Huck Finn
10-21-2005, 18:53
I spent a couple of hours at PhotoPlus Expo in New York yesterday doing what any good photog would want to do in the Big Apple. I tried to beat the Three Card Monty Players on Eighth Avenue but somehow lost. I watched the famous Dancing Chicken on Mott Street in Chinatown. More importantly I watched the tourists try to play tic-tac-toe against the Chicken. They lose ever time. But the real fun comes when you watch their reaction: "But the chicken went first!!" I kid you not. God's honest truth.
But I did do some photography related stuff. I made it a point to stop at the Fujifilm & Kodak booths so that I could pick up free film. Kodak didn't have a long line of people like me looking for free hand-outs this year because they didn't advertise that they were giving away free film. Fuji went one step better. Instead of giving me the film, they took my name, scanned my registration card, & then told me that they would e-mail me the film. No joke. Yes, friends, it's all gone digital.
After losing at 3-card-monty, visiting the cult of the dancing chicken, & seeking free hand-outs, I decided to get down to business. I visited the Leica booth just to see what I couldn't afford to buy. Bad enough that they were showing an M7 which I couldn't afford now that the price is approaching $4000 - jusk kidding; it won't be $4000 until next year - but they were showing it with the equally unaffordable motor drive attached. I asked about the digital M & found that they were able to say "no comment" in 7 languages. It will be out in 2006. Nothing else is known on this side of the Atlantic. I then took time to listen to the shutter. Uh huh.
I then sauntered over to the Hasselblad booth, armed with my intimidating set of questions devised by the best minds on RFF. As soon as I pulled out my set of index cards, I was greeted by Kornelius Muller, Marketing Manager, Camera Lens Division at Carl Zeiss AG: "Oh, you must be Huck Finn. I've been expecting you." Somehow I suspected that my cover had been blown. The good news is that the good folks at Carl Zeiss AG read RFF. The bad news is that Herr Muller's staff had prepared him in advance with our questions. So, we shook hands, exchanged business cards, & had a good chuckle over the whole thing. We were joined by Erland Pettersson, Hasselblad's Product Manager, Camera Systems, whom I had met here last year & who has answered a continuous stream of e-mails during the past year with an endless supply of patience. The two gentlemen were very gracious in giving me their time & welcomed all questions. They encouraged any of us to address any additional questions directly to them via e-mail (info@zeissikon.com).
Both of these men were nothing if not enthusiastic about this new camera line. Below are their replies to our questions as well as my impressions from handling the camera & lenses:
DIGITAL - There are no plans for a digital ZI any time in the near future. The feeling at Zeiss is that the public expects to obtain the full benefit of Zeiss lenses & that this will not be possible until a full frame sensor is available. End of story.
SHUTTER LIFE - The shutter was tested for a MINIMUM of 50,000 cycles. The reps stressed that this is only a minimum because they stopped testing after 50,000 cycles.
SHUTTER NOISE - To my ear, it sounds like a modified Bessa. Not as harsh but still a "click", not Leica's short "clunk." I brought my R2 for comparison & even at 1/60, there seem to be 2 parts to the Bessa sound. The ZI was a single click. I was okay with it, but this has never been a big deal for me.
LENS HOODS - Their benefit is as much for protection of the lens as for shade. Zeiss coatings typically make flare a non-issue in my experience. I didn't get an answer about why they are priced as they are, but the decision not to include them with the lenses was based on a couple of factors. First, making the hood optional keeps the price of the lens lower. Given that each hood fits 2 different lenses, consumers not only have the option to forego a hood entirely but they can also choose to use a single hood on more than one lens - 50 & 35, for example. Second, inclusion of the hood with the lens can contribute to delays in product availability because it adds a component required for a complete product package. Zeiss chose to avoid any such potential delays that might stem from delays in production of lens hoods.
CLOSE FOCUS - The camera has a close focus distance of 0.7 meters. The 21, 25, & 28 lenses have a minimum focus distance of 0.5 meters. The rangefinder cannot be used to focus this last 0.2 meters, so the photographer must scale focus, zone focus, or measure the distance to use the closest focus capabilities of these lenses. Alternatively, the photographer can choose simply to use 0.7 meters as their minimum focus distance. The 35, 50, & 85 mm lenses have a minimum focus distance of 0.7 meters. The 15 has a minimum focus distance of 0.3 meters but is not rangefinder coupled.
