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Bill Pierce - Leica M photog and author

 

“Our autobiography is written in our contact sheets,  and our opinion of the world in our selects”  

"Never ever confuse sharp with good, or you will end up shaving with an ice cream cone and licking a razor blade."  

 

Bill Pierce is one of the most successful Leica photographers and authors ever. I initially "met" Bill in the wonderful 1973 15th edition Leica Manual (the one with the M5 on the cover). I kept reading and re-reading his four chapters, continually amazed at his knoweldge and ability, thinking "if I only knew a small part of what this guy knows... wow."  I looked foward to his monthly columns in Camera 35 and devoured them like a starving man.  Bill has worked as a photojournalist  for 25 years, keyword: WORK.  Many photogs dream of the professional photographer's  life that Bill has earned and enjoyed.  Probably Bill's most famous pic is Nixon departing the White House for the last time, victory signs still waving. 

 

Bill  has been published in many major magazines, including  Time, Life, Newsweek, U.S. News, The New York Times Sunday Magazine, New York Magazine, Stern, L'Express and Paris Match.  :His published books include  The Leica Manual,  War Torn, Survivors and Victims in the Late 20th Century, Homeless in America,  Human Rights in China,  Children of War.  Add to that numerous exhibitions at major galleries and museums.  Magazine contributions include  Popular Photography,  Camera 35, Leica Manual,  Photo District News, the Encyclopedia of Brittanica, the Digital Journalist, and now RFF.  Major awards include Leica Medal of Excellence, Overseas Press Club's Oliver Rebbot Award for Best Photojournalism from Abroad,  and the World Press Photo's Budapest Award. Perhaps an ever bigger award is Tom Abrahamsson's comment: "If you want to know Rodinal, ask Bill."

 

I met Bill in person through our mutual friend Tom Abrahamsson.  In person his insight and comments are every bit as interesting and engaging as his writing.  He is a great guy who really KNOWS photography.  I am happy to say he has generously agreed to host this forum at RFF  From time to time Bill will bring up topics, but you are also invited to ask questions.  Sit down and enjoy the ride!

 


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Accessories
Old 01-24-2011   #1
Bill Pierce
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Accessories

We talk about cameras a lot on this site. But I don’t see much talk about accessories. After all, you don’t absolutely have to have a flash, a handheld meter or a bright line finder. And yet, almost all of us have a favorite accessory.

Mine is a tripod. I have table top tripods that fit in a pocket, small tripods that fit in a bag or backpack and big tripods that have to have their own travel bags. I find camera motion one of the big degraders of image quality - not just when you handhold a DSLR with a slapping mirror, but even with a little digital minicam with built-in image stabilization. I think the real problem lies with me. I look at a variety of my images at high magnification on a computer screen, and the biggest degrader of image quality is quite often s slight bit of camera shake. The lower the shutter speed, obviously, the greater the problem.

Not only does the camera on a tripod not suffer from that, if the subject isn’t moving, I can even take advantage of a smaller f/stop or lower ISO that a slower film speed will give me. For me, the tripod is my number one accessory because of the dramatic increase in image quality that it gives me.

So, what’s your favorite accessory? And most important, WHY?
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Old 01-24-2011   #2
Pablito
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Tripods are useful and necessary. I would not call a tripod an accessory. Most "accessories," however, fall into the "chindogu" category:

Chindōgu (珍道具?) is the Japanese art of inventing ingenious everyday gadgets that, on the face of it, seem like an ideal solution to a particular problem. However, chindōgu has a distinctive feature: anyone actually attempting to use one of these inventions would find that it causes so many new problems, or such significant social embarrassment, that effectively it has no utility whatsoever. Thus, chindōgu are sometimes described as "unuseless" – that is, they cannot be regarded as 'useless' in an absolute sense, since they do actually solve a problem; however, in practical terms, they cannot positively be called "useful."

http://en.wikipedia.org/wiki/Chind%C5%8Dgu
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Old 01-24-2011   #3
Chris101
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Filters are my favorite accessory. I have hundreds, and d.b. yesterday, I bought one more (from a $3 bin!) Red, 52mm, but a different shade of red than other red filters I have in that size - this one is a Quantaray R2.
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Old 01-24-2011   #4
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A lens hood. I recently dropped my Rolleiflex from a meter onto concrete, and while the camera needed a complete shutter overhaul, the damage would have been a whole lot more as my hood is now completely bent out of shape!
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Old 01-24-2011   #5
nikon_sam
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Sorry, but I too would have to say "Tripod"...but I will also add a Cable Release...
When I use the Tripod I am saying "Slow Down", "Look", "Check this, Check that"...
When I use it I'm forced to take my time and think, not just shoot away...
This is very true when using a 4x5 View Camera...you really have to look for the best spot to plant this thing and even after doing that you still might have to relocate it...
I heard or read somewhere that a Tripod remembers your last thought...so true!!!

