2007
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Quote:
Originally Posted by mdarnton
I have them all, and find 24mm to be the best compromise. It's really personal, though. To me, a 28mm is normal, 21 a bit too wide except for when I want to make a point, and 24 sort of makes both possible.
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That is exactly what I was going to say.
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05-06-2012
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#7
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Registered User
tom.w.bn is offline
Join Date: Feb 2008
Posts: 2,626
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Quote:
Originally Posted by mdarnton
......find 24mm to be the best compromise. It's really personal, though. To me, a 28mm is normal, 21 a bit too wide except for when I want to make a point, and 24 sort of makes both possible.
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+1 ..........
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05-05-2012
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#8
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MoDeRaToR-To Love & Light
helenhill is offline
Join Date: May 2008
Posts: 3,887
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another VOTE for the 21
Purely Subjective of course, but I find 21mm easier to 'SEE' than the 28
21 is Effortless for Me ...28 I'm too Conscious
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05-05-2012
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#9
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Registered User
Archlich is offline
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Posts: 369
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I use 28 and 35: the later for "description", the former when I feel like to "dive in", while not giving it away to the dramatic perspective. They never are "too close", but completely different. I personally feel uncomfortable to work with anything longer or shorter than these two, except maybe a 40.
Painfully learning to operate a 50 though, been a long fan of the focal length but found it exceptionally hard to master.
Everyone's gotta have some personal preference. Just a matter of taste.
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05-05-2012
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#10
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the indecisive eternity
ottluuk is offline
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28 goes well with 50, but is pretty close to 35.
Either get rid of the 35 and substitute with 28 or add a 21 and check out what Jeanloup Sieff did with 21.
BTW, I think Gilden uses a 28 most of the time. His older stuff of mafia/yakuza thugs is totally awesome, his newer work of flashing random people in the face... not so much. YMMV.
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Ott Luuk
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05-05-2012
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#11
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Registered User
Fotohuis is offline
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Location: the Netherlands
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Quote:
28 goes well with 50, but is pretty close to 35.
Either get rid of the 35 and substitute with 28
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Yes, for this type of photography I find 28mm a perfect solution.
But I never had a 35mm.
My WA lenses are:
15mm, 28mm and then 50mm and for tele 75mm on my M7 0,58.
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"De enige beperking in je fotografie ben je zelf"
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05-05-2012
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#12
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Registered User
BobYIL is offline
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Posts: 1,318
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Tested and used 21 and 28mm decades ago and figured out that the best compromise for me while having a 35mm is 24mm. For more than two decades 24mm (Nikon) has covered probably 80% of my tour shots, today my favorite "wider" for the M-bodies is the Biogon 25/2.8.
21mm has much stretch toward corners once the optical axis is off horizontal whereas with the 24/25mm it really is less disturbing although the horizontal coverage angle difference is less than 8 degrees.
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05-05-2012
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#13
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Jared Krause
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Location: Toronto, Canada.
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Quote:
Originally Posted by BobYIL
Tested and used 21 and 28mm decades ago and figured out that the best compromise for me while having a 35mm is 24mm. For more than two decades 24mm (Nikon) has covered probably 80% of my tour shots, today my favorite "wider" for the M-bodies is the Biogon 25/2.8.
21mm has much stretch toward corners once the optical axis is off horizontal whereas with the 24/25mm it really is less disturbing although the horizontal coverage angle difference is less than 8 degrees.
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I'm starting to think you are right. I may end up getting the 25mm f/4 for my R4A.
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Flickr Jaredk.ca
Voigtländer Bessa R4A ( 35mm f/1.4)
Olympus OM-D EM5 ( 14mm f/2.5, 25mm f/1.4, 45mm f/1.8)
Olympus OM-1 ( 28mm f/3.5, 50mm f/1.8)
Pentax PC35AF
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05-05-2012
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#14
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Registered User
Fotohuis is offline
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Location: the Netherlands
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Just a quick potrait with the Elmarit 2,8/28mm in Germany.