28/2.8 BIOGON & the CLE - The Zeiss people could not comment on the compatibility of this lens with the CLE because they have not tried it with this camera. We were able to compare the Biogon with a 28/2.8 Elmarit & the Biogon seems to intrude slightly more into the camera body - a hair more. We guessed about 1.5 mm.
LEICA COMPATIBILITY - The ZM lenses are fully compatible with Leica M bodies.
VF/RF FLARE - I tried to get the rangefinder patch to flare & was unable to do so. Another customer tried & had the same result. We also did not find a situation in which the RF patch disappeared. This of course was the case with convention hall lighting.
STRAP LUGS - The strap lugs are located on the side but toward the front. Leica lugs are more centered midway along the side. CV lugs are on the extreme sides of the front. None of the samples had a strap on it, so there was really no way to tell, but the reps thought that it was designed to hang straight up & down with a ZM lens on it. The lens really seems to be the key. Believe it or not, my R2 hangs straight up & down with a chrome Leica 50 Summicron on it. But this is a heavy lens. With a CV 28/3.5, on the other hand, it tilts back.
LENS NOTES - The German made lenses (85/2 & 15/2.8) will be available only in black.The 15 will be available by the end of this month (October) & the 85 by the end of the year.
28 FRAMELINES - I had remembered these as being fully viewable with glasses. They are not. Without glasses & with your eye pressed up against the viewfinder, the full 28 framlines can be seen. In retrospect, I think that I remembered them as being easily viewable because it is really no different than a 28 mm lens on my SLR. 35 mm framelines were fully viewable with glasses - just barely with my glasses. A lot depends on the shape of the lenses on your glasses & how close to your eyes the frames sit.
TTL FLASH - No.
METERING PATTERN - This question was referred to the new Zeiss Ikon brochure for a detailed explanation, complete with diagrams. Unfortunately it is not yet available. It is expected back from the printer in 2-3 weeks & should be available at your Zeiss Ikon dealer or from Hasselblad in your country or region.
AVAILABILITY - It will be shipped from Sweden the first week in November - silver only & should be in stores by mid-November or so. (October 29 in Japan in silver & black.) Black will be available outside Japan after the limited edition has been sold, anticipated to be some time after the first of the year.
BEST LENS - Erland Pettersson highly recommends 25/2.8 Biogon. No distortion. No light fall-off. Excellent sharpness of even small details. Pictures taken with this lens are limited in the size to which they can be enlarged only by the resolution capabilities of the film.
QUALITY CONTROL - Carl Zeiss AG has set demanding standards for this camera system. Delays have been related to additional time needed to meet these standards. Products will only be released for sale when they meet the standards set. Every lens, for example is individually checked & tested before it is approved for distribution. No spot checking or sampling. Frankly, QC would seem to be what much of the additional cost is for.
INDIVIDUAL IMPRESSIONS - When I saw a prototype last year, I had some concerns. The back door lock seemed flimsy, as did the frame selection lever. Neither wa a problem on the cameras I saw yesterday. Everything was buttoned up tightly & worked properly. These cameras were fully functioning.
The viewfinder is bright, clear, & uncluttered, with white brightlines for framing & a white RF patch for focusing. On the lower right side of the viewfinder, a white number designates the framelines that have been selected. On the left side, a small red number indicates the shutter speed. When in manual mode, a second number flashes, indicating the camera's shutter speed recommendation only if the selected shutter speed is different. These numbers are unobtrusive & there is nothing else in the viewfinder.
The camera feels comfortable in the hand. Everything is easily reached including the AE lock button which sits in the upper middle of the back of the camera just where my thumb could press it. The camera is on the lighter side. It weighs 460 grams - heavier than a Bessa, lighter than a Leica M. The back corners are rounded, so the hand curves around it easily. Squared off in the front felt a little different but didn't interfere with using any of the camera's functions.
The camera felt solidly built. I liked it & am ready to buy one.