Polarizing Filter

Camera Strap

Lens Hood

Photo Vest
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Old 01-24-2011   #6
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A tripod is not really an accessory when using a view camera. Well, I suppose one could hand-hold one for fun ... but it wouldn't be! I do love my tripods though - I have 4, and two of them are camera/telescope specific.
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Old 01-25-2011   #7
Dogman
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There is a difference between professionals and those of us who do not derive our income from photography. My life is much simpler today.

Tripods. I used them with large and medium format and with long lenses on SLRs but hardly ever with Leicas. When I started using digital, I pretty much stopped using them at all.

Light meters. I always carried at least one and used it religiously when I shot film. I never carry one anymore.

Flash. I always had at least 2-3 small flashes with slaves and sometimes a portable studio outfit to use on assignments. I currently don't own a flash except for the ones built into the various cameras.

The only accessories I still use on everything are lens hoods and UV filters. I also use accessory optical viewfinders where they can be utilized.
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Old 01-28-2011   #8
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Quote:
Originally Posted by Dogman View Post
...
Tripods. ... hardly ever with Leicas.
...
Once in a while I do.

I also like close-up filters and cable releases. And foam-core, for reflecting light and creating a simple background.
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Old 01-29-2011   #9
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accessory (Random House Unabridged Dictionary)
1. a subordinate or supplementary part, object, or the like, used mainly for convenience, attractiveness, safety, etc., as a spotlight on an automobile or a lens cover on a camera.

so I must say lens cover... ;-) or neck strap or case (cheap padded cover to protect the camera when I put it in my back pack).... but accessory that supports, "improves" my photographic output.... I would have to say flash for digital and filters for film.

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Old 01-29-2011   #10
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I have many "accessories" that I use when I think I need them. But I almost find it difficult to consider a hand held light meter an accessory. Same with a tripod of even filters. They are part of the what goes into making photographs, just like the camera versus a camera obscura. And a camera/wrist strap seems to go with the camera as well.

I have a lot of things like everyone had mentioned above, and more. But the light meter, tripod, and filters seem so much part of the tools I have. I don't always use them, but sure like to have them handy when I want them.
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Old 02-02-2011   #11
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  1. White lens cloth. Cleans the lens. Gives me a decent white balance for digital.
  2. Ever-ready case. Mine is an old leather beat up thing. Better than a camera bag. Spare lens or two in my pockets.
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Old 02-02-2011   #12
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Target rifle stance, elbows in tight, camera hard against the head.

A tight neck strap of perfect length provides opposing tension. One time I pulled off 1/4 sec inside a museum that way.

The sure fire way is my Gitzo CF that get the camera to eye level without center column rise. Leica ball head, med size I bout new in `68 for $25. Still got the box with price on it. Large also works well.

For Dslr, all the same except Nikon has a mirror up so you push the shutter twice or a shutter delay mode 2/10 sec from mirror up. Works good if you are not catching action.

Mirror up on tripod or use an accesory finder to frame after mirror up. Then you have the resposiveness of a RF camera.

Incident and spot meters are great.

Leica brass cassettes for M cameras, a bench winder & ABLON template. Negs are cleaner and look different believe it.

Water and air filter in the darkroom . Between that and the cassettes, I never spot prints.

Quality matt cutter, not a cheapo.

Ruax fold flat carrier for camera gear and luggage. Sold under new name now. Calumet.

Studio lighting gear.

New iMac 27 with i7 processor, 16 GB ram, terabite HD and three external drives, CS5 photoshop.

KM 5400 scanner.

Volt stabilizer for the V35 that brings the bulb up to max bright ness over two sec.

Nova slot processor for color prints.

Full set of BL finders

Viso 2 & 3 with all the lenses and all the adapter rings.

I would buy a M9, but I do not trust long term support for it. I can photoshop around the red/cyan edge. Don`t like it, but not a deal breaker.

