PDA

View Full Version : Philosophy of Photography


Pages : [1] 2 3 4

  1. Photography and Existentialism
  2. Sharp is the only correct
  3. Imitation
  4. "Just snappin' some pics?": What street photography is for me
  5. Pictures with a punch
  6. About the value of snapshots
  7. Conceptual Photography
  8. Anthropomorphizing Cameras - Do you find it odd?
  9. Cold and Dark
  10. "If you're going to steal..."
  11. hyper reality
  12. Is it art if no one sees it?
  13. How popular are we?
  14. Picture a day for 8 years of aging - living life faster
  15. Are photographs becoming less valuable?
  16. And they say that film is dead =)
  17. why are photjournalists anonymous?
  18. What you want, what you need, what you like, what you can afford
  19. Thoughts on the work of others.
  20. Children, do they stop you shooting?
  21. Mastery with long focus lenses
  22. Ansel Adams...
  23. Does this study apply to expensive lenses? Are you all suckers?
  24. Viewing Conditions
  25. Vignetting Shminetting - What's The Big Deal?
  26. Goyaesqe or Out of Focus?
  27. Who Paints ?
  28. Contacts - Henri Cartier Bresson
  29. Film-vs-Digital Debate is over!!!
  30. "Just plain Love" - Henri Catrier Bresson
  31. Hcb
  32. Henri Cartier-Bressn vs Helmut Newton
  33. HCB - The Impassioned Eye
  34. cameras are tools...really?
  35. New Ernie Pyle Death Photo
  36. POLAROID quits the Polaroid Film Business
  37. Henri Cartier-Bresson Doc, availabe/streamed on Netflix.
  38. photography satisfies in many ways
  39. Magnum photo of the week
  40. B&W or color for the streets?
  41. Where are our social dissidents?
  42. Does Camera Choice Affect Aesthetics?
  43. Hyper Focal Distance Technique - do you use it?
  44. what passes as art
  45. Can you photograph emotion?
  46. Encouraging street photography
  47. Gas Free! Why My Camera Collection is Far Better Than Yours...
  48. Bert Hardy photos
  49. The Empty Mind -- film vs. digital
  50. How I overcome self-consciousness
  51. Garry Winogrand documentary
  52. So, talking about swiped photos
  53. The gear wars have started....
  54. Project overseas - film or digital
  55. Have You Ever Shot Someone N'ked?
  56. Robert Frank article - Vanity Fair
  57. Int'l Asc. of Patriotic Street Photographers
  58. I'm not motivated to do street photography
  59. I wanted to learn to make holliday pictures.
  60. camouflage
  61. Why 35mm in the age of digital
  62. Uninhibited street photographer
  63. Things you cannot photograph
  64. How close to shoot?
  65. what if they made a lens and no one wanted it?
  66. How long should equipment last?
  67. Some thoughts on film and digital approach
  68. The ethics of digital to B&W conversion
  69. Not "touching" photos
  70. A Personal Street Photography Manifesto
  71. Why rangefinder and not SLR?
  72. GAS and Buddhism
  73. Morality, integrity and capability
  74. Ira Glass talks about artistic maturation - vid clip
  75. Which do you think is greener?
  76. satisfaction?
  77. "Note by Note" a movie to see.
  78. Digital, the future, and the delete button.
  79. BRAVO channel May special
  80. The Flickr photo; it's a "style" ???
  81. The Good, The Bad, And Quickly It Gets Ugly
  82. Was HCB Really "All That"???
  83. "Be" In The Moment
  84. You are poor. Are you a better artist?
  85. Do you have a style?
  86. Autistic or Artisitc ? A shared sense of balance / proportion ?
  87. 1968: Josef Koudelka and 1968, summer of hate
  88. Is digital boring to you?
  89. "sex sells" - approved ?
  90. [OT] photog and ethics: winning answer on yahoo answers
  91. I'm Not A Photographer by merkley????
  92. Robert Frank speaking about "The Americans"
  93. B&W Photography, Zone System and you
  94. Stephen Shore Interview
  95. Equipment reviews
  96. What is the "next movement" in Photogrpahy?
  97. In Honor of Cornell Capa
  98. enjoy the view?
  99. how do you know if you're any good?
  100. love the machine
  101. comments by Todd Papageorge
  102. Mastery - an alternate theory
  103. A fear of white....
  104. part 2 - how do you know if you have vision?
  105. About TRADITIONAL
  106. What are your photographic aspirations?
  107. Philip Jones Griffiths - this is the "drive."
  108. Class time with Winogrand
  109. life is short
  110. Needing some of those Positive Vibes... ;)
  111. Eliminating Autistic dee-stractions ?
  112. Comment on "why film"
  113. Bruce Davidson interview
  114. maybe stealthy isn't where it's it?
  115. Robert Frank article in Vanity Fair
  116. Can an "eye" for photography be learned?
  117. unfortunate history
  118. Does one need to be technically inclined?
  119. Invading personal space
  120. Cheap Trix #1
  121. Tyler Hicks in Afghanistan... film...
  122. My Wife Doesn’t Understand Film (Me)
  123. Jerk with a telephoto
  124. What does your other think about you photographing the opposite sex.
  125. A defense of gear lust
  126. here we go..add to this please :)