That decision was easy. Now beating the Chinatown Chicken in Tic TAc Toe is another matter. For anyone who hasn't realized it, it doesn't matter if the chicken goes first! It's a chicken. You're a human being; that's got to count for something of an advantage. So why does the chicken always win?
Cheers,
Huck
But I did do some photography related stuff. I made it a point to stop at the Fujifilm & Kodak booths so that I could pick up free film. Kodak didn't have a long line of people like me looking for free hand-outs this year because they didn't advertise that they were giving away free film. Fuji went one step better. Instead of giving me the film, they took my name, scanned my registration card, & then told me that they would e-mail me the film. No joke. Yes, friends, it's all gone digital.
After losing at 3-card-monty, visiting the cult of the dancing chicken, & seeking free hand-outs, I decided to get down to business. I visited the Leica booth just to see what I couldn't afford to buy. Bad enough that they were showing an M7 which I couldn't afford now that the price is approaching $4000 - jusk kidding; it won't be $4000 until next year - but they were showing it with the equally unaffordable motor drive attached. I asked about the digital M & found that they were able to say "no comment" in 7 languages. It will be out in 2006. Nothing else is known on this side of the Atlantic. I then took time to listen to the shutter. Uh huh.
I then sauntered over to the Hasselblad booth, armed with my intimidating set of questions devised by the best minds on RFF. As soon as I pulled out my set of index cards, I was greeted by Kornelius Muller, Marketing Manager, Camera Lens Division at Carl Zeiss AG: "Oh, you must be Huck Finn. I've been expecting you." Somehow I suspected that my cover had been blown. The good news is that the good folks at Carl Zeiss AG read RFF. The bad news is that Herr Muller's staff had prepared him in advance with our questions. So, we shook hands, exchanged business cards, & had a good chuckle over the whole thing. We were joined by Erland Pettersson, Hasselblad's Product Manager, Camera Systems, whom I had met here last year & who has answered a continuous stream of e-mails during the past year with an endless supply of patience. The two gentlemen were very gracious in giving me their time & welcomed all questions. They encouraged any of us to address any additional questions directly to them via e-mail (info@zeissikon.com).
Both of these men were nothing if not enthusiastic about this new camera line. Below are their replies to our questions as well as my impressions from handling the camera & lenses:
DIGITAL - There are no plans for a digital ZI any time in the near future. The feeling at Zeiss is that the public expects to obtain the full benefit of Zeiss lenses & that this will not be possible until a full frame sensor is available. End of story.
SHUTTER LIFE - The shutter was tested for a MINIMUM of 50,000 cycles. The reps stressed that this is only a minimum because they stopped testing after 50,000 cycles.
SHUTTER NOISE - To my ear, it sounds like a modified Bessa. Not as harsh but still a "click", not Leica's short "clunk." I brought my R2 for comparison & even at 1/60, there seem to be 2 parts to the Bessa sound. The ZI was a single click. I was okay with it, but this has never been a big deal for me.
LENS HOODS - Their benefit is as much for protection of the lens as for shade. Zeiss coatings typically make flare a non-issue in my experience. I didn't get an answer about why they are priced as they are, but the decision not to include them with the lenses was based on a couple of factors. First, making the hood optional keeps the price of the lens lower. Given that each hood fits 2 different lenses, consumers not only have the option to forego a hood entirely but they can also choose to use a single hood on more than one lens - 50 & 35, for example. Second, inclusion of the hood with the lens can contribute to delays in product availability because it adds a component required for a complete product package. Zeiss chose to avoid any such potential delays that might stem from delays in production of lens hoods.
CLOSE FOCUS - The camera has a close focus distance of 0.7 meters. The 21, 25, & 28 lenses have a minimum focus distance of 0.5 meters. The rangefinder cannot be used to focus this last 0.2 meters, so the photographer must scale focus, zone focus, or measure the distance to use the closest focus capabilities of these lenses. Alternatively, the photographer can choose simply to use 0.7 meters as their minimum focus distance. The 35, 50, & 85 mm lenses have a minimum focus distance of 0.7 meters. The 15 has a minimum focus distance of 0.3 meters but is not rangefinder coupled.