I am sure I have more treasures I can`t remember like my B&J print dryer that dries fiber prints FLAT like nothing else and I tried everything else. Salthill will work as well if you can find either. Both are long gone. The old 3 foot dia drums worked as well, not the small home ones.
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Old 02-03-2011   #13
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I find the Leica 1.25x viewfinder indispensable for any focal length, but I really, really like the 1.35x magnifier with diopter adjustment from Japan Exposures for the fast 50's and up!
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Old 02-03-2011   #14
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One of those little spirit levels that slots into the hot shoe of my camera - particularly useful for landscapes with the X-pan and even more useful for seascapes!

Also one of the cheaper accessories you can buy.
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Old 02-04-2011   #15
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I have a tripod . . . somewhere. I never used it much except in my architectural phase, when I needed all that depth of field with slow film, bigger formats and other irritating constraints. Now, we have VR lenses.

In my fine art phase I used a polarizer a lot. Now, there doesn't seem to be much point with access to Photoshop.

Here's an accessory story: I ordered a lens from Adorama. I ordered it as a kit because it was the same price as the lens alone. There was not much useful in the kit but I figured, "why not"? The lens and kit items was shipped minus a cap keeper, which was back ordered. I phoned them to tell them to keep the keeper because I would never use such a silly accessory. Well, yesterday it turned up, costing Adorama about 20 times the cap keeper's value in UPS charges. They are honorable!

Yes. I use a bag to hold my equipment.
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Old 02-04-2011   #16
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ziploc
sharpie

i can go out the door without tripods, filters, hoods etc. two things i ALWAYS have are ziplocs and sharpies. are those accessories?
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Old 02-04-2011   #17
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Definitely tripod, I was out last weekend, and no exposure I made was shorter than 2 seconds. Also since getting my meterless Hasselblad, my simple Sekonic meter is great.

Infrared filters are a favourite too.
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Old 02-04-2011   #18
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With my tiny digicam I often attach the Leitz table top tripod with small ballhead and leave the legs folded and use it as a grip. At the front row of polite gatherings I'll rest it in my lap where I can see the LCD and get useable shots at 1/2 sec with the combination of VR and the stability of the mass of the tripod.

I should add that my interest in ever trying 1/2 s hand-held or otherwise with people as the subject is wholly on account of your wonderful chapter in the Leica Manual from the '70s. Thanks.
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Old 02-04-2011   #19
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Could it be my camera strap? I like fancy straps, I figure I'm going to take my camera everywhere, so it may as well have a little charm to it.

But other than that, my grandfathers old flash is starting to grow on me.
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Old 02-04-2011   #20
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For me the cable release comes before tripod, one of the interesitng things about the X100 is that it takes a "Standard" cable release, very cool IMHO. When I shoot film I reach for them a lot more often than a tripod. While I love my table tops I seem to not like carrying them around all day for night time stuff.

I think there is a market for a line of tripods modeled after a TR-1 (Minolta) or Leitz Table Top and head(s) scaled down for some of the different EVF and P&S cameras out there. I would like to get one for my GRD to stick in a small bag.

Another item I would like is a medium sized flash that works with digital cameras. Seems all people want to build these days are big units. Where have the designers of the T-32 (OM system flash) or the Vivitar 192 and 253 gone. Off camera, slaved to the on camera unit or connected via cable. I would carry one if they made it.

B2 (;->
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Old 02-05-2011   #21
Richard G
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Quote:
Originally Posted by BillBingham2 View Post
I think there is a market for a line of tripods modeled after a TR-1 (Minolta) or Leitz Table Top and head(s) scaled down for some of the different EVF and P&S cameras out there. I would like to get one for my GRD to stick in a small bag.
I have a tiny Leica mini tripod for a pocket digital. The ball head is nice and stiff, non-adjustable and minimal range of movement, but it is sometimes just the thing.
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Old 02-06-2011   #22
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I shoot at night a lot, so a good flashlight (torch, in the UK) is my favorite accessory. A few years back, I splurged on a Surefire Aviator. It cost about $200, so I'm careful not to lose it. You push the button in just so far and you get red light, ideal for looking around for that negative you dropped on the darkroom floor, or adjusting the settings on your camera without destroying your night vision. If anyone looks like they're going to bother you, push the button all the way in for bright white light that is guaranteed to fry the retinas of any interloper and give you enough time to run away.
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Old 02-04-2011   #23
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Matching handbag and earrings?
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Old 03-29-2011   #24
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My favorite accessory is the small mirror I carry in my bag. Weird or not, I often flashing it in to some strangers face to make him turn to me and that's when I shoot
Sometimes work ...
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Old 03-29-2011   #25
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A Shutter Hat - it protects the camera in the rain!
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