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"De enige beperking in je fotografie ben je zelf"
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05-05-2012
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#15
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Registered User
Fotohuis is offline
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Quote:
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I may end up getting the 25mm f/4 for my R4A.
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Well the RF coupling goes to 21mm with this RF (R4A). The M7 till 28mm but 25mm or 21mm is too wide for any portrait use.
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"De enige beperking in je fotografie ben je zelf"
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05-05-2012
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#16
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Registered User
mdarnton is offline
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Location: Chicago
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Quote:
Originally Posted by Fotohuis
but 25mm or 21mm is too wide for any portrait use.
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Well, sort of depends...
24mm:
Roz and letters by Michael Darnton, on Flickr
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05-05-2012
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#17
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Registered User
Fotohuis is offline
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Do you have an example in 21mm too? Then you've answered my statement completely.
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"De enige beperking in je fotografie ben je zelf"
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05-05-2012
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#18
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Camera hacker
Phil_F_NM is offline
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Quote:
Originally Posted by Fotohuis
Well the RF coupling goes to 21mm with this RF (R4A). The M7 till 28mm but 25mm or 21mm is too wide for any portrait use.
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Not too wide at all. Jeanloup Seiff was the master of using this focal length for portraits.
Here's one I did of Ashley Gilbertson in February of 2011 during an interview.
The right 21mm lens can be amazing for portraiture. I've gone through maybe 8 different 20/21mm lenses (or focal equivalents on cropped digital cameras) and I'm on my second Super Angulon f/3.4 now because it is the perfect lens. No distortion. Amazingly sharp. Will outresolve the M9 sensor or any of the best films available today so I can make very tight crops if needed. But the ability to get within 15" of a subject and capture it without any barrel or pincushion distortion is amazing. Personally I think the 21mm SA is the best wide angle ever produced and probably the second best lens ever behind the DR Summicron. Once you get used to it, there is no substitute. Once you sell your first one, you start shopping for your next within the week and once you get that one you swear off selling them at all.
Phil Forrest
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05-06-2012
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#19
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Registered User
astro8 is offline
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Location: Sydney
Age: 50
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Quote:
Originally Posted by Phil_F_NM
The right 21mm lens can be amazing for portraiture. I've gone through maybe 8 different 20/21mm lenses (or focal equivalents on cropped digital cameras) and I'm on my second Super Angulon f/3.4 now because it is the perfect lens. No distortion. Amazingly sharp. Will outresolve the M9 sensor or any of the best films available today so I can make very tight crops if needed. But the ability to get within 15" of a subject and capture it without any barrel or pincushion distortion is amazing. Personally I think the 21mm SA is the best wide angle ever produced and probably the second best lens ever behind the DR Summicron. Once you get used to it, there is no substitute. Once you sell your first one, you start shopping for your next within the week and once you get that one you swear off selling them at all.
Phil Forrest
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Amen!
21/3.4 Super-Angulon

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05-06-2012
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#20
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American abroad
traveler_101 is offline
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Location: Oslo, Norway
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Quote:
Originally Posted by Fotohuis
Well the RF coupling goes to 21mm with this RF (R4A). The M7 till 28mm but 25mm or 21mm is too wide for any portrait use.
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Right, 25/21 is too wide for shooting people close up (for the most part--or in my experience), but you have to ask yourself what do want with a wide? The answer might also depend on what other lenses one uses. For example, if you shoot 35 as a wide-normal then you have a moderately wide lens that is very good for shooting people close up, and logically a 25 would be a useful and clearly distinct FOV. 25 over 21 because 25 is wide enough for landscape/townscape shots and easier to use than a 21 (I think . . . well I admit no experience with a 21, but the 25 is very, very usable and a lot easier than a 15, to that I can attest).
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05-06-2012
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#21
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Registered User
Fotohuis is offline
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Location: the Netherlands
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Well you have photographers who are getting famous by using any focus lenght which is normally not in regular use at all.
Yes, 15mm is very rare and only suitable for very special shots on people:
4,5/15mm SWH with of course an external VF.

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"De enige beperking in je fotografie ben je zelf"
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05-05-2012
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#22
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Unsui
Moriturii is offline
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Don't EVER ask this question to any ever in your life again. You make up your own mind as to which one you want, why should you be influenced by other peoples superfluous opinion? What other people like should mean NOTHING to you. Don't let other people wipe your bum.
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05-05-2012
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#23
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Jared Krause
jbot is offline
Join Date: Apr 2012
Location: Toronto, Canada.
Posts: 151
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Quote:
Originally Posted by Moriturii
Don't EVER ask this question to any ever in your life again. You make up your own mind as to which one you want, why should you be influenced by other peoples superfluous opinion? What other people like should mean NOTHING to you. Don't let other people wipe your bum.
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What makes you think asking other people and making my own decision are mutually exclusive? If I wanted to travel to Japan, would you expect me to just sit at home and think about it until I buy my ticket? Or should I ask friends that have been to Japan what it's like there?
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Flickr Jaredk.ca
Voigtländer Bessa R4A ( 35mm f/1.4)
Olympus OM-D EM5 ( 14mm f/2.5, 25mm f/1.4, 45mm f/1.8)
Olympus OM-1 ( 28mm f/3.5, 50mm f/1.8)
Pentax PC35AF
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05-05-2012
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#24
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Don't eXchange Freedom!
migtex is offline
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Location: Cartaxo, Portugal
Age: 52
Posts: 784
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IMHO you better go with a 21 option (angle of +- 80 degrees horizontal), the 28 it's too close from the 35.
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05-05-2012
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#25
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Just press the button Max
Darthfeeble is offline
Join Date: Sep 2008
Location: Logtown, California, USA
Age: 66
Posts: 197
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I had the same problem, couldn't decide so I picked the middle and got a ZM 25. Happy compromise. S
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