28/2.8 BIOGON & the CLE - The Zeiss people could not comment on the compatibility of this lens with the CLE because they have not tried it with this camera. We were able to compare the Biogon with a 28/2.8 Elmarit & the Biogon seems to intrude slightly more into the camera body - a hair more. We guessed about 1.5 mm.
LEICA COMPATIBILITY - The ZM lenses are fully compatible with Leica M bodies.
VF/RF FLARE - I tried to get the rangefinder patch to flare & was unable to do so. Another customer tried & had the same result. We also did not find a situation in which the RF patch disappeared. This of course was the case with convention hall lighting.
STRAP LUGS - The strap lugs are located on the side but toward the front. Leica lugs are more centered midway along the side. CV lugs are on the extreme sides of the front. None of the samples had a strap on it, so there was really no way to tell, but the reps thought that it was designed to hang straight up & down with a ZM lens on it. The lens really seems to be the key. Believe it or not, my R2 hangs straight up & down with a chrome Leica 50 Summicron on it. But this is a heavy lens. With a CV 28/3.5, on the other hand, it tilts back.
LENS NOTES - The German made lenses (85/2 & 15/2.8) will be available only in black.The 15 will be available by the end of this month (October) & the 85 by the end of the year.
28 FRAMELINES - I had remembered these as being fully viewable with glasses. They are not. Without glasses & with your eye pressed up against the viewfinder, the full 28 framlines can be seen. In retrospect, I think that I remembered them as being easily viewable because it is really no different than a 28 mm lens on my SLR. 35 mm framelines were fully viewable with glasses - just barely with my glasses. A lot depends on the shape of the lenses on your glasses & how close to your eyes the frames sit.
TTL FLASH - No.
METERING PATTERN - This question was referred to the new Zeiss Ikon brochure for a detailed explanation, complete with diagrams. Unfortunately it is not yet available. It is expected back from the printer in 2-3 weeks & should be available at your Zeiss Ikon dealer or from Hasselblad in your country or region.
AVAILABILITY - It will be shipped from Sweden the first week in November - silver only & should be in stores by mid-November or so. (October 29 in Japan in silver & black.) Black will be available outside Japan after the limited edition has been sold, anticipated to be some time after the first of the year.
BEST LENS - Erland Pettersson highly recommends 25/2.8 Biogon. No distortion. No light fall-off. Excellent sharpness of even small details. Pictures taken with this lens are limited in the size to which they can be enlarged only by the resolution capabilities of the film.
QUALITY CONTROL - Carl Zeiss AG has set demanding standards for this camera system. Delays have been related to additional time needed to meet these standards. Products will only be released for sale when they meet the standards set. Every lens, for example is individually checked & tested before it is approved for distribution. No spot checking or sampling. Frankly, QC would seem to be what much of the additional cost is for.
INDIVIDUAL IMPRESSIONS - When I saw a prototype last year, I had some concerns. The back door lock seemed flimsy, as did the frame selection lever. Neither wa a problem on the cameras I saw yesterday. Everything was buttoned up tightly & worked properly. These cameras were fully functioning.
The viewfinder is bright, clear, & uncluttered, with white brightlines for framing & a white RF patch for focusing. On the lower right side of the viewfinder, a white number designates the framelines that have been selected. On the left side, a small red number indicates the shutter speed. When in manual mode, a second number flashes, indicating the camera's shutter speed recommendation only if the selected shutter speed is different. These numbers are unobtrusive & there is nothing else in the viewfinder.
The camera feels comfortable in the hand. Everything is easily reached including the AE lock button which sits in the upper middle of the back of the camera just where my thumb could press it. The camera is on the lighter side. It weighs 460 grams - heavier than a Bessa, lighter than a Leica M. The back corners are rounded, so the hand curves around it easily. Squared off in the front felt a little different but didn't interfere with using any of the camera's functions.
The camera felt solidly built. I liked it & am ready to buy one.
That decision was easy. Now beating the Chinatown Chicken in Tic TAc Toe is another matter. For anyone who hasn't realized it, it doesn't matter if the chicken goes first! It's a chicken. You're a human being; that's got to count for something of an advantage. So why does the chicken always win?
Cheers,
Huck