  127. New Fuji Social Networking Site
  128. How do you hold your camera?
  129. A picture that has always bothered me
  130. Photos as gifts of appreciation
  131. Joe Wigfall
  132. How much do i sell my photos for at new art gallery?
  133. A thousand words worth a picture?
  134. Did someone get a bargain, and do you ...
  135. Is there no end?
  136. Well Something Happened
  137. Are YOU satisfied with YOUR images?
  138. Does the size/complexity of equipment get in the way of street shooting?
  139. Could your hobby land you in deep ****?
  140. Do you have a style...?
  141. How do you prepare for a journey?
  142. HDR - too much?
  143. Do you every feel like a tourist at home?
  144. 39th frame frame-what happened
  145. NYT All the missiles fired
  146. Illegal "Street" Photography
  147. Quotidian Polaroid
  148. War photography.....
  149. "Reality" To Order
  150. NYT returns to Photoshop
  151. A good week ...
  152. NYT Use your Graflex
  153. Thinking of taking the one camera, one lens plunge.
  154. Is street photography difficult?
  155. Fine art photography
  156. What makes an image 'original'
  157. "...an age of cospicuous documentation."
  158. Manufacturers and critical consumers
  159. What I've finally realized about "street" photography
  160. We are doomed
  161. No comment from me
  162. Cropping
  163. Reflections on photographing strangers
  164. TLS article about (bad) photos, hi-tech and W.Eggleston
  165. An interesting idea
  166. Evolution of press cameras
  167. Evil zooms....
  168. Why do I need a 90mm lens on my RF?
  169. Persistence pays off
  170. Goat Meat, LDMU, and The Real Reason Film Will Always Be More Fun Than Digital
  171. 35mm or 50mm?
  172. And Then the Rain Came
  173. self imposed computer ban?
  174. Well, sometimes...
  175. The Value Of Archiving Your Images
  176. Winogrand's idea
  177. The death of portrait
  178. A very interesting commentary on using film
  179. Street photography during difficult times
  180. analyzing a photograph
  181. Do I really have anything to say?
  182. Vintage Visuals
  183. Would that I could...
  184. Popular shows vilify street photographers
  185. How do you ask people if you can take their picture?
  186. Chicken or egg? - RFF and you
  187. Thoughts, notes, quotes, and approaches that have helped your photography.
  188. Is digital capture easier than film?
  189. Critiques versus comments
  190. photography is like golf
  191. Who shot the marlboro man?
  192. RF gearhead = gearhead generally?
  193. Digital Dark Age: a thought-provoking article
  194. Film and the human experience
  195. Getting a HUGE turnout for a Photography Exhibition
  196. Life beyond rangefinder cameras........
  197. Is imperfection more stimulative ?
  198. Thank you again.
  199. How many people here want to be a "bum"
  200. What you want and what you need: How to tell?
  201. Patron saint of photographers
  202. Has anyone read the Eggleston review in the New Yorker
  203. Revenge is a Dish Best Served Cold
  204. Thom's predictions - OT (mostly digital)
  205. PHOTOGRAPHY Doesn't Need Me - I Need PHOTOGRAPHY
  206. How many of your digital cameras have failed?
  207. Photographing children
  208. Useless Info Dept. What do Konica, Yachica, and Leica Have in Common?
  209. Shooting Soviets
  210. A photography lesson from a person who is not passionate about photography. . .
  211. How Relevant Are We?
  212. Why do we love old things so much?
  213. B&W or Color.... and Why?
  214. What do photographs tell us about the photographer?
  215. Great portfolio...
  216. What's in a name?
  217. What would you photograph if you could photograph anything?
  218. Photographing Brunel's Britain
  219. When does reason come in?
  220. Copyright
  221. “What is it about this world that demands an image?”
  222. What's the Story...
  223. Interview With Reza (with pix)
  224. Woke up a couple of oldies today
  225. Is a certain type of person drawn to a fully manual camera?
  226. More like poetry or narrative?
  227. So Your Kitchen Is Tiny. So What?
  228. I am a racist!
  229. Year in Pictures 2008
  230. Are Wet Prints Printed Personally by the Photog Worth More? I think so.
  231. Late Night NYT
  232. Tripods and Resolutions
  233. Too many cameras. Ever have this experience?
  234. Ready to Go Digital!
  235. "No Photography" - Security Guard at Retail Center
  236. How did your photography develop?
  237. Why Rangefinders?
  238. New Flickr Group
  239. Free to starving student of photography
  240. Would you give up rangefinder photography without BW wet prints?
  241. Film: The Real Raw
  242. Vision?
  243. Composing P/S style
  244. I can't take good photos with my RF.
  245. Feeling off
  246. Sweet Spot
  247. Self Portraits (not mirror) how and why!
  248. How do you consume your photos?
  249. Who does and who doesn't (post process that is! )
  250. Between the 'Ooos' and 'Aahs,' Discussion in Flickr Comment Boxes